Casting director Bonnie Timmermann Talks Ana de Armas, Mark Ruffalo, Ashley Judd, Viggo Mortensen

It’s complicated. Wynonna Judd said she still has a range of emotions about her mother Naomi Judd’s April death, including a deep anger.

Liza Foreman Murky blue- brown images, bringing to mind a Lorca play developed for today’s premium TV audience, fill the screen in the trailer for “The Gypsy Bride,” from “Penny Dreadful” director Paco Cabezas, which world premiered at the San Sebastián Film Festival. The fiction is produced by ViacomCBS International Studios (VIS), with the participation of Atresmedia Televisión, and in collaboration with Diagonal TV. As well as presenting the first season of the series at the Spanish-speaking world’s highest-profile festival, Cabezas, the show’s creator and director had something else to celebrate on Wednesday. 

When it comes to biopics, they don’t get much more intensely intimate than Andrew Dominik‘s “Blonde.” And the film’s world premiere at the Venice Film Festival earlier this month confirmed that Ana de Armas expertly channels Marilyn Monroe in her performance. In fact, de Armas got so close to Monroe during the film’s production the actress attempted to contact the deceased starlet, in a way.

At this point, we’ve all seen enough documentaries about 20th-century musical geniuses that the average viewer could direct one in their sleep: archival footage of the greatest-hits performances, behind-the-scenes clips showing the snatches of solitary humanity underneath the currents of history, and some interviews with loved ones and collaborators that go beyond the image to a subject’s vulnerable core. Tried-and-true as the template might be, Brett Morgen also finds it fatally boring, and endeavors to chart a less clear-cut path with his films.

Addie Morfoot Contributor The day before the pandemic shut down Los Angeles in March 2020, veteran documentary filmmaker Ryan White (“Assassins,” “Ask Dr. Ruth”) signed on to make “Good Night Oppy.” With the support of NASA, the Jet Propulsion Laboratory (JPL) and Industrial Light & Magic (ILM), the documentary recounts the true story of Mars exploration rovers Spirit and Opportunity and the bond forged between the robots and the humans who created them.

If anything, since its inception, cinema has been an art of apparitions. There’s a ghostly quality to the medium, no pun intended.

Blonde” debuted to a massive 14-minute long standing ovation during its world premiere at the 2022 Venice Film Festival. Ana de Armas, who plays Marilyn Monroe, was in tears at the screening, her face glowing as tears streamed down. Before the film’s world premiere Brad Pitt, who is among the film’s producers, de Armas, director Andrew Dominik, Adrien Brody and Julianne Nicholson created commotion on the red carpet, largely for Pitt who worked the crowds wearing a black Covid mask when he came into close contact with fans to sign autographs and do selfies. Pitt made a surprise appearance in Venice since he was not present at the film’s press conference earlier in the day. Dede Gardner, who is also among “Blonde” producers, was also on hand.

While she may not be a household name compared to the directors that she has worked for, Bonnie Timmermann’s IMDb reads as a decade-spanning watch list of some of the best films ever made.

If anything, since its inception, cinema has been an art of apparitions. There’s a ghostly quality to the medium, no pun intended.

No film at the Venice Film Festival not called “Don’t Worry Darling” has attracted such morbid fascination as Andrew Dominik’s Marilyn Monroe not-a-biopic, “Blonde.” Turns out that “morbid” qualifier is soft, to say the least: to call “Blonde” relentless would be about as immense an understatement as one can conjure of a movie that subjects its lead, Ana de Armas’ fictionalized Monroe, to two hours and forty-seven minutes of unending sexual torture, leering voyeurism, and devastating dehumanization.  READ MORE: Venice Film Festival Preview: 16 Must-See Films To Watch Much has already been made about the X-ratedness of it all, but god, this is — by design — soul-sapping stuff, leaving you bloodied and brutalized.

. And given that De Armas portrays the in the film, it was only fitting that she choose a glamorous outfit for her first stop on the press tour. Arriving on one of those signature wooden speedboats, the actor wore a blue shorts suit by Louis Vuitton, complete with golden nautical buttons, and black strappy Gianvito Rossi heels.

Tim Roth says he isn’t so sure that his much-publicized “She-Hulk: Attorney At Law” scene with Mark Ruffalo made the final cut. In a new interview, the actor — who starred opposite Edward Norton in Marvel’s first standalone Hulk film and reprises his role as Emil Blonsky/Abomination in the new series — says he’s not sure viewers will see the scene, which he says cheekily plays up Marvel’s recasting of the gargantuan superhero when Ruffalo took over from Norton starting with 2012’s “The Avengers.” “I’ve always wanted to work with him, and it just happened to be this, which was kind of fun,” Roth told The Hollywood Reporter.

Ashley Judd is speaking out on privacy following her mother’s untimely passing.

This year’s Venice Film Festival has several highly anticipated films in competition for the Golden Lion. But the festival’s most anticipated movie may arguably be Andrew Dominik’s “Blonde.” Based on Joyce Carol Oates’s 2000 novel of the same name, “Blonde” may be the biopic to end all biopics.

Ashley Judd is pushing for more privacy protection for the family members and close loved ones impacted by suicide.

Ashley Judd, is opening up about her mother's passing like never before.MORE: Naomi Judd 'leaves daughters Ashley and Wynonna out of $25 million will'In an essay for The New York Times' opinion section, the star spoke candidly of the moments right after her mother's death, the aftermath, and discussed what it was like to mourn something so heartbreaking, so publicly.The late singer died by suicide from a self-inflicted gunshot wound on 30 April. She was 76-years-old, and had long been struggling with depression, anxiety, and panic attacks.WATCH: The Judds perform live at the 2022 CMT AwardsMORE: Ashley Judd details mom Naomi's powerful words after devastating sexual harassmentIn the essay, which is titled The Right to Keep Private Pain Private, Ashley reveals the shocking details of "the most shattering day of my life," detailing the moment she discovered her mother's body.

Ashley Judd is grieving the loss of mother Naomi Judd, and is opening up about the experience of discovering the late singer’s body in an op-ed for the New York Times.

Chris Willman Senior Music Writer and Chief Music Critic In a commentary published in the New York Times, Ashley Judd explains why she has filed a petition attempting to block the release of a report on the death of her mother, Naomi Judd — saying that “the horror” of the experience “will only worsen if the details surrounding her death are disclosed by the Tennessee law that generally allows police reports, including family interviews, from closed investigations to be made public.” In the essay, Judd reveals that her mother — who died from a self-inflicted gunshot wound at her home on April 30 — was still alive at the time police arrived, and contends that the barrage of questioning kept her from attending to her mother in some of her final moments. Most relevant to her objection to the report, though, is that she says family members revealed many personal things in the heat of interrogation without any thought as to how those details would forever become part of the public record.

Ashley Judd has set her sights on creating meaningful legislative change in the aftermath of her mother's death by suicide and the subsequent police investigation that followed. In a personal op-ed written for , Ashley looks back on mom Naomi Judd's final moments and the invasive line of questioning she says she endured from authorities at the time. Earlier this month, the country legend's family formally asked a judgeto seal police reports and recordings made during the course of its investigation into her death.