Berlin Hidden Gem: Dystopian Thriller 'Night Raiders' Uses the Sci-Fi Genre to Confront Canada's Troubled Past

Leo Barraclough International Features EditorARRI Media has closed a deal with Crescendo House – a new boutique distribution company – for North American rights on Marxist vampire comedy “Bloodsuckers,” following its world premiere at the Berlin Film Festival.The film, which screened as part of the Berlinale’s Encounters section, was written and directed by Julian Radlmaier.Radlmaier’s script was praised by the jury as being “extravagant, bizarre, and hilarious” when he was presented with the

Philadelphia singer-songwriter Saleka Night Shyamalan is back with another visual masterpiece–this music video called “The Sky Cries”–directed by her father, M. Night Shyamalan (The Sixth Sense).

Gravitas Ventures has acquired North American rights to Undergods, a fantasy thriller anthology movie directed by Chino Moya in his feature directorial debut. A May 7 day-and-date release in theaters and on-demand is planned.

Filmed in glossy black and white, and adopting a non-judgmental vérité approach, director Carlos Alfonso Corral’s debut is a humanizing look at a small section of the homeless population in El Paso, Texas. “Dirty Feathers,” is a short, but thematically rich, film about those on the margins of society.

EXCLUSIVE: Lightbulb Film Distribution has picked up UK rights to three films out of the EFM, including BFI-backed dystopian thriller Undergods.

It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.

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With 2012’s Abraham Lincoln: Vampire Hunter sadly yet to have spawned a Marvel-style cinematic universe, Karl Marx and neck-chomping Dracula types might seen unlikely movie bedfellows. But the two collide like never before in a 2021 Berlinale Encounters title that also boasts one of the festival’s most eye-catching film loglines.

One year in the life of a teenager can feel like an eternity. The intensity of the fleeting romances, the wild swings between happiness and despair, the thrilling yet uneasy anticipation of a future that seems simultaneously imminent and distant — it’s a wonder that we come out of adolescence intact.

Colson Baker — the man also known as musician Machine Gun Kelly — continues to expand his onscreen acting résumé with his latest film, the thrillerOne Way. Baker plays Freddy, who finds himself on a bus headed into the California desert with a potentially fatal wound after a robbery of his former crime boss goes wrong.

When the best-selling author, humorist and onetime stand-up Mishna Wolff decided to take part in the Women's Fellowship at Ubisoft Motion Pictures, she was really in it for the gameplay. "Honestly, I would have done it just for the free video games alone," jokes Wolff about the initiative by the movie arm of the video games publisher, which aims to foster fresh, and female, perspectives on video game adaptations.

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.

Anna Marie de la Fuente A chess champion in his youth, Brandon Burrows, principal and founder of shingle Firebrand, approaches producing like a chess game. His love for film sparked at an early age when his father owned a video store.

The latest from T.J.Martin and Daniel Lindsay, directors of “Undefeated” and “LA 92,” “TINA” looks like another documentary that came off of a factory line, complete with the usual panning shots of contact sheets, dramatic zooms into rolling tapes, cross-cutting between audio interviews and their published print versions, melodramatic score cues doing their best to emulate Philip Glass.

There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.

There’s no shortage of movies about kids who discover they possess special powers. Most of these, however — from The Incredibles to the Harry Potter franchise to the Razzie-nominated Tim Allen-starring Zoom: Academy for Superheroes(no, we didn't bother either) — are very much aimed at a younger audience.

Jamie Lang Brussels-based Best Friend Forever Sales has given Variety exclusive access to the international trailer for Berlin Panorama player “All Eyes Off Me,” the sexually charged sophomore outing of actor-director Hadas Ben Aroya.Told in three distinct yet related chapters, the film begins at a party in Tel Aviv where young Danny is trying to find Max to let him know that she’s pregnant with his child.

It’s always interesting to see what an actor will deliver as they make the step towards directing, and for “Next Door” director and star Daniel Brühl has not shied away from a premise that closely parallels, yet distorts, his own life. It’s a film that explores a space of conversation highlighted to great effect in Bong Joon-ho’s recent towering success, “Parasite,” toying with societal dichotomies and opening up discussions around wealth, class, gentrification, and spatial divides.

Tides just aches to be a waterborne Blade Runner crossed with Mad Max, but instead emerges as even more waterlogged than Waterworld. A soupy, post-apocalyptic Europudding that needed more action, greater imagination and a star of some magnitude in the leading role, this tale of an investigation into the possibility of restoring life to a mostly decimated Earth is all dark, grim and clammy.