‘Chiqui’ Clip: Colombian Immigrants Try To Find Their American Dream In 1980s New Jersey [Sundance Exclusive]

CBS Sunday Morning, Chase explained how it didn’t bother him when he heard that his former costars had bad experiences while working with him.“I guess you’d have to ask them. I don’t give a crap!” he laughed.“I am who I am. And I like where — who I am.

CBS has had a busy week of picking up drama pilots.

Eddie Vedder has made another jab at Mötley Crüe following bassist Nikki Sixx’s swipe that Pearl Jam are “one of the most boring bands in history”.Vedder and Sixx’s back-and-forth began when the Pearl Jam frontman dismissed the hair metal group as “vacuous” in a recent interview.Sixx then responded on Twitter, calling the diss “kind of a compliment” before dropping his own insult Pearl Jam’s way. The Seattle band went on to respond on Twitter two days later (February 7), writing “We [love] our bored fans” alongside a video of an animated crowd at one of their shows.We ❤️ our bored fans.

ITV series. Anne, aka "the Governess", joked about the less flattering outfit that she has to wear instead. The 63-year-old is renowned for sporting a fancy trouser suit on the series, but has conceded she would love to spice up her image with some bondage gear, reports The Express .

Directed by Paula Eislet and Tonya Lewis Lee (Spike Lee’s producer and partner), the documentary “Aftershock” chronicles the dismal maternal mortality rate that women of color face in the United States medical system. The statistics are shameful, pointing to a systemic racist indifference, and the documentary chronicles the staggering number of times that expectant mothers entering into hospitals simply do not come out alive due to a lack of care and sensitivity.

TikTok is an undeniable force in our society. It has the power to launch music careers, house the homeless, and unite people worldwide.

picked up by AppleTV+ for $15 million and like 2020’s big Sundance seller “Palm Springs,” in a few months everybody will be watching — and adoring — it. Raiff plays Andrew, a 22-year-old recent college grad who lives with his mom (Leslie Mann) and stepdad (Brad Garrett) and still shares a bedroom with his little brother David (Evan Assante). A regular New Jersey Peter Pan. Charismatic Andrew has no life prospects and is working at a fast food joint called Meat Sticks when some local mothers realize he’d be great at livening up bar mitzvahs — getting kids on the dance floor, telling jokes and, on occasion, flirting with the parents.At one party he’s running, Andrew convinces an autistic girl named Lola (Vanessa Burghardt) to dance with him and then starts chatting up her mom, Domino (Dakota Johnson).

poisoned Russian dissident Alexei Navalny premiered at the Sundance Film Festival on Tuesday. Called “Navalny,” it’s a no-holds-barred indictment of Russian President Vladimir Putin and the Kremlin, and insists that Navalny’s close brush with death was the result of a secret state-run operation to assassinate him.“As I became more and more famous guy, I was totally sure that my life became safer and safer because I am kind of famous guy — and it will be problematic for them just to kill me,” Navalny, 45, says in the film. “I was very wrong.” The doc, heading to HBO Max, was added at the last minute to the Sundance slate just as Putin had stationed more than 100,000 troops along the Ukrainian border.

At first glance, actor-writer-director Cooper Raiff’s “Cha Cha Real Smooth” might look like your typical cutesy and whimsical Sundance dramedy, about a twenty-something college graduate learning a valuable life lesson and experiencing a bit of a delayed coming of age. While that’s not an inaccurate description of Raiff’s disarmingly lovely film (programmed in this year’s US Dramatic Competition), what feels miraculous about “Cha Cha” is: it doesn’t come with even an ounce of that cringe-inducing Sundance fancifulness, a brand that many love to hate.

If two people who lack a common language want to communicate, they’ll find a way to communicate. The characters in “blood,” the first new film from Bradley Rust Gray in a decade, don’t exactly lack a common language, but coltish English and crummy Japanese necessitate auxiliary tools for communication, such as food, dance, music, flowers, and art.

“Have you ever felt vertigo looking into the sky?” Nadeem Shahzad asks over voiceover roughly fifteen minutes into “All That Breathes.” The accompanying shot looks straight up into a sunny yet smog-streaked sky as a swirl of black kites swoops and careens overhead. The birds are numerous, too many to count, but their movements are mesmerizing.

“Have you ever felt vertigo looking into the sky?” Nadeem Shahzad asks over voiceover roughly fifteen minutes into “All That Breathes.” The accompanying shot looks straight up into a sunny yet smog-streaked sky as a swirl of black kites swoops and careens overhead. The birds are numerous, too many to count, but their movements are mesmerizing.

Addie Morfoot ContributorThis year at the Sundance Film Festival, three feature documentaries — Paula Eiselt and Tonya Lewis Lee’s “Aftershock,” Reid Davenport’s “I Didn’t See You There” and Isabel Castro’s “Mija” — share in common a $10,000 grant provided by the Points North Institute and CNN Films’ American Stories Documentary Fund.Launched in 2020, the fund underwritten by CNN has dispensed a total of $100,000 in grants to emerging U.S. filmmakers working on 10 documentary projects that highlight pivotal moments in America. Eiselt and Lewis Lee’s “Aftershock,” and Davenport’s “I Didn’t See You There” are two of nine films in the Sundance U.S.