‘Descendant’ Review: Stunning Documentary Presents a Layered History of the Clotilda Slave Ship and Africatown [Sundance]

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caused a style standoff between millennials and Gen Z, denim was controversial.A new documentary, “Riveted: The History of Jeans” (out Monday, Feb. 7, on PBS), unfolds the untold story of America’s most iconic and ubiquitous garment.

Dennis Rodman’s daughter Trinity Rodman has her next four years planned. The 19-year-old prodigy turned pro over a year ago without any college soccer experience and now has what has been reported the richest deal in NWSL. According to The Post, she has a four-year contract with Washington Spirt that is reportedly worth more than $1.1 million.Trinity signed her previous contract after being drafted No.

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Directed by Paula Eislet and Tonya Lewis Lee (Spike Lee’s producer and partner), the documentary “Aftershock” chronicles the dismal maternal mortality rate that women of color face in the United States medical system. The statistics are shameful, pointing to a systemic racist indifference, and the documentary chronicles the staggering number of times that expectant mothers entering into hospitals simply do not come out alive due to a lack of care and sensitivity.

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Angelique Jackson Netflix has acquired worldwide rights to the Sundance award-winning documentary “Descendant,” by filmmaker Margaret Brown (“The Order of Myths,” “Be Here to Love Me: Townes Van Zandt,” “The Great Invisible”). Higher Ground, President Barack Obama and Michelle Obama’s production company, will present the Participant feature alongside Netflix later this year.The film follows members of Africatown, a small community in Alabama, as they share their personal stories and community history as descendants of the Clotilda, the last known ship carrying enslaved Africans to the United States.

Brent Lang Executive Editor of Film and MediaIFC Films and Shudder has acquired North American rights to psychological thriller “Resurrection” following its world premiere at this year’s Sundance Film Festival. The film stars Rebecca Hall as Margaret, a woman who balances the demands of a busy career and single parenthood. Her carefully constructed life is upended when an unwelcome shadow from her past, David (Tim Roth) returns, forcing her to confront the monster she’s evaded for two decades.“Resurrection” was written and directed by Andrew Semans (“Nancy, Please”) and co-stars Grace Kaufman and Michael Esper.

poisoned Russian dissident Alexei Navalny premiered at the Sundance Film Festival on Tuesday. Called “Navalny,” it’s a no-holds-barred indictment of Russian President Vladimir Putin and the Kremlin, and insists that Navalny’s close brush with death was the result of a secret state-run operation to assassinate him.“As I became more and more famous guy, I was totally sure that my life became safer and safer because I am kind of famous guy — and it will be problematic for them just to kill me,” Navalny, 45, says in the film. “I was very wrong.” The doc, heading to HBO Max, was added at the last minute to the Sundance slate just as Putin had stationed more than 100,000 troops along the Ukrainian border.

At first glance, actor-writer-director Cooper Raiff’s “Cha Cha Real Smooth” might look like your typical cutesy and whimsical Sundance dramedy, about a twenty-something college graduate learning a valuable life lesson and experiencing a bit of a delayed coming of age. While that’s not an inaccurate description of Raiff’s disarmingly lovely film (programmed in this year’s US Dramatic Competition), what feels miraculous about “Cha Cha” is: it doesn’t come with even an ounce of that cringe-inducing Sundance fancifulness, a brand that many love to hate.

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NEW YORK -- Rarely have past and present mingled in a documentary the way they do in “Descendant,” a nonfiction account of the last known ship to bring African captives to the American South for enslavement.Margaret Brown's “Descendant," which recently premiered at the virtual Sundance Film Festival, chronicles the discovery of the ship, a 90-foot-long wooden schooner that was secretly burned and sunk near Mobile, Alabama, after it was used to illegally take and enslave 100 Africans on a trip across the Atlantic in the mid-19th century, decades after the international slave trade had been outlawed.“Descendant” closely documents the finding of the Clotilda, which was confirmed in 2019. For locals, it's a long overdue affirmation of a long-obscured history that for a century was little spoken of.

The 2022 Sundance Film Festival obviously has so much to offer. Big premieres from indie auteurs, world cinema, documentaries, films for kids, and movies that are receiving so much acclaim right now, you’ll be hearing more from them later in the year upon regular theatrical release.

Guy Lodge Film CriticIf the Jane Collective has gone under-credited in American women’s rights history over the last half-century, independent cinema is doing its best to make up for lost time. Right on the heels of Phyllis Nagy’s colorful fictionalized drama “Call Jane,” “The Janes” is the second film at this year’s Sundance festival dedicated to the female-staffed, Chicago-based underground service that provided over 11,000 illegal abortions to women in need between 1968 and 1973, at which point Roe v.

Addie Morfoot ContributorThis year at the Sundance Film Festival, three feature documentaries — Paula Eiselt and Tonya Lewis Lee’s “Aftershock,” Reid Davenport’s “I Didn’t See You There” and Isabel Castro’s “Mija” — share in common a $10,000 grant provided by the Points North Institute and CNN Films’ American Stories Documentary Fund.Launched in 2020, the fund underwritten by CNN has dispensed a total of $100,000 in grants to emerging U.S. filmmakers working on 10 documentary projects that highlight pivotal moments in America. Eiselt and Lewis Lee’s “Aftershock,” and Davenport’s “I Didn’t See You There” are two of nine films in the Sundance U.S.

Dennis Harvey Film CriticThough not mandatory, a stint of missionary service is common among young Mormons, with men and (to a lesser extent) women mostly between 18 and 21 sent to LDS outposts around the world for evangelical work by the thousands each year. They comprise the most public face of a church still regarded by many outsiders as secretive and strange, and thus are an object of natural curiosity, if also some popular ridicule.