EXCLUSIVE: Neon is nearing a deal for North American rights to Cannes competition entry Perfect Days from The Match Factory in a deal pegged in the mid-to-high six figures.
08.05.2023 - 19:17 / deadline.com
EXCLUSIVE: Cinedigm has acquired North American rights to the revenge flick Til Death Do Us Part starring Cam Gigandet (Twilight), Jason Patric (The Lost Boys), Natalie Burn (Black Adam) and Orlando Jones (The Time Machine), slating it for an exclusive release in theaters nationwide this summer.
The genre-bending feature directed by Daytime Emmy winner Timothy Woodward Jr. follows a bride-to-be (Burn) who, after running away on her wedding day, must fight for survival against her ex-fiancé’s seven deadly groomsmen. In the ultimate horror showdown, the groomsmen soon discover that she has no intention of going back to the life she left behind.
Also starring Ser’Darius Blain (Jumanji: Welcome to the Jungle), D.Y. Sao (Everything Everywhere All at Once), Neb Chupin (Mindcage) and Pancho Moler (3 from Hell), the film is based on a script written by Chad Law (Black Water) and Shane Dax Taylor (Isolation).
Producers include Jeffrey Reddick (Final Destination), Woodward Jr. for Status Media and Entertainment and Burn for Born To Burn Films. Exec producers include Matthew Helderman and Luke Taylor, with Thomas Mann and Neb Chupin acting as co-EPs.
“In Til Death Do Us Part a fierce female protagonist breaks free from her former fiancé and their corrupt way of life. It seamlessly blends the stylish violence of John Wick with the bloody revenge tale of Kill Bill, and this story reminds us that reclaiming our lives at any cost is non-negotiable,” said Cinedigm’s Chief Content Officer, Yolanda Macias. “With heart-stopping suspense and blood-soaked kills, Til Death Do Us Part promises to be an unforgettable ride for fans when it hits the big screen this coming wedding season.”
Macias negotiated Til Death Do Us Part‘s deal on
EXCLUSIVE: Neon is nearing a deal for North American rights to Cannes competition entry Perfect Days from The Match Factory in a deal pegged in the mid-to-high six figures.
Charna Flam Kino Lorber has acquired North American rights to “Story Ave,” which won a special jury award for cinematography at SXSW. From debut filmmaker Aristotle Torres, “Story Ave” stars Luis Guzmán (“Narcos,” “Boogie Nights”) and Asante Blackk (“When They See Us,” “This Is Us”), with Guzmán serving as executive producer alongside producer Jamie Foxx. “Story Ave”follows teenage graffiti artist, Kadir Grayson (Blackk) who recently ran away from home and tries to prove himself to his neighborhood gang. One night Kadir heads over to the Story Ave. subway platform and attempts to hold up MTA worker Luis Torres (Guzmán) in a robbery. But once Luis proposes he’ll hand over the cash if Kadir has a meal with him, the two get to know each other throughout the meal, and with time their connection turns into growing and sincere friendship.
Naman Ramachandran Global distributor, streamer and production company MUBI has acquired Felipe Gálvez’ “The Settlers,” which bowed on Tuesday at the Cannes Film Festival’s Un Certain Regard section. MUBI has acquired the film for North America, U.K., Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux and India. MUBI will release the film theatrically in the U.S., U.K., and additional territories with release plans to be revealed soon. “The Settlers” is set in Chile at the beginning of the 20th century. A wealthy landowner hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia. The expedition, composed of a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant, soon turns into a ‘civilizing’ raid.
Hong Sangam is soo’s In Our Day, the closing night film at Cannes’ Directors’ Fortnight sidebar, has sold to Cinema Guild for North America.
Mubi has picked The Settlers, the latest pic from Chilean filmmaker Felipe Gálvez for North America, the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India.
EXCLUSIVE: Shout! Studios and Convoke Media have set Ron Perlman (Nightmare Alley), Rosanna Arquette (Signs of Love) and Brendan Bradley (A Tale Told by an Idiot) to star in Succubus, a new horror thriller written and directed by R.J. Daniel Hanna (Hard Miles), which Shout! will distribute in North America.
Matt Johnson’s film BlackBerry about the rise and fall of the world’s first smartphone passed $1.7 million its second week out with an estimated three-day gross of $525k in 595 theaters.
Nick Vivarelli International Correspondent CAA Media Finance has come on board to handle sales in North America on Mohamed Kordofani’s “Goodbye Julia,” the first film from Sudan to launch from the Cannes Film Festival. CAA will be working in tandem with Egypt-based producer Ali El Arabi’s Ambient Light Films, which holds North American rights for the timely drama that premiered on May 21 in Un Certain Regard. “Goodbye Julia” takes place just before the 2011 secession of South Sudan. It revolves around two women, one from the north, the other from the south, that are brought together by fate in a complex relationship that attempts to reconcile differences between northern and southern Sudanese communities.
EXCLUSIVE: Egyptian-U.S. company Ambient Light has acquired North American sales rights for Sudanese director Mohamed Kordofani’s Cannes Un Certain Regard title Goodbye Julia.
EXCLUSIVE: Paramount’s Republic Pictures label has acquired North American rights to dystopian drama-thriller The End We Start From, starring BAFTA and Emmy winner Jodie Comer (Killing Eve).
EXCLUSIVE: Quiver Distribution has boarded recently wrapped holiday film Christmas Actually, starring Malin Akerman (Billions), Ryan Hansen (Party Down) and Amy Smart (Stargirl).
EXCLUSIVE: Good Deed Entertainment (GDE) has acquired North American rights to Carol Ray Hartsell’s Hamptons-set indie romantic comedy Love… Reconsidered for a Valentine’s Day 2024 release.
EXCLUSIVE: Here at the Cannes Film Festival, Mubi has taken rights in North America, UK, Italy, Latin America, Turkey, India and Benelux to Un Certain Regard movie The Delinquents (Los Delincuentes).
Rebecca Rubin Film and Media Reporter “Fast X,” the 10th installment in Universal’s high-octane franchise, is revving up to lead global box office charts. The movie is projected to open to $60 million or more in North America and at least $220 million at the international box office. Based on those estimates, “Fast X” is looking to capture $280 million worldwide in its first weekend of release. In terms of domestic box office projections, a soft start around $60 million is below the latest entry, 2021’s “F9: The Fast Saga,” which kicked off to $70 million and ended its theatrical run with $173 million in North America. And that was at a time when COVID era restrictions meant only 80% of theaters were open and attendance hadn’t yet rebounded. It also lags way behind pre-pandemic “Fast” installments, including 2017’s “The Fate of the Furious” ($98 million debut), 2015’s “Furious 7” (a series-high $148 million debut) and 2013’s “Fast and Furious 6” ($97 million debut).
The CW has put together a fall schedule full of international series and unscripted formats alongside scripted returner All American, while Walker is moving to midseason.
Manori Ravindran Executive Editor of International MUBI has acquired all rights for Kevin Macdonald’s John Galliano documentary from Newen Connect. The film “High & Low — John Galliano” has sold to MUBI for North America, U.K. and Ireland, Germany, Austria, Latin America, Benelux, Turkey and India. The streamer and distributor will reveal its theatrical release plans and streaming dates in the near future. Macdonald’s credits include the Oscar-winning “One Day in September,” “Touching the Void,” “The Last King of Scotland,” “Whitney” and, most recently, “The Mauritanian.” Widely recognized as one of the most influential and successful fashion designers of our time, Galliano dressed the most beautiful and famous women in the world for almost 15 years at Givenchy and Dior. He reinvented the fashion industry by transforming his runway shows into immersive fantasies and helped turn high-fashion from an elitist niche into a multi-billion-dollar global business.
Genesis Owusu has announced his awaited sophomore album, ‘STRUGGLER’, alongside a new single and music video.Announced today (May 18), ‘STRUGGLER’ is set to arrive on August 18 via Ourness/AWAL – preorder the album here. ‘STRUGGLER’ is accompanied by a new single, ‘Leaving The Light’, and its music video.The Bose x NME C23 artist’s upcoming album will serve as a thematic successor to his debut album ‘Smiling With No Teeth’. While ‘Smiling With No Teeth’ chronicled Owusu’s battles with depression and racism, ‘STRUGGLER’ will see him grapple with overcoming his demons.Genesis Owusu said of the album via a press statement: “The struggler runs through an absurd world with no ‘where’ or ‘why’ at hand.
IMAX is ramping up its operations in France, as well as expanding its longstanding relationship with Kinepolis in Europe and North America. In France, IMAX will aim to nearly triple the number of its systems from the 22 currently in operation to more than 60. One of those will be in partnership with Belgian exhibitor Kinepolis in Nimes.
EXCLUSIVE: Los Angeles-based Lion Heart Distribution has acquired North American rights to Allan Piper’s horror-comedy eVil Sublet co-starring All In The Family star Sally Struthers and Jennifer Leigh Houston.
Manori Ravindran Executive Editor of International Vertical has acquired U.S. rights to the sci-fi comedy “Aliens Abducted My Parents and Now I Feel Kinda Left Out” from Visit Films. The film world premiered at Sundance in January and was presented to international buyers at the European Film Market in Berlin. Vertical has slated a summer release for the pic. “Aliens” centers on Itsy Levan, who is devastated by her parents’ decision to leave the city and buy a fixer upper in the middle of nowhere. Her life seems over until she meets her space-obsessed neighbor Calvin Kipler, who has spent most of his life awaiting the next arrival of Jesper’s Comet— partly because of his obsession with astronomy, but mostly because the last time it came, aliens abducted his parents. Calvin is now preparing to finally get abducted with them.