Berlin Stands By Controversial Title ‘Black Bach Artsakh’ After Backlash

Leo Barraclough International Features EditorARRI Media has closed a deal with Crescendo House – a new boutique distribution company – for North American rights on Marxist vampire comedy “Bloodsuckers,” following its world premiere at the Berlin Film Festival.The film, which screened as part of the Berlinale’s Encounters section, was written and directed by Julian Radlmaier.Radlmaier’s script was praised by the jury as being “extravagant, bizarre, and hilarious” when he was presented with the

Netflix film A Cop Movie, from Mexican director Alonso Ruizpalacios, which premiered in competition at the Berlin Film Festival last week, starts off like any fly-on-the-wall documentary. We meet Teresa, a cop in Mexico City, and follow her through her daily routine as she narrates her life via voice-over.

International buyers have jumped on Maria Schrader's I'm Your Man, and the Daniel Brühl-directed Next Door, both of which premiered in competition at the Berlin International Film Festival last week.

Filmed in glossy black and white, and adopting a non-judgmental vérité approach, director Carlos Alfonso Corral’s debut is a humanizing look at a small section of the homeless population in El Paso, Texas. “Dirty Feathers,” is a short, but thematically rich, film about those on the margins of society.

It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.

EXCLUSIVE: Indie stalwart Cassian Elwes is making a move into management via his Elevated banner, kicking off with signing Best Sellers director Lina Roessler, whose debut feature starring Michael Caine and Aubrey Plaza screened in the Berlin Film Festival’s Special Gala section this week. It’s the first time the film producer and former co-head of William Morris Independent has moved into the management space.

One year in the life of a teenager can feel like an eternity. The intensity of the fleeting romances, the wild swings between happiness and despair, the thrilling yet uneasy anticipation of a future that seems simultaneously imminent and distant — it’s a wonder that we come out of adolescence intact.

Manori Ravindran International EditorParis-based Totem Films has scored a raft of international sales on Iranian directors Behtash Sanaeeha and Maryam Moghaddam’s Berlin Film Festival competition entry, “Ballad of a White Cow.”“Ballad of a White Cow,” as sales agent Totem notes, is the story of a woman’s struggle for justice, recognition and independence in today’s Tehran.

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.

The latest from T.J.Martin and Daniel Lindsay, directors of “Undefeated” and “LA 92,” “TINA” looks like another documentary that came off of a factory line, complete with the usual panning shots of contact sheets, dramatic zooms into rolling tapes, cross-cutting between audio interviews and their published print versions, melodramatic score cues doing their best to emulate Philip Glass.

There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.

With much of the world having experienced the longest year in living memory since last February, only hardened film history buffs may recall the 2020 Berlinale, the last major festival and market to take place physically before the COVID-19 pandemic led to global cinemas began shutting their doors and considering some unfortunate existential questions.

John Hopewell Chief International Correspondent“Natural Light,” a portrait of the attrition and atrocity of war set at a benighted village in occupied Western Soviet Union in 1943, has clinched its first sales as Paris-based Luxbox rolls out the Berlin Competition player at the European Film Market.Nour Films, whose past pickups include Berlin Golden Bear winner “Touch Me Not,” has closed rights to France.Nour will open “Natural Light” “with great conviction and pleasure” on at least 60 prints

For the students at a remote boarding school for Kurdish boys, survival is a matter of course, particularly during the frigid depths of winter. The meals are meager, the heating doesn’t work, and even the principal’s car won’t start.

It’s always interesting to see what an actor will deliver as they make the step towards directing, and for “Next Door” director and star Daniel Brühl has not shied away from a premise that closely parallels, yet distorts, his own life. It’s a film that explores a space of conversation highlighted to great effect in Bong Joon-ho’s recent towering success, “Parasite,” toying with societal dichotomies and opening up discussions around wealth, class, gentrification, and spatial divides.

There’s no doubt about it, it’s all in the eyes: an ice-blue stare, locked on you, promising satisfaction and loyalty without asking for anything in return. That’s what love is, and Dan Stevens is the humanoid robot here to give it to us.

Jamie Lang A year after featuring as the European Film Market’s focus country, Chile returns with a delegate of more than 20 producers who will participate in a virtual stand, backed by ProChile and the Ministry of Culture.Bastard.

As Berlin's European Film Market kicks off Monday, international distributors are up in arms over an alleged proposal to introduce mandatory "buy-back" clauses to films being pre-sold to foreign territories. The idea, which several sources say has been floated by the U.S.

Leo Barraclough International Features EditorBy any terms, Berlin’s 2021 European Film Market will deliver its smallest pre-sales market in years.