‘Three Thousand Years Of Longing’ Review: George Miller Returns With A Sumptuous Banquet Of Storytelling [Cannes]

Jazz Tangcay Artisans EditorThe highly-anticipated  “Furiosa,” a spin-off from “Mad Max: Fury Road” has started filming.Chris Hemsworth, one of the film’s stars, shared a post via social media saying, “A new journey in the Mad Max saga begins.” Anya Taylor-Joy stars alongside him. The “Mad Max” prequel movie is based on Charlize Theron’s Imperator Furiosa character from 2015’s “Mad Max: Fury Road.”Miller calls the sequel “a saga,” which will unspool over a 15-year period, differing from its predecessor which spanned three days in its timeframe.George Miller is set to  direct, co-write and produce “Furiosa,” along with his longtime producing partner Doug Mitchell.A new journey in the Mad Max saga begins #FURIOSA pic.twitter.com/nhxqRXB73z— Chris Hemsworth (@chrishemsworth) June 1, 2022Most recently, Miller revealed that  he and composer Tom Holkenborg, aka Junkie XL, will work together again on the film’s score.

Winner: Neon. The indie distributor has a special touch with Palme d’Or winners. Following 2019’s “Parasite” and 2021’s “Titane,” Neon landed North American rights to this year’s big Cannes champ: Ruben Östlund’s comedy “Triangle of Sadness,” which stars Woody Harrelson as a rabid Marxist who is the captain of a cruise for the super-rich.

Observed in isolation, detached from the body or in extreme close-ups, organs and other vital viscera resemble moist masses of soft tissue plucked from alien landscapes in the unflinchingly immersive medical documentary “De Humani Corporis Fabrica.” Alternating between footage from cameras inserted into patients for the purpose of treating ailments and grisly shots from the operating room, directors Verena Paravel and Lucien Castaing-Taylor, the team behind the striking non-fiction film on fishing “Leviathan,” apply their fascination for uncanny imagery with relativist intent to the inner workings of French hospitals and, in turn, the human body.

A drastic departure from his prior films “Border” and “Shelley,” Ali Abbasi’s newest film, “Holy Spider,” draws inspiration from the 2000-2001 crimes and subsequent trial of Saeed Hanaei (played here by Mehdi Bajestani), a war veteran-turned-serial killer in the Iranian city of Mashhad who murdered 16 sex workers, claiming that he was cleansing the holy city of sinners and corruption in the name of Islam.

Clayton Davis Amazon and MGM may have completed their $8.5 billion merger in March, but don’t expect to see “Three Thousand Years of Longing,” the fantastical love story from director George Miller, streaming on Prime Video on Aug. 31 when the film opens.Miller is a true believer in cinema and the movie theatres that house them. “It would be very painful to know that your movie will be first seen on streaming,” he tells Variety.“There’s a commitment that they can’t change.

CANNES – George Miller is one of the most acclaimed filmmakers of his generation, but when it comes to Tilda Swinton he truly knows among the greats. The star, along with Idris Elba, of his new film “Three Thousand Years of Longing” says she doesn’t pick roles.

CANNES, France -- It's taken a lot of time and a good deal of yearning for Australian director George Miller to make “Three Thousand Years of Longing, " his long-awaited follow-up to “Mad Max: Fury Road."Miller premiered “Three Thousand Years of Longing” over the weekend at the Cannes Film Festival, the culmination of a journey that began 20 years ago when Miller first read the A. S.

It’s one of modern life’s most beguiling paradoxes that social media influencers are, of course, the scum of the earth, and yet the pop culture skewering them always plays so uncharitably that a viewer feels compelled to defend the indefensible. Ruben Östlund comes out swinging against Instagrammers in the first third of his new film “Triangle of Sadness,” which joins a pair of logged-on models after a casting-call prologue introducing us to the chiseled Carl (Harris Dickinson, cementing his place in the next generation of movie stars).

If anyone has a right to be jaded about superhero movies, it’s George Miller. Miller posses one of the great what-if superhero stories, having spent several years in the 2000s working on “Justice League Mortal,” a $200 million dollar movie that would have featured Armie Hammer as Batman and D.J.

George Miller told press today in Cannes that his new film 3000 Years of Longing is a fantasy story that is “open to interpretation.”

A woman clad in nothing but body paint and undergarments rushed the Cannes Film Festival red carpet premiere of George Miller’s "Three Thousand Years of Longing" on Friday to deliver a message to the masses. "Stop raping us" the unidentified woman’s torso-written message read in the familiar blue and yellow colors of the Ukraine flag as she stripped down and collapsed to her knees in rage before being apprehended by nearby security personnel.

When ranging out of Mad Max territory, George Miller’s films are highly diverse and unpredictable in nature, and never has this proved more the case than with his time-traveling, narratively far-ranging new drama, Three Thousand Years of Longing. In this Cannes Film Festival competition entry, the director delves back into old texts to examine the nature and power of legendary stories that have endured for centuries in a way that is both sharply creative and a bit off-putting; the film begins on quite a high, only to slowly deflate as it works its way toward its modern-day ending.

Peter Debruge Chief Film CriticIn the brain-tickling eyesore that is “Three Thousand Years of Longing,” Tilda Swinton plays a narratologist, which is to say, someone who studies stories. Her character, Dr.

Of all the delirious sights that fill the screen and dazzle the eyes in George Miller’s delightfully idiosyncratic “Three Thousand Years of Longing,” the most surprising is also, without a doubt, the most banal: It is the four-inch piece of cloth that actress Tilda Swinton drapes across her nose and mouth as her character rides a city bus. It would seem this fairy-tale landscape that Miller has dreamed up – a land of Djinns and magic wishes and men who morph into malicious little ghouls before scattering away as 10,000 scarabs – is also, apparently, a world shook by COVID. This tension between escapism and the dreariness we often hope to escape lies at the heart of the mad scientist Miller’s latest experiment, which premiered to waves of applause at the Cannes Film Festival on Friday. Like “Mad Max: Fury Road” before it, “Three Thousand Years of Longing” is another kind of blockbuster that tries to lead by example, a big-budget fantasia that argues there are more imaginative and original ways for Hollywood to employ its tools. Adapted from a short story by A.S.

The Oscar buzz for 2023 has already begun thanks to the films premiering at the 2022 Cannes Film Festival!

Clayton Davis The genie is out of the bottle for the dynamic director George Miller and his newest venture “Three Thousand Years of Longing,” starring Academy Award winner Tilda Swinton and Idris Elba. You’ll hear the awards comparisons that call it Miller’s version of “The Shape of Water” (2017), Guillermo del Toro’s Oscar-winner for best picture, but it’s closer to Terrence Malick’s “The Tree of Life” (2012) but with an accessible and soulful core. It’s a love story to the storytellers, and a love letter to mankind.

Zack Sharf George Miller electrified the Cannes Film Festival with “Three Thousand Years of Longing,” his first directorial effort since “Mad Max: Fury Road.” Miller’s latest, starring Tilda Swinton and Idris Elba, earned a six-minute standing ovation after its world premiere at Cannes’ Palais theater.A love letter to storytelling and its tropes and parables passed down through history, “Three Thousand Years” follows a solitary academic (Swinton) and a burdened genie (Elba) she finds in a bottle in the markets of Istanbul. His history unfolds in the stories of those who had found him before.While his memories were relayed in dazzling ancient locations with heavy special effects, half of the film is spent in a hotel room (the same that Agatha Christie lived in when she wrote “Murder on the Orient Express,” a bellhop tells Swinton).

The eventful new trailer for George Miller’s “Three Thousand Years of Longing” has been released.

CANNES, France -- A woman who stripped off her clothes to reveal a message against rape written on her body crashed the Cannes Film Festival red carpet premiere of George Miller's “Three Thousand Years of Longing” on Friday.The unidentified woman tore off her clothes during the film's red carpet procession to reveal the message “Stop raping us” written across her torso next to the blue and yellow colors of the Ukraine flag. Red was also painted on her legs and groin.While she yelled “Don't rape us!” security quickly encircled her and took her off the red carpet.Representatives for the festival didn't immediately comment.Russia's war in Ukraine has often been in the spotlight at this year's Cannes festival, which is screening several films from Ukrainian filmmakers.

The upcoming movie Three Thousand Years of Longing has debuted its first trailer, minutes before the film premieres at the 2022 Cannes Film Festival!