‘Daniel’: Film Review

If Michael Tubbs were a fictional character, the details of his life until 2016 — the year he became the mayor of Stockton, California, at age 26 — might be too by-the-book inspirational to feel believable. Born to a teenage mother and a criminal father who has spent most of his son's life behind bars, Tubbs excelled in school and won a full scholarship to Stanford, where a friendship with future Snapchat co-founder and CEO Evan Spiegel would play an outsized role in his political career.

Also Read: Showtime Scores Rights to Upcoming Documentary on The Go-Go'sAnyone familiar with the band in the ’80s might expect front woman and vocalist Carlisle to occupy the majority of the spotlight, but each enjoys equal time on screen to explain and explore what inspired, motivated and sometimes undermined their efforts.Caffey, for example, emerged early as lead songwriter, writing eight of 10 songs from their 1981 debut, while apparently nursing a heroin addiction she somewhat successfully

Jessica Kiang It’s 1975 and Alice Lamb, played by Penelope Wilton, is cussing at her typewriter and telling cute children to “bugger off.” When we cut back to the same typewriter some 30 years earlier, Alice, now played by Gemma Arterton, is again shouting at local kids and pointedly buying for herself the rationed chocolate bar another saucer-eyed moppet so desires.

Both Gemma Arterton and Gugu Mbatha-Raw enjoyed success on the London stage in the title role of playwright Jessica Swale's comedy about Restoration actress and royal mistress Nell Gwynn. Their collaboration continues in Swale's first step into features as writer-director.

Richard Kuipers “A Life Turned Upside Down: My Dad’s an Alcoholic” casts a damning eye on the pernicious role alcohol plays in the working careers and social lives of Japanese men. Narrated by the innermost thoughts of a daughter during the 25 years she spends watching her father drink himself to death, Kenji Katagari’s second feature cleverly plays like a quirky little TV sitcom about an ordinary middle-class family before moving into darker territory.

A grotesque case of cops being so eager to bust a drug dealer that they unwittingly create one, Daniel Roby's Most Wanted adapts a true story in which a young Canadian (played by Antoine-Olivier Pilon) wound up spending years in a Thai prison for a crime he was practically forced to commit.

Maggie Lee Chief Asia Film CriticImagine a Japanese version of “Pygmalion” in which the sculptor continues to caress slabs of marble even after Galatea has come to life. That is the unusual premise of “Romance Doll,” a marital drama in which a sex doll maker’s rapt obssession with his new prototype, leads to rejection of his human muse.

“At each stop throughout this comedically heartfelt journey, Patel is joined by a friend or family member, with whom he shares a big conflict or question about life. He travels to Mexico with his parents to discuss retirement and aging; Japan with his wife to explore parenting and gender roles; Korea with his entrepreneur friend to confront their issues with work/life balance; Denmark with his Muslim friend to explore an immigration crisis not unlike ours here in America.

Owen Gleiberman Chief Film CriticIn “White Noise,” Daniel Lombroso’s lively and disturbing documentary portrait of three alt-right influencers, there’s a riveting scene in which Richard Spencer, a rock star of white nationalism who talks like a noodgy corporate assistant and has meticulous gelled hair that’s supposed to be his designer version of a Hitler fade (though Hitler didn’t have James Garner’s sideburns), is getting ready to give a speech at Michigan State University.

Peter Debruge Chief Film CriticA cigar is never just a cigar where Sigmund Freud is concerned.

Lisa Kennedy Four Vietnam vets reunite for a mission, one that will lean on their wartime exploits but also expose more than a few old tensions.

Dennis Harvey Film CriticSnarled loops of time travel have proved a surprisingly versatile and rewarding fantasy-cinema trope in recent years, from the big-budget likes of “Edge of Tomorrow” to such enterprising indies as “Predestination,” not to mention comedies (“Palm Springs”), horror (“Happy Death Day”), romance (“Before I Fall”) and more.

For a debut feature, writer-director Charlène Favier’s powerful coming-of-age sports drama Slalom couldn't come at a more timely moment.

truth and beauty, too, it’s safe to say that “Bloody Nose, Empty Pockets” finds a bit of both of those things.Also Read: 'Palm Springs' Film Review: Andy Samberg Puts an Indie Rom-Com Spin on 'Groundhog Day'The film premiered at the Sundance Film Festival in January, went to the Berlin and True/False Film Festivals and had a series of virtual screenings on July 8 to celebrate National Dive Bar Day, with a virtual rollout scheduled for July 10.

Guy Lodge Film CriticIn “Archive,” an isolated scientist methodically pursues an artificial-intelligence ideal, developing a sequence of human-android beings and recycling their various parts until the ultimate prototype is achieved.

"They say that when you die, your whole life flashes before your eyes. I wish it were that simple," says James, the main character, in his voiceover narration at the beginning of Volition.

Owen Gleiberman Chief Film CriticWhen you look at the face of Danny Trejo, you see the creases and hollows and pockmarks, the eye pouches like saddlebags, the badges of a life so well-worn that, at first, that’s just about all you see. Yet the more you look, the more you notice a paradox.

Dennis Harvey Film CriticBeing released during an epidemic lends additional if unintended frisson to “The Beach House,” a cryptic yet reasonably involving thriller in which vacationers find themselves under threat. The nature of that threat remains ambiguous, but in its partially-airborne inescapability, it definitely hits a note of creepy relevance.

Also Read: Andy Samberg Loved 'Palm Springs' Script Because It Was 'A Little More F- Up' Than Traditional Rom-Coms (Video)We meet Samberg’s character, Nyles, when he wakes up on the morning of the wedding and halfheartedly ogles the leg of his girlfriend, Misty (Meredith Hagner).

A bright and shiny character-driven drama that begins as another send-up of social media madness, Sweat at some point turns a dark, unexpected corner. Ultimately, writer-director Magnus von Horn allows that there may be some personal redemption for his heroine, a self-obsessed fitness star and influencer played with breathless muscle-flexing and almost comic self-confidence by stage thesp Magdalena Kolesnik.