Nemanja Vidic thinks Manchester United should not sign Harry Kane because of the player's age and the sizeable transfer fee he would command.
08.04.2023 - 12:23 / usmagazine.com
The Internet’s most mysterious gossip gal is spilling her secrets — well, at least a few. DeuxMoi caught up with Us Weekly to reveal a little more about the person behind the iconic Instagram account.
The celeb news sleuth launched the infamous Instagram in 2020, publishing anonymous and unverified tips about Hollywood stars. The @deuxmoi account has over 1.8 million followers, with Drew Barrymore, Cardi B, Gigi Hadid and Julianne Moore among them.
The anonymous writer has expanded beyond social media recently. She teamed up with Jessica Goodman to write Anon Pls., a novel inspired by her life and published by William Morrow in November 2022.
DeuxMoi says her identity remains top secret — to those outside of her inner circle. “My family and friends know that I’m DeuxMoi. At this point, I can’t hide it,” she exclusively reveals to Us.
However, for the most part, she keeps her personal details locked down — but there have been some close calls. “The closest I’ve come to being discovered was when I sat next to a table of celebrities I’ve DMed with at Carbone in New York City,” she tells Us.
It isn’t often that the secretive social media star opens up, so scroll down for a rare inside look at 25 things you might not know about DeuxMoi:
1. I’m really good at detangling a knot out of a necklace.
2. My first car was a red Toyota that I was given before I had my license. I would let my friends with licenses drive it.
3. I don’t exchange phone numbers with celebrities, although a few have given me theirs. I’ll keep who anon pls.
4. My most starstruck moment was meeting Mary-Kate Olsen at a restaurant in NYC. I asked to take a photo [and] she said I could catch her when she was leaving. I didn’t want to disturb her, so I never got that
Nemanja Vidic thinks Manchester United should not sign Harry Kane because of the player's age and the sizeable transfer fee he would command.
Patrick Frater Asia Bureau Chief Director Stanley Tong (“Rumble in the Bronx”) is to team up with Jackie Chan for the tenth time on “The Legend.” State media in China report that Chan, who recently reached the top spot in the mainland Chinese box office with aged stuntman comedy “Ride On,” will play an archaeologist on a quest through time and space. With production by Bona Film Group, “The Legend” is pitched as being in the same vein as Tong and Chan’s 2005 effort “The Myth,” which was a fantasy love story. Tong and Chan have worked together on other titles including “Police Story 3,” “Supercop” and “Vanguard.” India’s Jio Studios is backing “Khashaba,” a Marathi-language film on the life of India’s first Olympic medalist Khasaba Dadasaheb. After delivering the sleeper hit Sairat and Fandry, the new film will be directed by Nagraj Manjule. The title is considered as part of Jio Studio’s ambition to deliver more than 100 stories this year. With production to begin shortly, the film will be mounted on a large scale. “Along with entertaining the audience, this film will also introduce the audience to a brave and exceptional athlete who made India proud all over the world,” said Manjule. “Khashaba” will be presented by JioStudios and produced by Aatpat Production, Jyoti Deshpande and Manjule.
Patrick Frater Asia Bureau Chief The highly-anticipated Japanese animated feature film “The First Slam Dunk” dominated the mainland China cinema box office in its opening weekend. It broke multiple records as it did so. The film scored $38.5 million (RMB266 million) over the Friday to Sunday weekend, according to data from consultancy Artisan Gateway. However, it opened on Thursday, a day earlier than is the norm in China, and has accumulated $55.2 million over the opening four-day frame. The film is based on IP that is well-known to a generation of comic book fans and TV audiences in China (early middle-aged men were reported to have been particularly interested) and has already proved a hit in other parts of Asia. (Comscore estimates that the film has grossed $211 million worldwide.)
EXCLUSIVE: One day after New Mexico dropped criminal charges against Rust actor and producer Alec Baldwin in the tragic set death of DP Halyna Hutchins, Deadline has learned that the Oscar nominee and multi-Emmy winner is set to star in Mike Hatton’s feature directorial debut, Hollywood Heist.
Selling Sunset!Everyone’s favorite Hollywood realtors — and their drama – are returning for season 6 this May. Netflix announced that the hit reality series will be dropping 11 new episodes on May 19.Joining Jason Oppenheim and Brett Oppenheim for season 6 are Chrishell Stause, Emma Hernan, Mary Fitzgerald (and Romain Bonnet), Heather Rae El Moussa, Amanza Smith, Davina Potratz, Chelsea Lazkani and newbies Bre Tiesi and Nicole Young. Fans tuning in will get to see Stause have “an awakening” with her partner, G Flip, Heather Rae navigate pregnancy and giving birth and new girls Nicole Young and Bre Tiesi make their debut. Young might be new to the Netflix series, but she’s an original member of the Oppenheim Group.
Flights from Manchester Airport to mainland China will return to pre-pandemic levels from next month in what has been described as a 'significant' economic boost for the city region, it was confirmed today.
Patrick Frater Asia Bureau Chief Jackie Chan-starring nostalgic stuntman comedy film “Ride On” trotted to a second weekend atop the mainland Chinese box office. “The Super Mario” Bros. Movie” remained in fourth place. “Ride On” earned $6.0 million (RMB41.5 million) between Friday and Sunday, a 48% week-on week drop, according to data from consultancy Artisan Gateway. That took it to a $22.6 million total since release on April 7. Below it, Japanese animation “Suzume” and Chinese shaggy dog story “Hachiko” swapped places. “Hachiko,” on its third weekend outing, earned $4.9 million, for a cumulative of $35.1 million. “Suzume” earned $4.5 million in its fourth weekend on release in China, giving it a $109 million cumulative.
Salma Hayek and Valentina Paloma are returning home from an “amazing” trip. Hayek shared various stunning photos on her Instagram, showing her and her daughter making the most of the trip.Salma Hayek welcomes spring in a floral outfitPedro Pascal, Salma Hayek, and more honored in Time 100A post shared by Salma Hayek Pinault (@salmahayek)The post is made up of various photos that show Hayek looking ready to explore nature.
Patrick Frater Asia Bureau Chief Japanese electronics giant, Sony has opened a virtual production studio in Shanghai, China, that it says can be used for shooting film, TV and commercials. The studio opened last month and is jointly operated with Gwantsi, one of China’s largest commercials production companies. Virtual production involves the use of high-resolution screens that create a backdrop in front of which actors perform. This can reduce the need for location travel, cut set-up times, shorten post-production and provide a more life-like environment for performers than traditional green-screen environments. VP studios are also well adapted to motion capture production.
EXCLUSIVE: Briarcliff Entertainment has taken domestic distribution rights to Sight starring Terry Chen (Almost Famous, Falling) and Oscar-nominated and Emmy-winning Greg Kinnear (Little Miss Sunshine, As Good as It Gets). A wide theatrical release has been set for Oct. 27.
Beijing-based sales agent Rediance has revealed first look stills for Anthony Chen’s The Breaking Ice, which has been selected for the Un Certain Regard section of this year’s Cannes Film Festival.
Patrick Frater Asia Bureau Chief Wanda, the Chinese conglomerate that once threatened to take over Hollywood, has put up for sale the Hoyts cinema chain in Australia that it bought in 2015. Hoyts is Australia’s second largest movie theater operator with 46 multiplexes housing 412 screens, according to 2022 data from Screen Australia. It also owns Val Morgan, Australia’s biggest cinema advertising firm.Wanda Cinema Line, itself China’s biggest theater operator, has appointed Credit Suisse and Nomura to handle the sale. Bidders are understood to have access to a “stapled debt” package (a line of agreed financing arranged by the banks) if the potential buyer cannot arrange sufficient finance of their own. A first deadline for bids is set at the beginning of May, with final offers to be submitted by the end of June.
Patrick Frater Asia Bureau Chief The Jackie Chan-starring stunt-man comedy drama “Ride On” pratfalled its way to first place at the mainland Chinese box office with a lowball $11.7 million opening. Still, that was enough to beat another new release, “The Super Mario Bros. Movie,” which ranked fourth over the latest weekend. Chan is an enduring, but fading, star in China and in the past his new release titles were often scheduled for the three biggest holiday seasons. “Ride On,” which sees Chan in an ode to the stunt players he has worked with, was released two days after the Ching Ming (Wednesday 5 April) holiday, when many folks honor their ancestors. Its opening three days were enough to depose “Suzume” from the top spot, where “Suzume” had ranked for the previous two weekends. “Suzume” earned $8.0 million over the latest weekend in China, according to data from consultancy firm Artisan Gateway. That gives it a $103 million cumulative after 17 days in mainland theaters, a China record for a Japanese animation film.
Patrick Frater Asia Bureau Chief “Dungeons & Dragons: Honor Among Thieves” opened in fourth place at the mainland China box office with a muted $5 million haul. Top honors belonged to Japanese animation film “Suzume” for the second weekend. “Suzume” incurred a 55% week-on-week drop, falling from $49.6 million in its opening weekend, to $22.1 million in is second, according to data from consultancy Artisan Gateway. After ten days in Chinese theaters, “Suzume” now has a cumulative total of $80.6 million. Nevertheless, its lead at the top of the box office chart was unassailable. The weekend’s best-placed new release title was “Hachiko,” a Chinese retelling of the Japanese tale of a dog which faithfully waited at a station for its master years after his death. (The story was previously given a U.S. version with Richard Gere in the lead human role.) It earned $8.9 million (RMB61.2 million) in its opening weekend.
Everything is bigger in Texas! Kane Brown and Katelyn Brown took home the top honor of Video of the Year at the 2023 CMT Music Awards on Sunday, April 2.
Manchester United are preparing to make their move for Harry Kane in the hope of agreeing an £80million deal, according to reports.
Patrick Frater Asia Bureau Chief “The Bad Kids,” a hit series from Chinese streamer iQiyi, is to be remade as a Japanese feature film “Gold Boy.” The 12-episode gritty crime thriller depicts the troubles that arise after three children accidentally film a murder. The series was previously licensed to Japanese pay-TV group Wowow.
Patrick Frater Asia Bureau Chief Alibaba, the Chinese e-commerce and media group, unveiled a top to bottom corporate restructuring that it says is intended to “unlock shareholder value and foster market competitiveness.” The group, which has a current market capitalization of $228 billion, will split itself into six divisions of differing sizes. Each unit will have a CEO and a board of directors and can pursue independent fund-raising or even IPOs, when they are ready. At present Alibaba has its shares and ADR shares listed in Hong Kong and New York. Some parts of its media business also have their own Hong Kong share listing Alibaba Pictures. (And there is a healthcare business with yet another share quote.)
Disney’s live-action take on The Little Mermaid has been cleared for theatrical release in China, as has Fast X — the penultimate installment in Universal’s long-running Fast & Furious action franchise. Dates are still to be set for both films in the market which has increasingly been handing out day-and-date releases for Hollywood titles even if audiences have been somewhat tepid of late. Hope springs.
Naman Ramachandran Yash Raj Films’ “Pathaan” is the biggest Indian hit of the year so far grossing $130 million. The studio’s Akshaye Widhani also served as a co-producer on the film. Part of the release strategy around “Pathaan” was keeping Shah Rukh Khan away from the film’s promotions, creating curiosity around the superstar’s comeback film, the first time he’d headlined a project since 2018’s “Zero.” “There was a lot of excitement and hunger to see India’s biggest movie star on screen after four years. We wanted to preserve that. So when we got into a room with him to talk about marketing the film, we all felt what if we went with a different strategy this time, which is less is more. So we hold back Shah Rukh, not have him seen pre-release, not have him interact with anybody pre-release,” Widhani told Variety. “But once the the film is out, then we come out into the media. That was a conscious decision and one that paid off well, because the whole excitement to go watch him on screen became even more, and the hunger increased when you didn’t see him. And it worked well for us.”