‘Devil’s Peak’ Review: Billy Bob Thornton and Robin Wright Relish Gritty Appalachian Characters

The cost of living crisis is causing many to tighten their belts and cut back on luxuries like eating out at restaurants.

New cars will be branded with '23' plates from this month, but there are certain combinations of letters and numbers that are banned.

Marks and Spencer shoppers have been blown away after coming across a bargain pair of jeans that come in eight different colours. The Sienna Straight Leg jeans cost just £22.50 and are made from an ultra-stretchy fabric making them comfortable for everyday wear.

debuted a chin-length, bob on Instagram—and while Kardashian first cut her hair above her shoulders back in August 2021, this may be her shortest chop yet. In the pics, which were taken in Las Vegas, Kardashian shows off her icy new look while dressed in a black leather corset and oversized leather jacket. She kept her brows a more natural shade and topped off the look with a sultry smokey eye and pale matte lip. If you're picking up a ‘90s vibe, there’s defintiely a reason beyond current Gen Z-led trends. This content can also be viewed on the site it from.Unlike , Kourtney Kardashian has kept her deep brunette shade pretty consistant over the years, but that doesn't mean she has never dabbled with bleaching her hair. In photos shared on her Instagram Stories, the eldest Kardashian sister revealed that she rocked a similar look in 1995.

A frantic search has been launched for a Glasgow man following his "out of character" disappearance. Brian Lundie, 41, has been reported as missing from the Ballieston area in the city.

Krapopolis could spawn Fox’s next iconic animated figure to sit alongside Homer Simpson, Bob Belcher and Peter Griffin, according to the network’s President of Scripted Programming Michael Thorn.

Gina Carano’s fate is being revealed.

Guy Lodge Film Critic “Till the End of the Night” opens with what initially seems a Brechtian flourish: a nifty time-lapse shot of a bare shell of an apartment being painted, fitted, decorated and accessorized to an apparently lived-in state, as a vintage German torch song by Heidi Brühl crackles over the soundtrack. It’s not a film set being dressed, however, but a police one — the home base for an elaborate undercover investigation. It’s not the first time Christoph Hochhäusler’s romantic detective thriller will hint at subversive ambitions that turn out, upon closer investigation, to be rather conventional. Tossing a fraught transgender love story in the middle of an otherwise standard cop procedural, the film doesn’t much satisfy on either level, with superficial sexual politics and slack suspense. Despite a Berlinale competition slot, prospects beyond home turf appear limited.

A.D. Amorosi Throughout the currently-running first season of Peacock’s “Poker Face,” guests to actor-writer-co-creator Natasha Lyonne’s murder mystery party have found themselves transformed almost beyond recognition. While this has included Chloë Sevigny as a metalhead, and Judith Light and S.

Joe Leydon Film Critic “Linoleum” starts out as one kind of movie, drops teasing hints that it might be another type of film and ultimately plot-twists into, well, something else. All of which makes it difficult to review, much less describe in detail, without spilling an economy size bag of beans. But wait, there’s more: It’s also a movie that, not unlike “The Usual Suspects” or “Jacob’s Ladder,” likely will drive some viewers to opt for an instant replay after closing credits roll by, to see if that final twist actually does a watertight job of answering and explaining. Why? To quote a line of dialogue repeated almost as a mantra throughout the proceedings: It’s not that simple. Jim Gaffigan impressively manages the tricky task of serving simultaneously as sympathetic protagonist and unreliable narrator while portraying Cameron Edwin, a once promising scientist and astronaut wannabe who’s nearing 50 while weighed down with a multitude of reasons for a full-blown midlife crisis. The “Bill Nye the Science Guy”-style children’s TV show he hosts for a Ohio station has been banished to a midnight timeslot; Erin (Rhea Seehorn), his wife and former co-host, wants a divorce before she moves away to accept an aerospace museum job in another city; Nora (Katelyn Nacon), his teenage daughter, has started addressing him by his first name as she’s caught up with her own identity issues; and Mac (Roger Hendricks Simon), his retired scientist father, is losing ground in his battle against dementia in an elderly care facility, despite the best efforts of his watchful doctor (Tony Shalhoub).

Harvey Weinstein has been sentenced to 16 years in prison following his conviction in the Los Angeles rape trial that lasted five weeks. The disgraced movie mogul's sentencing was handed down Thursday in a Los Angeles courtroom, where the 70-year-old was convicted in December. The sentencing comes two months after the jury — comprised of eight men and four women — needed just over two weeks to deliberate. In the end, the jury found Weinstein guilty on three of the seven counts he faced.

Guy Lodge Film Critic If any writer has ever retreated to a remote, idyllic rural pad with the intention of getting some work done, and proceeded to have a productive and creatively fulfilling time, it has certainly never happened in the movies. Leon, the callow young novelist at the center of Christian Petzold’s canny, many-layered new film “Afire,” is the latest in a long line of onscreen scribes to learn that lesson. But over the course of a hot, rainless summer by the Baltic coastline, the elusiveness of his imagined masterwork turns out to be far from his greatest problem: Writer’s block spills over into bitter social paralysis, exposing every facet of life he doesn’t yet know how to live, let alone write about. All the while, the surrounding woodsy landscape wilts and scorches, the threat of natural disaster lending an urgent pull to this dry, elegant comedy of manners — so dry, in fact, it’s just a breath of wind away from tragedy.

Jessica Kiang Writing about music is like dancing about architecture, the maxim goes. And writing about “Music,” the latest beautiful and strange deep-niche arthouse artifact from uncompromising formalist Angela Schanelec, feels like a similarly doomed proposition. The limitations of language are seldom as apparent as when grappling with the silvery elisions and crisp, cryptic omissions of this glancing take on Sophocles’ “Oedipus Rex.” Schanelec is unlikely to vastly expand her fanbase here, but the tiny, fervent following she has accrued over the course of now 10 fantastically intricate features may be more than ever entranced by the fertile illogic of “Music,” a postmodern expression of a premodern text. 

Milo Ventimiglia is reflecting on several roles he has had.

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Willem Dafoe gets a dream role with Inside, a combo of art film in more ways than one, psychological thriller, heist movie, and survival tale all rolled into one in which Dafoe’s Nemo is center stage, alone, the entire time.

You didn’t think Willem Dafoe would star in a conventional escape room thriller, did you? Then again, “Inside” is barely an escape room thriller despite it being about an art thief trapped in the location of his latest heist. Greek filmmaker Vasilis Katsoupis’s elegant provocation may be closer to the kind of existential mood pieces that generations ago defined so much of European cinema, but it’s been given a modern gloss of design, tension, and star power more in keeping with the gripping tales of solitude that have found a mainstream audience (“Cast Away,” “Life of Pi,” “All Is Lost”).Inevitably, because of its challenging nature, “Inside” and its methodical excavation of one man’s survival instincts in a place not assumed to require endurance –- a luxury penthouse in Manhattan — will likely only appeal to the arthouse crowd.

An unhappy diner has slammed "cold" food and a dish "like rubber" from an Edinburgh eatery - despite only having to pay for one glass of in. The customer said the "underwhelming" meal at Cafe Andaluz in late December was "not authentic or fresh".

Guy Lodge Film Critic Anyone who has spent much time on Film Twitter recently might know that there are two recurring subjects sure to instigate discourse wars between certain moralistic Zoomers and their befuddled elders: on-screen relationships marked by significant age gaps, and on-screen sex scenes between partners of any age, largely condemned by youthful detractors as gratuitous narrative roadblocks. That demographic won’t be seeking out Emily Atef’s film “Someday We’ll Tell Each Other Everything,” a brazenly sensual May-December romance between a teenage ingenue and a middle-aged social outcast, though beyond the festival circuit, this pretty but somewhat dreary mood piece is unlikely to end up on many people’s radars at all.

Daniel D'Addario Chief TV Critic After six seasons, Milo Ventimiglia — a star who began his career as Stars Hollow’s resident hellion on “Gilmore Girls” — is freed up from playing the benevolent patriarch on “This Is Us.” And, at least in theory, his new series brings together the two halves of his TV career. On ABC’s “The Company You Keep,” based on the Korean series “My Fellow Citizens,” Ventimiglia plays a con artist, but one who’s utterly committed to his parents (William Fichtner and Polly Draper) and adult sister (Sarah Wayne Callies). The conflict between obligations to loved ones and the desire to get out of the game creates tension and interest in the show’s first two episodes, as does genuine chemistry with co-star Catherine Haena Kim.