‘Croods 2’ Gives Universal Its Seventh Straight No. 1 at Pandemic Box Office

Sony’s Will Smith sequel “ Bad Boys for Life ” has stayed in first place in North America since its January release with $206.3 million. Globally it’s in second place to the Chinese film “The Eight Hundred” — the first time that the top worldwide film originated outside of Hollywood.

John Hopewell Chief International CorrespondentSavaged by COVID-19, global box office plunged between 57% and 76% in major markets outside the U.S., with the U.K. and Ireland leading the rout, crashing 76% against 2019, according to a Comscore study, published Wednesday.Also hit hard were China (-70%), South Korea (-71%), and Italy and Spain (both down 72%).

Jamie Lang In today’s Global Bulletin, Netflix picks up the rights to Spanish feature “Sky High” for a series adaptation, French crime series “Balthazar” posts record audience numbers for TF1, Mexican filmmaker Juan Ernesto Regalado Morales receives this year’s Guillermo del Toro-backed Jenkins-Del Toro Scholarship, and French journalist Augustin Trapenard announces he’s leaving Canal Plus.Netflix has acquired global rights to the feature film “Sky High,” the leading Spanish film at the

Hong Kong action sequel Shock Wave 2 rocked China's box office over the weekend, opening to a healthy $64.5 million. Youth fantasy film Dream of Eternity also did decent business, debuting to $38.9 million.

Rebecca Davis editorHong Kong’s “Shock Wave 2” out-earned “Wonder Woman 1984” in China in just two days, topping the local box office this weekend with a $51.4 million debut, according to data from Maoyan.By the end of Christmas Day, “Shock Wave 2” had grossed $28.6 million (RMB187 million), more than the $23 million (RMB151 million) “Wonder Woman” had earned since Dec.

Refresh for latest…: There was a bit more varied action at the international box office this weekend, including the continued rollout of Warner Bros/DC’s Wonder Woman 1984, a sizable start for China’s Shock Wave 2, the debut of Disney/Pixar’s Soul, The Croods: A New Age nearing $100M global, and a brand new milestone for Japan’s Demon Slayer The Movie: Mugen Train which, according to estimates, has overtaken Spirited Away to become the highest-grossing film ever in the market.

Patrick Frater Asia Bureau ChiefWhile the North American box office pulls in less than $5 million per weekend due to COVID-19, the China and Japan markets are not only open, but also capable of breaking theatrical records. It may feel logical to hurry more U.S.

“Wonder Woman 1984” — Warner Bros.’s much-anticipated sequel to its superhero franchise starring Gal Gadot — suffered a weak weekend debut in China, where it earned a mere $19 million in ticket sales, or less than half of what Hollywood had expected. Media watchers had pegged the follow-up film to 2017’s “Wonder Woman” to reel in at least $40 million in the Middle Kingdom.

While we may be talking about the unfortunate death of movie theaters in the US, considering they have yet to fully bounce back from being closed most of the year and 2021 isn’t looking as promising as we hoped, Chinese cinemas are not only open but thriving.

China's box office was the scene of disappointment over the weekend, as Warner Bros.' Wonder Woman 1984 got trounced by local action flick The Rescue. The Rescue, directed by Dante Lam, opened to $36.3 million, nearly double Wonder Woman 1984's meagre $18.8 million start, according to data from Artisan Gateway.

Wonder Woman 1984 opened to an underwhelming $18.8 million in China, behind expectations and a less-than-wondrous start for WarnerMedia as it embarks on a bold plan to release its films both in theaters and on HBO Max. The Warner Bros./DC superhero pic placed No.

Rebecca Davis editorThis weekend pit the best of Hollywood’s action tentpole rolodex against China’s — and found that fresh local content has greater sway over local audiences in what is now the world’s largest film market.“Wonder Woman 1984” grossed just $18.8 million in China, almost half the approximately $34 million haul of Chinese actioner “The Rescue.” Both films far underperformed against expectations, however, as the Chinese box office saw its lowest pre-Christmas weekend since 2014,

Brent Lang Executive Editor of Film and MediaDiana Prince may be able to best Cheetah, but she’s no match for a global pandemic.“Wonder Woman 1984” opened to a less than heroic $18.8 million in China over the weekend and a disappointing $38.5 million overseas.

Wonder Woman 1984 is off to a sluggish start in China. The Warner Bros./DC superhero tentpole opened Friday in direct competition with Chinese action flick The Rescue, directed by Dante Lam, and as of 5 p.m.

A consortium led by China’s Tencent has exercised an option to purchase a further 10% of Vivendi’s Universal Music Group. The deal values the company at €30BN.

Warner Bros/DC’s Wonder Woman 1984 begins offshore rollout today in such markets as Indonesia, Portugal and the UK — though on a very limited basis in the latter where London cinemas have been re-shuterred as the capital moves into a Tier 3 Covid lockdown.

Patrick Frater Asia Bureau ChiefChinese action comedy “Bath Buddy” topped the mainland China box office over the weekend with a $28.1 million opening splash. The box office performance came despite the film being in hot water behind the scenes.The Yi Zhenxing-directed film tells the improbable tale of a rich kid who loses his memory and instead ends up working in a bath-spa.

Refresh for latest...: The international box office continues to provide welcome surprises during the pandemic era. Where movie theaters are open and people feel safe, they turn up for new or enduringly exciting product that’s on offer.

Refresh for more analysis, chart, etc. Even in a normal, healthy economy, the major studios are typically skittish about opening big movies before Christmas with many busy with holiday activities, so it comes as no surprise during a pandemic where just north of 40% of all 5,500 domestic movie theaters are open that there wouldn’t be any new wide openings this weekend.