EXCLUSIVE: Antonio Díaz, one of Europe’s highest grossing illusionists, will bring his El Mago Pop show to Broadway this summer, with a limited two-week engagement set for August.
07.03.2023 - 13:09 / deadline.com
Spain has been named as the country of honor for the upcoming edition of the Cannes Film Festival’s Marché du Film running May 16 to 24.
The showcase comes amid a $1.7B government-backed drive by Spain to become a major European audiovisual hub, under its “Spain, Audiovisual Hub of Europe” plan.
The Ministry Of Industry, Trade & Tourism’s business-faced body ICEX Spain Trade & Investment and the country’s Institute of Cinematography & Audiovisual Arts (ICAA) are leading the focus.
It will showcase Spanish talent and content across all formats, ranging from cinema to documentary, animation and extended reality.
The focus is supported and funded by two major Spanish government economic growth initiatives – the “Spain, Audiovisual Hub of Europe” plan and its post-pandemic “Recovery, Transformation & Resilience” plan.
The “Spain, Audiovisual Hub of Europe” plan has a planned public investment of $1.7B (1.6B euros) for the period from 2021 to 2025 and aims to increase audiovisual production in Spain by 30% by the end of that period.
Launched in 2022, the plan is one of the major axes of the Digital Spain 2025 agenda, which aims to turn Spain into a key audiovisual hub in Europe.
The ambitious project will be presented in detail along with other tax incentives at a conference hosted by the Marché du Film.
Leading audiovisual professionals from Spain will detail how the country plans to promote national audiovisual production and attract investment and economic activity, all while strengthening companies in the sector, improving their competitiveness through digitization and support for talent, and further reducing the gender gap.
Beyond these business ambitions, Spanish cinema has been enjoying a high-profile time on the
EXCLUSIVE: Antonio Díaz, one of Europe’s highest grossing illusionists, will bring his El Mago Pop show to Broadway this summer, with a limited two-week engagement set for August.
After snapping up the critically acclaimed Jonathan Majors movie Magazine Dreams out of Sundance, Searchlight has set a Dec. 8 theatrical release for the Elijah Bynum directed title; a date that’s right in line with the classics’ label previous awards season launches.
EXCLUSIVE: The ViX original series Montecristo starring William Levy is set to premiere on April 14, with the release of all 6 episodes to hit the streamer. Watch the first official trailer above.
Ed Meza @edmezavar Estíbaliz Urresola Solaguren’s celebrated Spanish feature “20,000 Species of Bees” and Kattia G. Zúñiga’s Panamanian drama “Sister & Sister” took the top prizes at the Malaga Film Festival, garnering the Golden Biznagas for Spanish and Latin American pictures respectively. “20,000 Species of Bees” also won best supporting actress for Patricia López Arnaiz and picked up theSpanish Cinematographic Informers Association’s Feroz Puerta Oscura award. The film’s success follows two awards in Berlin, including a Silver Bear for Sofía Otero for her portrayal of a young girl going through a gender crisis. For Zúñiga, the Golden Biznaga is sure to help further propel “Sister & Sister,” an autobiographical story about two teenage sisters who travel from Costa Rica to Panama in search of their absent father.
Elsa Keslassy International Correspondent The blockbuster French cast of Amazon Prime Video’s third season of “LOL: Qui rit, qui sort” speaks volumes about the Japanese variety format’s tremendous popularity in France. The Amazon Original series, adapted from the format “LOL: Last One Laughing,” scored its biggest launch to date on Prime Video in France since bowing on March 10. The show is one of the streamer’s first unscripted originals in France and has been a major coup as a brand exercise that’s succeeded with limited resources — certainly in comparison to scripted comedy. Adaptations of “LOL” have also thrived in Italy and Germany where they have ranked as the most watched local titles on the service, respectively. Local versions are also available in Spain, Canada, Mexico and Australia (hosted by Rebel Wilson).
Ed Meza @edmezavar Daniela Fejerman and Elvira Lindo’s “Someone Who Takes Care of Me,” a celebration of actors, their passion, craft and historical legacy, opened this year’s Malaga Film Festival in a fitting tribute to the Spanish entertainment industry. The film, which screened out of competition, centers on three women whose careers have spanned stage, film and television, actresses of different generations whose fortunes in life have greatly differed and who struggle with untold secrets and unresolved conflicts. Aura Garrido stars as Nora, a young, award-winning actress with a promising future who carefully balances between the two main pillars in her life, her grandmother Lilith (Magüi Mira), who reigned for decades as a renowned theater star, and her mother Cecilia (Emma Suárez), whose career has languished after having achieved some glory in the 1980s, a decade of excess in which she heavily partook.
Carlos Alcaraz is back with another win!
Shakira has celebrated a string of Guinness World Record wins with a performance of ‘Bzrp Music Sessions, Vol. 53’ on The Tonight Show Starring Jimmy Fallon.The diss track, aimed at Shakira’s former partner Gerard Piqué, was released in January and quickly became the most watched Latin song on Youtube.As it stands, ‘Bzrp Music Sessions, Vol.
Argentina, 1985 Leads 2023 Platino Awards NominationsSantiago Miter’s political thriller Argentina, 1985 leads this year’s Platino awards nominations with 14 nods, including Best Director, Screenplay, and Best Ibero-American Fiction Film. Alejandro G. Iñárritu’s latest pic Bardo, False Chronicle of a Handful of Truths trails with six nominations alongside Spanish filmmaker Rodrigo Sorogoyen’s The Beasts and Lullaby by Alauda Ruiz De Azúa. On the TV side, the Colombian series Noticia de un kidnapping also notched six noms. This year’s Platino awards take place on April 22 at the IFEMA Municipal Palace in Madrid. Check out the full list of nominations here.
There’s scarcely a word or move in Champions that you haven’t seen somewhere else before, but in a very modest way this goofball minor-league basketball yarn throws off enough amiable and vaguely raucous charm to keep a smile on sports fans’ faces much of time. Woody Harrelson makes the exasperated most of his role as a been-around-the-block minor-league coach whose likely final hope at employment is to whip a bunch of physically challenged misfits into presentable shape. It’s very easy to imagine gobs of middle-aged guys sitting around the tube at home or in a bar chugging a few while having a good time with this one.
Peter Debruge Chief Film Critic While Peter Farrelly was off winning Oscars for “Green Book,” younger brother Bobby has been largely absent from feature directing. It’s been nearly a decade since the siblings shared credit — the last time being 2014’s “Dumb and Dumber To.” Now, rather than competing with Peter at the respectability game, Bobby sticks to what he knows with “Champions,” in which Woody Harrelson plays a minor-league basketball coach court-ordered to assist a Special Olympics team for 90 days — just long enough to take the team from bumbling incompetents to national finalists. There are zero surprises in “Champions,” unless you count the not-inconsiderable shock that such a movie exists at all. A remake of 2018 Spanish box office sensation “Campeones,” this awkward (if presumably well-intentioned) comedy might have felt enlightened 25 years ago — back when “Forrest Gump” was an Oscar favorite — but today makes for a patronizing portrayal of people with intellectual disabilities. That’s still better than no portrayal at all, I suppose, and there’s some satisfaction to be had in watching Harrelson’s character overcome his prejudices — reflected by using the “boo-boo word” that starts with “R” — and grow to see these amateur athletes for more than their limitations. But did the film (little more than a “Role Models” redux) have to paint its players as such extreme incompetents from the outset?
Leo Barraclough International Features Editor Autlook Filmsales has sold “Smoke Sauna Sisterhood,” which won the directing award for Anna Hints in the World Cinema Documentary section at Sundance, to more than 20 territories in North America, Europe and Australia. Deals are confirmed with Neue Visionen in Germany, Trigon in Switzerland, Against Gravity in Poland, Fidalgo in Norway, Ost For Paradise in Denmark, Vedetta in Benelux, Filmtrade in Greece and Cyprus, FilmIn in Spain, Alambique in Portugal, Filmladen in Austria, Pasaka Films in Lithuania, Artcam in Czech Rep. and Slovak Rep., Best Film in Latvia, Mozinet in Hungary, and Madman in Australia and New Zealand. The rights in U.S. have been picked up by Greenwich Entertainment and in Canada by Sherry Media Group. The theatrical release in Estonia is by ACME Film.
Elsa Keslassy International Correspondent Cannes’ Marché du Film has named Spain its Country of Honor for the upcoming 2023 edition which will take place May 16-24 during the 76th edition of the Festival de Cannes. The Marché du Film will work with ICEX Spain Trade & Investment and ICAA – Institute of Cinematography & Audiovisual Arts to showcase Spanish talent and content, ranging from cinema to documentary, animation and extended reality. Spain follows India which became Cannes’ first official Country of Honor in 2022. The industry event launched the initiative last year to spotlight and celebrate different nations at each market edition. Spain’s cinema sector has been having a banner 2023. Last month, Estibaliz Urresola Solaguren’s debut feature “20,000 Species of Bees” won three awards at the Berlinale, while Albert Serra’s “Pacifiction” won two Cesar awards, and Rodrigo Sorogoyen’s “The Beasts” won the Cesar award for best foreign film. Recent successes last year also include Carla Simón’s “Alcarràs” which won last year’s Golden Bear at the Berlin Film Festival and Alberto Mielgo’s “The Windshield Wiper” which won best animated short film at The Academy Awards).
New research has predicted that 2023 will be the final year American consumer’s spend on TV and film rises before hitting a steady decline over the coming years.
Michaela Zee editor Woody Harrelson steps onto the court once again (“White Men Can’t Jump,” “Semi-Pro”) in the heartfelt sports comedy “Champions.” Directed by Bobby Farrelly, the remake of the 2018 Spanish film “Campeones” sees Harrelson as Marcus, a former minor-league basketball coach who leads a team of intellectually disabled players called the Friends. “It’s really hard to make an authentically funny and emotionally vulnerable film, and I thought they did such a wonderful job,” Kaitlin Olson, who plays Alex in the movie, told Variety Monday night at the New York premiere of “Champions.” “I met all the Friends and they’re such an incredible cast. They all showed up ready to play, and we just had the most amazing time.”
Callum McLennan Laura Ferrés’ “The Permanent Picture” has been acquired by Be For Films. The deal is announced a fortnight before the film screens at Malaga WIP where it ranks as the most buzzed of the section’s titles. The debut follows Ferrés success with short “The Disinherited,” which won the 2017 Cannes Critics’ Week Leica Cine Discovery Prize, in addition to grabbing Goya and Gaudi gongs. It depicts the director’s own father reluctantly facing the end of the family business. “The Permanent Picture” is produced by Spain’s Fasten Films, in co-production with Le Bureau (France), and Volta Production (Spain).
Gigi Hadid and Tan France step out in major style for appearances all over New York City on Monday (February 27).
The competition winners of the 73rd Berlinale are about to start rolling in as the festival draws to a close Saturday evening.
EXCLUSIVE: Following bidding wars in multiple territories, A24 has sold Past Lives, probably the year’s most critically acclaimed new film, to a raft of key territories.
We’re back for a third round of Adonis Creeds life with Creed III. Making his directorial debut, Michael B. Jordan executes his vision for the future of these films in the franchise which is something to appreciate as each of the movies has a different director who frames each Creed in their own style. In this new installment, Adonis faces a new challenge: the past. Alongside Jordan, the movie stars Tessa Thompson, Jonathan Majors, Wood Harris and Phylicia Rashad.