China Box Office: ‘Bath Buddy’ Makes Splash With $28 Million Opening, Despite Plagiarism Charge

Sony’s Will Smith sequel “ Bad Boys for Life ” has stayed in first place in North America since its January release with $206.3 million. Globally it’s in second place to the Chinese film “The Eight Hundred” — the first time that the top worldwide film originated outside of Hollywood.

John Hopewell Chief International CorrespondentSavaged by COVID-19, global box office plunged between 57% and 76% in major markets outside the U.S., with the U.K. and Ireland leading the rout, crashing 76% against 2019, according to a Comscore study, published Wednesday.Also hit hard were China (-70%), South Korea (-71%), and Italy and Spain (both down 72%).

Hong Kong action sequel Shock Wave 2 rocked China's box office over the weekend, opening to a healthy $64.5 million. Youth fantasy film Dream of Eternity also did decent business, debuting to $38.9 million.

Rebecca Davis editorHong Kong’s “Shock Wave 2” out-earned “Wonder Woman 1984” in China in just two days, topping the local box office this weekend with a $51.4 million debut, according to data from Maoyan.By the end of Christmas Day, “Shock Wave 2” had grossed $28.6 million (RMB187 million), more than the $23 million (RMB151 million) “Wonder Woman” had earned since Dec.

Refresh for latest…: There was a bit more varied action at the international box office this weekend, including the continued rollout of Warner Bros/DC’s Wonder Woman 1984, a sizable start for China’s Shock Wave 2, the debut of Disney/Pixar’s Soul, The Croods: A New Age nearing $100M global, and a brand new milestone for Japan’s Demon Slayer The Movie: Mugen Train which, according to estimates, has overtaken Spirited Away to become the highest-grossing film ever in the market.

Patrick Frater Asia Bureau ChiefWhile the North American box office pulls in less than $5 million per weekend due to COVID-19, the China and Japan markets are not only open, but also capable of breaking theatrical records. It may feel logical to hurry more U.S.

“Wonder Woman 1984” — Warner Bros.’s much-anticipated sequel to its superhero franchise starring Gal Gadot — suffered a weak weekend debut in China, where it earned a mere $19 million in ticket sales, or less than half of what Hollywood had expected. Media watchers had pegged the follow-up film to 2017’s “Wonder Woman” to reel in at least $40 million in the Middle Kingdom.

While we may be talking about the unfortunate death of movie theaters in the US, considering they have yet to fully bounce back from being closed most of the year and 2021 isn’t looking as promising as we hoped, Chinese cinemas are not only open but thriving.

China's box office was the scene of disappointment over the weekend, as Warner Bros.' Wonder Woman 1984 got trounced by local action flick The Rescue. The Rescue, directed by Dante Lam, opened to $36.3 million, nearly double Wonder Woman 1984's meagre $18.8 million start, according to data from Artisan Gateway.

Elsa Keslassy International CorrespondentStrand Releasing has acquired all North American rights to Anthony Chen’s “Wet Season,” which represents Singapore in the Oscar race for best international feature film.The movie world premiered in the Platform section at the Toronto International Film Festival, and is being represented in international markets by Memento Films International.Penned and directed by Chen, “Wet Season” revolves around a Chinese language teacher whose marriage and school

Wonder Woman 1984 opened to an underwhelming $18.8 million in China, behind expectations and a less-than-wondrous start for WarnerMedia as it embarks on a bold plan to release its films both in theaters and on HBO Max. The Warner Bros./DC superhero pic placed No.

Rebecca Davis editorThis weekend pit the best of Hollywood’s action tentpole rolodex against China’s — and found that fresh local content has greater sway over local audiences in what is now the world’s largest film market.“Wonder Woman 1984” grossed just $18.8 million in China, almost half the approximately $34 million haul of Chinese actioner “The Rescue.” Both films far underperformed against expectations, however, as the Chinese box office saw its lowest pre-Christmas weekend since 2014,

Brent Lang Executive Editor of Film and MediaDiana Prince may be able to best Cheetah, but she’s no match for a global pandemic.“Wonder Woman 1984” opened to a less than heroic $18.8 million in China over the weekend and a disappointing $38.5 million overseas.

With a newly elected Democratic president, this is the season of speculation, where names are being floated as potential ambassador picks. And this time around, The Walt Disney Co.’s executive chairman Bob Iger is getting attention as a prospect for one of the highest profile foreign posts, China.

Wonder Woman 1984 is off to a sluggish start in China. The Warner Bros./DC superhero tentpole opened Friday in direct competition with Chinese action flick The Rescue, directed by Dante Lam, and as of 5 p.m.

Warner Bros/DC’s Wonder Woman 1984 begins offshore rollout today in such markets as Indonesia, Portugal and the UK — though on a very limited basis in the latter where London cinemas have been re-shuterred as the capital moves into a Tier 3 Covid lockdown.

Refresh for latest...: The international box office continues to provide welcome surprises during the pandemic era. Where movie theaters are open and people feel safe, they turn up for new or enduringly exciting product that’s on offer.

With its theatrical window deal signed by AMC and Cinemark, Universal and Focus Features have continued to lead the struggling pandemic box office as “The Croods: A New Age” earned its third straight No. 1 weekend and the studio’s seventh straight weekend atop the charts with $3 million from 2,115 screens.Overseas, the film added $6.6 million in China and $8.4 across all overseas markets, including openings in Mexico and Ecuador.

The U.S. must invest in its "nuclear renaissance" to stay ahead of global competitors like China and ensure clean energy for years to come, Rep.

Rebecca Davis editorPatriotic Chinese viewers flexed their muscles this weekend to topple Paul W.S. Anderson’s “Monster Hunter,” which grossed just $4.8 million before it was pulled from cinemas due to complaints that interpreted a line of dialogue to be racist and “insulting to China.” In a slow week, however, that was enough to net it a fifth place open, even though cinemas had entirely pulled the title from their line-ups by early Saturday.