EXCLUSIVE: Catapult Film Fund today announced its newest group of film teams to earn prestigious research grants, a fortunate cohort who will receive mentorship from some of the brightest names in documentary, including Oscar nominee Sara Dosa.
19.02.2023 - 08:05 / deadline.com
The need for greater residuals and more diversity were some of the vital issues expressed by filmmakers tonight at the DGA Awards ahead of the guild’s talks with the AMPTP.
The DGA’s contract expires on June 30, the same day as SAG-AFTRA’s and two months after the May 1 expiration of the WGA’s contract.
Eric Appel — a first time nominee for the Roku movie Weird: The Al Yankovic Story — noted, on a personal level, that while he’s directed his fair share of television over the years and remembers “a time” when he was able to collect “a lot of residuals” for that work, revenue of the sort “does not really exist” when it comes to projects he’s taken on of late in the brave new world of streaming. “I definitely want [the industry] to just rethink how those residuals work, so it’s not one-and-done when you make your project,” said the director. “These things get sold and resold, and traded from streamer to streamer. I feel that we should get a piece of that, for sure.”
Judd Apatow, who is back tonight for his fourth go-round as host of the DGA Awards, agreed that “there’s all sorts of issues with how people are paid and residuals,” with Top Gun: Maverick DGA nominee Joseph Kosinski observing, like Appel, that “the whole landscape of how people are consuming media is changing, so making sure that the agreements keep up with that is important.:
“I’ve got a movie I’m prepping right now, so I’m just hoping everyone can come to an agreement soon,” said the director nominated tonight for Top Gun: Maverick, “so we don’t have to think about anything else, and [can] just get back to the business of shooting films.” Kosinski’s next movie from Apple Studios is an untitled Formula One racing movie starring Brad Pitt.
While Apatow also
EXCLUSIVE: Catapult Film Fund today announced its newest group of film teams to earn prestigious research grants, a fortunate cohort who will receive mentorship from some of the brightest names in documentary, including Oscar nominee Sara Dosa.
When filmmaker-actor-writer Miranda July was approached about narrating the documentary Fire of Love, she didn’t see herself as an obvious choice.
Oscar voters scanning their final ballot may do a double-take when they get to Best Documentary Feature: the name Shane Boris really does appear twice in the same category.
The Oscar-nominated documentary “Fire of Love” is getting the narrative remake treatment. The acclaimed non-fiction movie, concerning the scientific research and on-the-job romance of French volcanologist filmmakers Katia and Maurice Krafft, will become a live-action narrative feature film.
EXCLUSIVE: Searchlight Pictures is making a deal to turn Fire of Love into a narrative feature. The film, which tells the story of the scientific research and romance of preeminent French volcanologist filmmakers Katia and Maurice Krafft, is a frontrunner in the Oscar race for Best Documentary after premiering at 2022 Sundance, winning a Jury Prize and being acquired by National Geographic Documentary Films.
It honestly wouldn’t be your fault if you never heard of “Die Hart.” Even though the first season stars Kevin Hart and John Travolta, it debuted on Quibi. Remember that experiment? Well, like so many of the Quibi shows, it was eventually picked up and repackaged over at The Roku Channel.
Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages are Davis’ assessment of the current standings of the race and do not reflect personal preferences for any film or performance. Like any organization or body that votes, each individual category is fluid and subject to change. Predictions are updated every Thursday. LAST UPDATED: Feb. 21, 2023 CATEGORY COMMENTARY: Sara Dosa won the Directors Guild of America Awards, where The guild crowned “Fire of Love” from National Geographic Documentary Films and Neon. A feel-good documentary that recalls the story of Katia and Maurice Kraftt, two scientists who die in a volcanic explosion.
Deadline has launched the streaming site for its Contenders Film: The Nominees awards-season event, which took place on Saturday and highlighted the cast and creatives behind 12 films that have been Oscar-nominated this year.
Judd Apatow has nothing but pride for his 25-year-old daughter, Maude, and her role in the hit HBO drama . Apatow caught up with at the Directors Guild of America Awards on Saturday in Beverly Hills and set the record straight on her daughter's success, assuring that he's «not traumatized» by the racy series. Maude plays the role of Lexie Howard, whose character's storyline was centerstage in season 2. «I can watch it.
Tom Cruise over his height during a monologue at the Directors Guild Of America Awards.The comedian and producer hosted the ceremony on Saturday (February 18), where he praised Top Gun: Maverick for concealing Cruise’s 5 foot 7 height.“The visual effects in [Top Gun:] Maverick were so top-notch I couldn’t even see the stack of phone books Tom Cruise sat on to reach the flight controls,” Apatow said.“That’s why he’s always jumping out of tall buildings because you can’t tell how short he is when he’s in a 100-storey building. That’s why when he’s standing on a wing of an airplane he’s always alone, he doesn’t want anyone there next to him for scale.”Judd Apatow kills as host at the DGAAwards. No one was off limits including the Daniels and most notably, Tom Cruise.
Todd Gilchrist editor Composer Nicolas Godin is part of the creative team responsible for “Fire of Love,” the Oscar-nominated documentary directed by Sara Dosa about volcanologists Katia and Maurice Krafft. As one half of the electronic group Air, he’s no stranger to collaboration: between 1995 and 2016, he and partner Jean-Benoit Dunckel released six albums and two soundtracks that sold millions of copies and earned them worldwide accolades as the downtempo counterparts of French contemporaries like Daft Punk. But even if he and Dunckel haven’t recorded anything completely new together since “Music for Museum,” their work for a 2014 art project at France’s Palais des Beaux-Arts de Lille, the sound they created lives on just as vividly in their solo work, echoing the lush cinematic aesthetic they first premiered on their debut LP “Moon Safari.”
There are brand new details about Brad Pitt‘s upcoming Formula One movie.
Judging by the results this weekend of the first major industry test of where the Oscar winds could be blowing, it was basically a draw as we now have results from both the DGA and BAFTA. Both these groups, as well as the upcoming SAG, PGA, and to a slightly lesser extent due to their eligibility quirks, the WGA, are considered the most important bellwethers for Oscar as their memberships heavily cross over with actual Oscar voters as opposed to critics groups. Earlier televised awards shows like Golden Globes and Critics Choice Awards, but both composed also of journalists, split their Best Picture choices between The Banshees Of Inisherin (GG Comedy), The Fabelmans (GG Drama), and Everything Everywhere All At Once (CCA). But now for the first time we are hearing from the industry and that is key for prognosticators. Sometimes the race can turn on a dime, or they can really muddy the waters.
stack of phone books Tom Cruise sat on to reach the flight controls,” Apatow teased in his monologue of Cruise’s 5’7” stature and aviation shots in “Top Gun: Maverick,” per Variety.“Remember when Tom Cruise jumped up and down on the couch and we all thought, ‘What a lunatic!'” Apatow remarked, referring to the actor’s infamous interview on “The Oprah Winfrey Show” in 2005. “And now he rides a motorcycle off a cliff and BASE jumps and we’re all like, ‘Tom’s fine!'”“Tom is not fine,” Apatow continued.
Judd Apatow served as emcee for the DGA Awards on Saturday night, and he kicked off his show-opening monologue by taking a few shots at Tom Cruise.
Bringing the jabs. Tom Cruise’s Top Gun: Maverick was nominated for a prize at the 2023 Directors Guild of America Awards, and host Judd Apatow couldn’t resist a few shady jokes at the actor’s expense.
Judd Apatow honed in on Tom Cruise when he was onstage at the Directors Guild of America Awards on Saturday evening (February 18).
At tonight’s DGA Awards, directors Dan Kwan and Daniel Scheinert landed Best Theatrical Feature with their A24 smash Everything Everywhere All At Once — besting competition that included Todd Field (Tár), Joseph Kosinski (Top Gun: Maverick), Martin McDonagh (The Banshees of Inisherin) and Steven Spielberg (The Fabelmans) in their first time out at the ceremony.
Selome Hailu A month after Jerrod Carmichael used the Golden Globes stage to mock Tom Cruise for his involvement in the Church of Scientology, Judd Apatow got in a few similar jabs while emceeing the Directors Guild of America Awards. The jokes began with the topic of the “Top Gun” star’s height: “The special effects in ‘Maverick’ were so top notch, I couldn’t even see the stack of phone books Tom Cruise sat on to reach the flight controls.” “Remember when Tom Cruise jumped up and down on the couch and we all thought, ‘What a lunatic!'” Apatow said, referring to the infamous 2005 incident on “The Oprah Winfrey Show.” “And now he rides a motorcycle off a cliff and BASE jumps and we’re all like, ‘Tom’s fine!'”
Judd Apatow returned for a fourth time to host the 75th Annual DGA Awards, where he opened Saturday’s show with yuks about Austin Butler’s voice, the presence of a “F–k Boy Table” and Tom Cruise’s stunts.