Berlin Doc ‘Walls of Bergamo’ Depicts Italian City When it Became Epicenter of Pandemic in Europe – Watch Clip (EXCLUSIVE)

Nick Vivarelli International Correspondent Chilean filmmaker Maite Alberdi’s documentary about love, memory and Alzheimer’s disease “The Eternal Memory” has scored a slew of international sales after making a splash at Sundance and Berlin. Dogwoof, the British sales company specialized in high-profile docs, has announced multiple deals on “Eternal Memory,” which won the Sundance Grand Jury Prize for World Documentary in January and was a recent standout at the Berlinale where it had its European bow. The hot doc is screening later this week at the CPH:DOX documentary film festival in Copenhagen. Dogwoof partnered with MTV Documentary Films to represent “The Eternal Memory” for international sales soon after its Sundance premiere. They have now scored sales on the doc to: Edge Entertainment (Nordics); Madman (Australia and New Zealand); Sherry Media (Canada); I Wonder Pictures (Italy); BTeam Pictures (Spain); Periscoop (Benelux); Atnine Film (South Korea); Synca (Japan); LEV (Israel), and Restart (Former Yugoslavia).

Nick Vivarelli International Correspondent Italy’s 40% tax rebates for international film and TV series are a magnet that has been crucial to luring lots of shoots to the country. These incentives are behind the current contemporaneous presence on the Cinecittà Studios lot of Oscar-winner Edward Berger’s new film “Conclave,” Netflix period soap “Decameron,” and Roland Emmerich’s Peacock gladiator series “Those About to Die,” to name a few examples.  That’s why Italian Deputy Culture Minister Lucia Bergonzoni on Oscar week travelled to Los Angeles to meet with Hollywood studio and streamer chiefs. Her mission: to dispel fears swirling in the global film community ever since Italy’s new right-wing government was installed in October 2022 regarding the prospect that the Italian rebates could be pulled or in some way watered down. 

Nick Vivarelli International Correspondent Netflix has acquired global rights to Italian rom-com “Era Ora” (“Still Time”), marking a rare instance in which an Italian comedy is set to gain worldwide visibility. “Still Time” is directed by Alessandro Aronadio, a Los Angeles Film School graduate whose first work “One Life, Maybe Two” launched from Berlin’s Panorama section. The concept comedy stars Edoardo Leo (“Perfect Strangers”) as a workaholic named Dante who is perpetually late to everything important and Barbara Ronchi, soon to be seen in Marco Bellocchio’s “La Conversione,” as his girlfriend Alice with whom Dante winds up leaping ahead a year every few hours, just as he wants to slow down.

Nick Vivarelli International Correspondent Aardman Animations’ founder Peter Lord and “Waltz With Bashir” director Ari Folman are set to receive Pulcinella Career Awards at Italy’s Cartoons On The Bay TV animation festival which is broadening its scope. The event launched in 1996 by Italian state broadcaster RAI has now expanded beyond TV toons to comprise video game productions, the comic book world, transmedia storytelling and metaverse animation content. Reflecting its more high-tech horizons, the fest’s 27th edition – which will run May 31-June 4 in the Southern seaside city of Pescara – will also be celebrating “Cuphead,” the hit Canadian video game that’s become a Netflix series, and bestowing its creator Maja Moldenhauer with its new Transmedia Award.

Nick Vivarelli International Correspondent “The Last of Us” has become the most-viewed title ever on HBO’s subscription streaming service in Europe. Warner Bros. Discovery announced on Tuesday that the first season of the nine-episode apocalyptic-drama has smashed HBO’s SVOD European viewer ratings. This result comes after the season one finale set another ratings high in the U.S. on Sunday night, delivering 8.2 million viewers across HBO Max and linear telecasts, based on Nielsen and first party data. The series, which is based on the critically acclaimed video game of the same name developed by Naughty Dog for the PlayStation, has been a hit from the get go. “The Last of Us” is now averaging 30.4 million viewers in the U.S. across its first six episodes, according to HBO, with the first episode approaching 40 million viewers in the U.S. Outside of the U.S.. The show is now also the most-watched show ever on HBO Max in Latin America.

Nick Vivarelli International Correspondent Saudi Arabia’s Red Sea Film Festival has announced a dozen projects from young filmmakers from Saudi, and the wider Arab and African region, selected for its development program, the Red Sea Lodge, in collaboration with TorinoFilmLab and sponsored by the Film AlUla film commission. The Lodge is a 10-month mentorship program that has now opened up to African works along with Saudi and Arab projects. Winners will take home a portion of the total $200,000 pot in prizes that will be awarded during the fest’s 2023 edition in December.  The selected projects from Saudi Arabia are:

Nick Vivarelli International Correspondent Italian producer Andrea Iervolino is planning to bring to the big screen “Maserati: a Racing Life,” an English-language biopic about the family behind the high-performance automobiles that, along with Ferrari and Lamborghini, Italy is known for.   Iervolino’s AMBI Group – in which he is partnered with Monika Bacardi – previously produced the Bobby Moresco-directed biopic “Lamborghini: The Man Behind the Legend” and is also among producers of Micheal Mann’s upcoming “Ferrari” with Adam Driver, Penélope Cruz and Shailene Woodley. He told Variety he sees “Maserati” as a natural segue to those films about Italy’s iconic automakers.

Nick Vivarelli International Correspondent The Locarno Film Festival is launching a first-of-its-kind contest, offering a free complete restoration service to a selected vintage cinema classic. The contest is part of The Swiss fest’s Heritage Online program that was launched in 2021 when its Locarno Pro industry side branched out into vintage cinema creating a platform that serves as a database of film titles that premiered prior to 2005. The goal of the fest dedicated to indie cinema is to play an active role in restoring older films to their former glory and also to become a business facilitator between rights holders and classic film distributors, streaming platforms and other outlets.

Nick Vivarelli International Correspondent Italian star author Robert Saviano, whose mob exposé “Gomorrah” spawned both Matteo Garrone’s eponymous prizewinning movie and the groundbreaking crime series that plays stateside on HBO, is making his directorial debut. Saviano will direct “I’m Still Alive,” an animation adaptation of his graphic novel illustrated by Israeli artist Asaf Hanuka (“Waltz With Bashir”). “Still Alive” examines the anti-mob activist’s life under armed guard since being forced to live with police protection shortly after 2006 when Saviano’s account of the inner workings of the Neapolitan Camorra crime syndicate was published. Just like Saviano’s graphic novel, “I’m Still Alive” will feature illustration’s by Hanuka, an Eisner-winning cartoonist who is known, besides “Bashir,” for his autobiographical strips “The Realist” and for graphic novel “The Divine.”

Nick Vivarelli International Correspondent Warning: This story contains a graphic image. David Cronenberg has made a short film featuring female wax corpses made during the 18th century in Italy. The wax figures were intended for medical studies, in order to train surgeons prior to operating on real bodies. The Canadian director, known as the father of body horror thanks to films such as “The Fly,” “eXistenZ,” and his latest pic “A History of Violence,” has been recruited by Italian fashion house Prada to shoot the short film. It features anatomical wax works from the La Specola museum in Florence, one of the oldest scientific museums in Europe. The museum is currently being renovated and is closed to the public.

Nick Vivarelli International Correspondent Tom Cruise and director Christopher McQuarrie are shooting flight scenes for “Mission: Impossible – Dead Reckoning Part Two” on a U.S. aircraft carrier in the Adriatic Sea, which Cruise reached by helicopter from the Italian port city of Bari, where he jetted into on Saturday. Confirming Italian press reports, the head of the Apulia Film Commission Antonio Parente told Variety on Thursday that Cruise flew into Bari, which is the Apulia region’s capital city, on Saturday Feb. 25. After spending the night in Bari’s 5-star Hotel Delle Nazioni, Cruise on Sunday hopped on a private helicopter from the Bari airport to go shoot scenes for the eighth “Mission Impossible” installment on an U.S. aircraft carrier “which is probably the U.S.S. George H.W. Bush, but we are not sure,” Parente said.

Nick Vivarelli International Correspondent Prior to becoming an actor, Giancarlo Giannini, who on March 6 will be getting a star on the Hollywood Walk of Fame, studied electronic engineering, a skill he’s been known to put to good use even on movie sets. “I was meant to start working on the first artificial satellites, or on the first computers at IBM,” the Italian film and theater thesp recalls. But then Giannini enrolled in acting school and soon was given major roles, first by Franco Zeffirelli and then by Lina Wertmüller, with whom he went on to make nine movies that brought them both international fame. “I owe it to Lina that I will be getting the star. The only other Italian actor who has one is Rudolph Valentino,” he notes.

Nick Vivarelli International Correspondent Italy’s 2,500 dubbing industry workers are on a protracted strike demanding higher wages, less frenzied work conditions, and protection against digital dubbing devices, which they claim threaten their jobs. The country’s unions representing Italian voice actors and dubbing directors have been on the war path since Feb. 21. On Tuesday they announced the strike will continue for at least another week. The unions are demanding that standard contract wages that have remained unvaried for the past 15 years be raised. But they are also clamoring for the right to be able to work at a slower pace, claiming that “current production rhythms are not conducive to [good] quality of work and of life,” according to a statement issued by Italian dubbers’ union ANAD.

Nick Vivarelli International Correspondent Italian actor-turned-director Andrea Di Stefano, whose gritty police drama “The Last Night of Amore” is launching from the Berlin Film Festival’s Berlinale Special Gala section, reps an Italian anomaly. “Amore,” which refers to a police lieutenant named Franco Amore, oddly marks Di Stefano debut directing an Italian-language film after helming well-received U.S. indie thrillers “Escobar: Paradise Lost,” with Benicio del Toro, and “The Informer.”  Sumptuosly shot in 35mm film and set in present-day Milan, “Last Night of Amore” harks back to Italian genre films of the 70s and 80s but has a fresh contemporary feel. The plot sees the good lieutenant, played by Italian A-lister Pierfrancesco Favino (“The Traitor,” “Nostalgia”) being called on the night before retirement to investigate a crime scene where his best friend and long-time partner Dino has been killed during a diamond heist. Complications ensue, things get very frantic, and we learn how his love for his wife Viviana, played by Linda Caridi (“The Ties”) will help Amore survive the longest and most challenging night of his existence.

Nick Vivarelli International Correspondent Italian animation auteur Enzo D’Alò – whose globally known works include “The Blue Arrow,” “Lucky and Zorba,” “Momo” and “Opopomoz” – is back with Roddy Doyle adaptation “A Greyhound Of a Girl” launching from the Berlin Film Festival’s Generation Kplus section. “Greyhound of a Girl,” which is D’Alò’s first English-language film, is about four generations of Irish women who embark on a car journey. One of them is dead, one of them is dying, one is driving, and the fourth is twelve-year old Dublin school girl Mary O’Hara. Mary shares her grandmother’s rebel spirit and love of cooking and is bravely dealing with the fact that her granny’s days are drawing to a close.

Nick Vivarelli International Correspondent The story of Italy’s most-wanted Mafia boss, Matteo Messina Denaro, whose recent arrest by police in Palermo after 30 years on the run made global headlines, is set to become a big-budget film. Rome-based producer Marco Belardi (“Perfect Strangers”) has acquired rights to ace anti-Mafia journalist Lirio Abbate’s book about the Cosa Nostra boss. The book is titled “U Siccu,” which is Sicilian dialect that translates as “The Skinny One.” Messina Denaro was arrested in mid-January by dozens of police officers outside an upscale medical facility in Palermo where he had been undergoing cancer treatment for a year under false identity.

Nick Vivarelli International Correspondent Veteran auteur Mario Martone, whose Naples-set drama “Nostalgia” launched last year from Cannes, has quite a lot in common with Massimo Troisi, Italy’s beloved late comic actor-director who is best known internationally as the star of Oscar-winning film “Il Postino.” Which is why Martone was well-suited to direct the multi-layered doc about Troisi’s legacy “Somebody Down There Likes Me” that is screening in the Berlinale Special sidebar. For starters, they are both Neapolitan, and were born only a few years a part. Troisi – who in “Il Postino” played the simple postman who rides his bicycle on a sandy Italian island to deliver mail to his sole client, the Nobel Prize-winning poet Pablo Neruda – died tragically of congenital heart failure at age 41 in June 1994, the day after “Il Postino” finished shooting at Rome’s Cinecittà studios.

Nick Vivarelli International Correspondent New Disney+ original series “The Good Mothers,” which provides a fresh female take on the Calabrian mob, marks a case of truly organic collaboration between the U.K. and Italy to ensure that a great story didn’t risk losing an iota of authenticity.  The show, which is competing in the “Berlinale Series” section, depicts the Calabrian mob through the prism of three daring women inside the ‘Ndrangheta organized crime clan who collaborated with a female prosecutor and withstood the consequences of their attempt to escape its iron grip. It is produced produced by Juliette Howell, Tessa Ross and Harriet Spencer for London’s House Productions, which originated the project, and by Mario Gianani and Lorenzo Gangarossa for Rome’s Wildside, a Fremantle company, which helped to firmly root the story in its Calabrian context.

Nick Vivarelli International Correspondent Paris-based Italian director Giacomo Abbruzzese says making the Berlin Film Festival competition cut with his first feature, “Disco Boy,” which toplines German star Franz Rogowski (“Passages,” ”Undine”), is “certainly a dream come true.” But he also points out that his remarkable debut was a long time coming.  A graduate of several film schools, including France’s prestigious Le Fresnoy, Abbruzzese started developing “Disco Boy” in 2013 following an encounter in a French disco with a classical dancer who had been a soldier.  

Nick Vivarelli International Correspondent The life of Turkey’s most famous photographer, Ara Guler, known globally for his portraits of scores of 20th century icons ranging from Pablo Picasso to Winston Churchill, is set to become a biopic directed by writer-director duo Aren Perdeci and Ela Almayanac (“Lost Birds”). Guler worked for many years for the photo agency Magnum, after its co-founder, celebrated photographer Henri Cartier-Bresson, personally signed him up. Besides documenting top 20th century personalities, Guler, who died in 2018, gained fame for his images of a bygone Istanbul, which earned him the moniker “Istanbul’s Eye.” He established a long collaboration with Nobel Prize-winning Turkish author Orhan Pamuk. Guler’s photographs were included in the 2003 Pamuk book “Istanbul: Memories and the City.” He also directed the 1975 doc “End of the Hero,” about a World War I battle cruiser.