Did Matty Healy Just Confirm That Phoebe Bridgers and Paul Mescal Are Engaged?

Every moment makes a memory, one that’s finite and fading but also leaves a trace behind of who we once were and what we once knew. All that we recall of our experiences, what lingers of them, exists somewhere between reality and our perception of it: between what was said, what was seen, what was felt, and what could be understood only later.  Looking back on childhood, especially, demands the reconciliation of certain temporal, spatial, and also emotional tensions: between a past that formed us in more ways than we realized and a present that affords us time and distance from which to remember, to forget, and perhaps to see things more clearly.

The 1975‘s Matty Healy has looked back on the on-stage comments he made at Leeds Festival about replacing Rage Against The Machine as Reading & Leeds 2022 headliners, clarifying that he and his bandmates “fucking love Rage so much”.The 1975 were called up to replace RATM as headliners just two weeks before the twin festivals took place in August, with the latter pulling out due to frontman Zack de la Rocha’s ongoing leg injury.Speaking on stage at Leeds Festival on August 26, Healy told the crowd: “I’m sorry we’re not Rage Against The Machine, but who’s Rage Against The Machine?“I mean, give it up for the greatest rock band of the previous generation, ladies and gentlemen please… Being literally in Rage Against The Machine and having a gammy leg is quite funny, though.”Healy, who subsequently praised RATM during The 1975’s Reading headline set two nights later, later clarified his comments following a social media backlash, adding that he intended to say: “I’m sorry we’re not Rage Against The Machine, but who can be Rage Against The Machine?”Speaking to NME in The 1975’s latest Big Read about his RATM comments, Healy said: “I watched it back and I was like, ‘That delivery was so bad!’“There are no records that me and George [Daniel, drummer] know more than Rage. Even ‘Renegades’.

Phoebe Bridgers will join Danny Elfman as he reprises his live-to-film performances of Tim Burton's The Nightmare Before Christmas in London this December. Bridgers will sing the character Sally's parts with Elfman starring as Jack Skellington. Broadway star Ken Page will sing also return as Oogie Boogie for the shows, which are scheduled for December 9-10 at London's OVO Arena Wembley.

Phoebe Bridgers will appear at two screenings of Tim Burton’s The Nightmare Before Christmas with live musical accompaniment at London’s OVO Arena Wembley in December, in which she will provide the voice of Sally.In addition to Bridgers, Danny Elfman – who composed the music, lyrics and score for the 1993 film, and voiced protagonist Jack Skellington – will voice Skellington once again for the screenings. Original cast member Ken Page, who voiced Oogie Boogie in the film, will also reprise his role.Other who are set to provide vocals for the performance include Randy Crenshaw, Greg Proops, Angie Jaree, Baraka May and Fletcher Sheridan.

Matty Healy finds being sober easier when he's in a relationship. The 1975 singer - who split from FKA Twigs last summer - battled an addiction to heroin in his twenties, and though he is "doing really good" with his recovery, he admitted he has to work harder at it when he's alone. He explained: “Well I’m doing really good right now, sobriety-wise.

The 1975 frontman Matty Healy has opened up about his feelings on ‘cancel culture’, and his reasons for quitting Twitter after a controversial post back in 2020.Speaking to NME for this week’s Big Read cover story to mark the release of their fifth album, ‘Being Funny In A Foreign Language’, the frontman discussed deactivating his Twitter account back in 2020 following backlash to a Tweet he made after the death of George Floyd.Following Floyd’s death at the hands of policeman in the US and the subsequent public outcry and growth of the Black Lives Matter movement, Healy Tweeted: “If you truly believe that ‘ALL LIVES MATTER’ you need to stop facilitating the end of black ones.”The post also shared the video to The 1975’s single ‘Love It If We Made It’, which features the lyrics “selling melanin and then suffocate the black men / Start with misdemeanours and we’ll make a business out of them“. Many Twitter users then accused Healy of appropriating Black Lives Matter to sell and promote his own music, before he apologised for any upset and deleted his account.Speaking to NME for this week’s Big Read, Healy told us: “By that point, my reaction in the room to all that Twitter shit was like, ‘Oh fuck off! You know that I’m not using this as an opportunity to monetise the half-a-pence I get paid for a fucking YouTube play’.

The 1975 frontman Matty Healy has spoken to NME about his group being “post-Arctic Monkeys” – and how they could “still be the most important band” of the decade ahead.Speaking to NME for this week’s Big Read cover story to mark the release of their fifth album, ‘Being Funny In A Foreign Language’, Healy discussed the legacy and future of The 1975, as well as how he feels about being labelled as a ‘band’.Speaking in 2018, Healy hailed Arctic Monkeys as “the band of the 2000s” with The 1975 the defining band of the 2010s. Asked today about how he felt about his group’s standing for the decade ahead, Healy replied: “I think we could still be the most important band of the ‘20s, – I’ve got a prediction that we will be, but we’re starting to get into a semantic argument”.Healy then admitted that “Arctic Monkeys are still relevant and making amazing records and are still a band” who could “always be around if they wanted to” (as well as revealing that he’s “obsessed with bands like Fontaines D.C.”), but argued that culture is no longer necessarily aligned with the idea of “white guys with guitars changing the world” and that The 1975 shouldn’t perhaps even be considered as a traditional band.“With us, you need to take us out of the ‘bands’ world and put us next to Lana [Del Rey], Taylor [Swift], Frank Ocean and Kendrick [Lamar],” he said.

Grammys are in, with the first round voting for next year’s awards kicking off yesterday (October 13).There are a number of notable submissions and absentees from the 2023 submissions list, including six from Taylor Swift. Swift has put forward ‘Red (Taylor’s Version)’ for consideration in the Album of the Year and Best Country Album categories, eight years after the original ‘Red’ release lost in both at the 2014 awards.Her other submissions include ‘All Too Well (10 Minute Version)’ for Record of the Year and Song of the Year, ‘I Bet You Think About Me (Taylor’s Version)(From The Vault)’ for Best Country Song and Best Country Performance, and the Phoebe Bridgers-featuring ‘Nothing New (Taylor’s Version)(From The Vault)’ for Best Pop Duo/Group Performance.Beyoncé has entered two dance/electronic category nominations for the first time.

Secretly Canadian, Dead Oceans and Jagjaguwar – shared the news yesterday (October 12).In a statement on social media, the SGU wrote: “We are ecstatic to announce that contract negotiations have concluded and our membership has voted to ratify the contract!“This was a long and very difficult fight, but we could not be prouder to be the first independent label group union.”The message continued: “We hope this is a beacon to other labels and other people struggling to work in music.

It’s always good to have a national broadcaster get behind your band, I’m sure any artist would tell you that. Well, any artist except The 1975’s Matty Healy, who has hit out – repeatedly – at Australian radio station Triple J for having the audacity to promote his band’s newly announced tour dates in the country.The station posted about The 1975’s 2023 tour dates on its website and social media accounts yesterday, as well as noting that the band have a new album out next week.

K.J. Yossman Bruna Papandrea’s Made Up Stories has launched a U.K. office led by Sarah Harvey (“Ticket to Paradise”). Harvey, who boasts a two decades long career in film and high-end drama, joins the company as a producer and creative director. She has previously worked at production companies including Blueprint Pictures, Intermedia Films and Working Title Films. Harvey took up the her new role in August. She has previously worked on productions including “Strangers,” which starred Claire Foy, Paul Mescal and Jamie Bell, for Searchlight Pictures and the film “The Best Exotic Marigold Hotel,” directed by John Madden and starring Judi Dench and Maggie Smith. She also co-produced Colin Farrell starrer “In Bruges,” directed by Martin McDonagh.

Big Little Lies producer Bruna Papandrea’s production company, Made Up Stories, is expanding with a new UK office run by Sarah Harvey, who has joined the company as a producer and creative director. Harvey officially began her new position in August.

Bruna Papandrea’s Made Up Stories, the film and TV production company behind “Big Little Lies” and “Nine Perfect Strangers,” among others, is expanding its presence to open a new U.K. office, and it’s tapped “Ticket to Paradise” producer Sarah Harvey to lead the office.

View this post on Instagram They are perhaps one of the cutest couples to have emerged from lockdown, and it seems that Phoebe Bridgers and Paul Mescal might have just taken their relationship to the next level. That's if a cryptic tweet by their mate, The 1975's Matt Healy is to be believed.

Note: The following contains spoilers for “God’s Creatures” and a discussion about sexual assault.“God’s Creatures” directors Saela Davis and Anna Rose Holmer felt an urgency to investigative the unspoken normalcies surrounding sexual assault in A24’s latest psychological drama.“There were these questions that the script was posing that felt like questions we had been asking about how you negotiate these unspoken ‘normalcies’ that needs to be questioned,” Holmer told TheWrap during a recent interview. “It felt urgent to us to make.”Set in an Irish fishing village, “God’s Creatures” reunites Aileen, played by Emily Watson, with her son, Brian, played by Paul Mescal, who left the area as a boy to move to Australia, and comes home a man seeking fresh start.

Waves crash against the jagged coastline of an Irish fishing village, their rough cadence just one reminder of nature’s abiding power in a place composed of harsh, unyielding elements. The sky is a clouded gray, and the wind cuts sharp and deep enough to hit bone.

Jem Aswad Senior Music Editor Two decades ago, as the turn-of-the-century NYC indie-rock scene burst out of its East Village and Williamsburg incubators, few probably expected that the Yeah Yeah Yeahs would end up having the most wide-ranging career of the bunch. After all, a trio consisting of a wiz-kid guitarist, powerhouse drummer and a fireball lead singer might have made for explosive shows and a scrappy, deceptively diverse debut EP, but with no shade intended to the Strokes, Interpol, LCD Soundsystem, TV on the Radio and all the others, the multiple musical directions the band would go did not seem to be in the cards. The Yeahs had the first hit single of the pack (2003’s “Maps”) and varied their approach with each successive album, peaking with 2009’s unexpectedly electronic-heavy “It’s Blitz.” That album represented the end of that particular thread: The group released one more, rockier album “Mosquito” in 2013 (which, significantly, fulfilled their major-label contract) and then basically went on hiatus. In the years since, singer Karen O released a stellar collaboration with Danger Mouse, “Lux Prima” and co-composed the score for the animated film “Where Is Anne Frank?,” guitarist Nick Zinner also scored films and worked with Phoebe Bridgers and Songhoy Blues, and drummer Brian Chase started his own label. Such hiatuses are often permanent, but the group reunited for a tour in 2017, and five years and a pandemic later, there’s finally a reunion album — and it continues the group’s evolution with a powerful, more seasoned take on their earlier sounds.

Get ready, Scream fandom! This week’s 20 Questions On Deadline guest is Melissa Barrera.