Cannes Review: Emily Watson & Paul Mescal In ‘God’s Creatures’

Michael Fassbender will make his debut as a driver for Porsche at the 90th edition of the iconic 24 Hours of Le Mans across the weekend of June 11 and 12. The legendary endurance race is something the X-Men star has been preparing for intensively over the last three years, after developing a passion for racing. Apparently, he doesn’t do things by halves!He was all smiles as he was snapped practising in a green helmet and uniform with his team mates on the track ahead of the big weekend.

EXCLUSIVE: The Pursuit of Love‘s Emily Mortimer and Rocks co-writer Claire Wilson are among the guest mentors for The Writers Lab UK & Ireland’s second script development programme for women and non-binary screenwriters aged over 40.

Manori Ravindran International EditorGlobal streamer and distributor MUBI has struck again, this time snapping up select markets for Lukas Dhont’s keenly anticipated “Close.”MUBI has acquired the U.K., Ireland, Latin America, Turkey and India.The film stars Lea Drucker, Émilie Dequenne, Kevin Janssens and newcomers Eden Dambrine and Gustav De Waele. “Close” will receive its world premiere on Thursday at the festival, where it’s playing in competition.The film will be released theatrically followed by an exclusive MUBI streaming release.“Girl,” Dhont’s debut feature film, won the Camera d’Or at Cannes in 2018.

EXCLUSIVE: Mubi has acquired Lukas Dhont’s Cannes Competion entry Close for the UK, Ireland, Latin America, Turkey and India.

Cannes Film Festival. The actor, 26, slicked back his hair and donned a dapper suit for the event held at Place de la Castre. Paul looked full of confidence as he posed in his sharp suit and statement bow tie at the ceremony which aims to shine a light on women’s contribution to cinema, both in front of and behind the camera.

Cannes film festival at Palais des Festival. Swedish native Alicia, 33, pulled out all the stops as she cut a glamorous figure in a unique Louis Vuitton ensemble.  Alicia wowed in the gladiator inspired metallic co-ord which featured a floor length skirt and cross front halter neck top from the French luxury fashion house.

CANNES – We are living in yet another era of European history where old battles over the borders of nation-states are being disputed. Russia has invaded the sovereign nation of Ukraine after already annexing the province of Crimea less than a decade ago.

With his classic 1990s heartthrob looks, it was only a matter of time before Paul Mescal found his way into a film set in that era. Like “Normal People,” the series that catapulted the young Irish actor to fame, Charlotte Wells’ “Aftersun” has him wearing shorts, but this time with a belt and the polo shirt tucked in — a detail like many others in the film that should send a wave of recognition through audience members who grew up then.

As if unleashing all the pent-up narrative impulses tamped down for the hard-bitten minimalism of “Mad Max: Fury Road,” Australia’s proudest son George Miller returns to Cannes’ out-of-Competition section with a sumptuous banquet of storytelling in service of storytelling. “Three Thousand Years of Longing” compresses eons of heartbreak, happenstance, and hope into a hotel room tête-à-tête that then re-blooms to the size of the universe, a parable both titanic and intimate in scale as it negotiates one woman’s complacent solitude against the welfare of mythologies dating back to the cradle of civilization.

Guy Lodge Film CriticThere’s always an undertow of melancholy even to the most idyllic of summer vacations. Every blissed-out day that passes is another closer to it ending, and the shadow of normal life resuming — with its work and school and domestic obligations, shelving the freer, looser personae we adopt away from home — hovers beside our pleasure like a glum weather forecast.

An undercover cop befriends a murder suspect in The Stranger, a taut Australian thriller in Cannes’ Un Certain Regard section. Written and directed by Thomas M. Wright (Acute Misfortune), it features excellent performances from Sean Harris and Joel Edgerton, who also serves as producer.

EXCLUSIVE: Here is the first trailer for movie Peter Five Eight, marking the first footage released at a market for a Kevin Spacey project in almost five years.

Guy Lodge Film CriticIt’s not that we haven’t seen Emily Watson on screen recently — it just feels a long time since any film really made us look at her. Somehow knowing and guileless and haunted at once, her piercing, pale-eyed gaze made an immediate mark in film history with her debut in “Breaking the Waves” a quarter-century ago, but it’s been an underused natural resource of late: TV has been more generous, but the movies have confined her to stock mom-and-wife supporting roles for years.

CANNES – Despite the passage of time, very little has changed over the decades in the small Irish fishing village depicted in “God’s Creatures.” There is work. There is family.

The debut of a Scottish director is one of seven films to be selected for Critic's Week at the Cannes Film Festival in a spectacular moment for Scottish cinema.

EXCLUSIVE: Another Kevin Spacey project is heading to the Cannes market in the shape of thriller Peter Five Eight.

Kevin Spacey has been confirmed to star in historical drama 1242 – Gateway to the West, which will be on sale at Cannes Market.