Amanda Holden was left in tears and feeling depressed after her youngest daughter finished prep school.
18.06.2023 - 00:37 / foxnews.com
Cyndi Lauper revealed that she initially objected to recording "Girls Just Want To Have Fun" because the song was written by a man. The 69-year-old singer's iconic 1983 hit was originally written and recorded as a demo by musician Robert Hazard in 1979. In the new documentary "Let the Canary Sing," which chronicles Lauper's life and career, she recalled that her producer Rick Chertoff took her to see Hazard perform "Girls Just Want To Have Fun" live.
"I would never do that f---ing song," Lauper remembered telling Chertoff in the documentary, per People magazine. The two-time Grammy Award winner explained that she was opposed to recording a song about women that was written from a male point of view. "Every time we want to have fun, we're whores," Lauper said in the documentary, according to People.
The hit-maker said she decided to make changes to the song so that it was told from a female perspective if she was to record it. Lauper recalled that she and Chertoff worked on "many demos" of "Girls Just Want To Have Fun" since she wanted to make the track sound "more fun" and "like a vacation." In "Let the Canary Sing," Lauper explained that she was inspired by commercials for New Jersey's Raceway Park. She said that she and Chertoff experimented with many different sounds before deciding on the song's famous guitar riff.
"All of a sudden, we all heard it," Lauper recalled. The New York native also shared the story behind the making of the song's music video. She recalled that she wanted the music video to feature a diverse cast of women.
Amanda Holden was left in tears and feeling depressed after her youngest daughter finished prep school.
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What better way to come to know a public figure than to discover them in their own words, or, better yet, their own singing voice? Filmmaker Allison Ellwood seems drawn to that notion because she let it guide her as she crafted the smart and sentimental “Let The Canary Sing.” The new documentary is a colorful force of nature underscored by the fierce soundtrack of life, embodying the best parts of its subject in the name of nostalgic exploration. After all, music can tell beautiful stories, and this journey is no exception.“Let The Canary Sing” chronicles the rise of legendary 1980s rock star Cyndi Lauper and the complications that came for her career along the way.
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Owen Gleiberman Chief Film Critic When you see a documentary about a game-changing pop star, you assume you’re going to get the story of the music, and also a good look at the life, and that there’ll be enough (on both counts) to go around. I was eager to see “Let the Canary Sing,” a documentary portrait of Cyndi Lauper, because it’s directed by Alison Ellwood, who made “The Go-Go’s” a few years back, and that movie had everything: the drama, the trauma, the saga of a total pop-music reset, as we watched the Go-Go’s bust down doors that had been too tightly shut for too long. Cyndi Lauper was no less revolutionary a figure, arriving in the early ’80s, along with Madonna, to announce that we were in the midst of a seismic new definition of what it meant to be a female pop star. The definition was: a star who could rule — and change — the world.
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