London-based PR maven Matthew Freud, joined by fellow Brit and collaborator Charlie Mackesy, offered his apologies for winning the Oscar for Short Film (Animated) for The Boy, The Mole, The Fox and the Horse.
23.02.2023 - 00:21 / variety.com
Jenelle Riley Deputy Awards and Features Editor This article first appeared as part of Jenelle Riley’s Acting Up newsletter – to subscribe for early content and weekly updates on all things acting, visit the Acting Up signup page. Charlie Mackesy always thought Tom Hollander would make a great mole. More specifically, the artist who wrote and illustrated the bestselling 2019 book “The Boy, the Mole, the Fox and the Horse” felt the British actor was a wonderful match to voice one of his characters in the short film adaptation he co-directed with Peter Baynton. The film, now streaming on Apple TV + has charmed audiences worldwide and is nominated for an Academy Award for animated short film.
Mackesy describes Hollander’s voice as a “velvety, rich cake-like sound” and was thrilled the British actor got involved. Notes Mackesy, “His voice is rich, and has a great range, and can move between comedy and pathos very easily. His voice is so diverse, that was the fascinating thing about it.” The story follows the sweet and unexpected friendship between a lost young boy (voiced by Jude Coward Nicoll) who wanders through the snowy wilderness looking to find a home and learns life lessons while encountering the other titular characters. Idris Elba lends his voice to the fox, while Gabriel Byrne the horse. Mackesy says he wanted the characters to work musically together, like a quartet. “The boy being the treble, the mole being the alto, Gabriel Byrne being the tenor and the fox being the bass. All of their voices worked so well together.” Hollander, most recently seen killing it literally and figurately on “The White Lotus,” is a journeyman actor who has played a wide variety of roles already — from the manager of Queen in
London-based PR maven Matthew Freud, joined by fellow Brit and collaborator Charlie Mackesy, offered his apologies for winning the Oscar for Short Film (Animated) for The Boy, The Mole, The Fox and the Horse.
Todd Spangler NY Digital Editor Apple took home its first animated short Oscar for “The Boy, the Mole, the Fox and the Horse,” a magical fable featuring a star-studded voice cast and luxurious hand-drawn animation. The film won at the 95th Academy Awards over the category’s other nominees: Pamela Ribon and Sara Gunnarsdóttir’s buzzy “My Year of Dicks”; “The Flying Sailor” from Amanda Forbis and Wendy Tilby; “Ice Merchants” from João Gonzalez and Bruno Caetano; and Lachlan Pendragon’s “An Ostrich Told Me the World Is Fake and I Think I Believe It.” “The Boy, the Mole, the Fox and the Horse” is based on the book of the same name by British artist and author Charlie Mackesy. Apple Original Films acquired the film last year and it debuted on Apple TV+ on Christmas Day 2022. The film was presented in partnership with the BBC, which made it available on broadcast and streaming in the U.K.
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Jazz Tangcay Artisans Editor When writer Charlie Mackesy was searching for someone to score the music for the adaptation of his beloved book 2019 book “The Boy, the Mole, the Fox and the Horse,” he thought of Isobel Waller-Bridge. The story about four characters who are lost and need connection is about vulnerability, and for Waller-Bridge and Mackesy, the idea of needing connectiion was best relayed through a musical palette using the piano and a cello. Here, Waller-Bridge discusses navigating the score and the most important music cues. My brother gave me the book for Christmas in 2019. I remember opening it and seeing these beautiful illustrations and these poetic words, and I just fell in love with it. When Charlie asked me to write the music for the film, it was an incredibly profound thing because this book was so precious to me and because of the impact that it has had on people through the pandemic. I felt a huge responsibility to do justice to Charlie’s vision and its existence.
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As the animation team came together to adapt Charlie Mackesy’s 2019 book The Boy, the Mole, the Fox and the Horse, the challenge for art director Mick McCain was to recreate Mackesy’s artistic style in motion. The animated short follows a boy searching for a home. Along the way, he meets three animals who are also looking for a place to belong and begin to develop a bond. While McCain hadn’t had much experience with ink lines and watercolors at the start of the project, he had Mackesy helping to guide the animation to capture his “fluid and gestural” style. By the end of the project, McCain and the animators created hundreds of backgrounds for the animation.
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A version of this story about Charlie Mackesy and “The Boy, the Mole, the Fox and the Horse” will appear in the Down to the Wire issue of TheWrap’s awards magazine.Charlie Mackesy’s bestselling 2019 book “The Boy, the Mole, the Fox and the Horse” is a slim illustrated volume in which very little happens apart from a conversation between four different creatures about kindness, love and accepting oneself. A delicate and philosophical creation, it has been adapted into a 34-minute film that adds just enough plot without ever betraying the heart of the original book.The film, which is available on Apple TV+, is nominated in the Best Animated Short category at the Oscars.
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