Berlin Competition Title ‘My Favourite Cake,’ by Iran’s Maryam Moghaddam, Behtash Sanaeeha, Boarded by Totem Films (EXCLUSIVE)

Brent Lang Executive Editor Shudder, AMC Networks’ streaming service for horror films, thrillers and supernatural stories, has acquired “The Devil’s Bath,” the new film from Austrian horror auteurs Veronika Franz and Severin Fiala. The deal comes ahead of the psychological thriller’s world premiere at the Berlin International Film Festival, where it will play in competition.

Patrick Frater Asia Bureau Chief Australia-based indie sales firm Odin’s Eye Entertainment has picked up international rights to adult-skewing animation film “The Weird Kidz.” The film, which has a 1980s vibe and sense of humor, debuted last year in festivals and Odin’s Eye will be using Berlin’s European Film Market to launch an expanded version. A weekend camping trip becomes a disarming and unexpected rite of passage for three adventurous boys and one big brother looking to score with his girlfriend.

Leo Barraclough International Features Editor Sola Media has boarded CGI animated movie “The Super Elfkins” as sales agent and will unveil first footage at the European Film Market in Berlin. The film, which has a budget of Euros 9 million ($9.7 million), will be released in Germany in December 2024 by Tobis Film.

Elsa Keslassy International Correspondent For decades, the Berlin Film Festival has been forging its own iconoclastic path, known for screening the best of world cinema and edgy underground discoveries as well as its cold February temperatures, while the starrier and warmer Cannes and Venice fests have been in fierce competition to grab the limelight (aka Oscar movies). But the Berlinale — a public institution created at the beginning of the Cold War in 1951 — could be changing course next year with the appointment of Tricia Tuttle, a progressive American film journalist and curator who led the BFI London Film Festival during a fast-growing five-year chapter, and has been indirectly tasked by Germany’s culture minister Claudia Roth to turn the Berlinale into a proper rival to Cannes and Venice, while maintaining its political edge and flare for arthouse cinema.

Naman Ramachandran U.K.-based sales and distribution company Blue Finch Films has boarded international sales for select territories to Shudder original film “Oddity.” Written and directed by Damian McCarthy (“Caveat”), the supernatural film will have its world premiere at SXSW 2024 as part of the Midnighter section. Blue Finch will introduce the title in advance to buyers at the Berlin European Film Market (EFM). “Oddity” follows Darcy, a blind medium, who uncovers the sinister truth behind her sister’s death with the help of a frightening wooden mannequin.

Leo Barraclough International Features Editor Paris-based sales and production outfit Totem Films has closed a slew of sales ahead of the Berlinale premieres of their Competition title “My Favourite Cake,” and the Panorama opening film “Crossing.” Maryam Moghaddam and Behtash Sanaeeha‘s “My Favourite Cake” sold to Cherry Pickers for Benelux, Camera for Denmark, Arizona for France, Triart for Sweden, Cineworx for Switzerland and BIR for Turkey. Levan Akin‘s “Crossing” sold to Imagine for Benelux, New Story for France, Lucky Red for Italy, Avalon for Spain and Cineworx for Switzerland. As announced previously, a multi-territory deal was also signed with Mubi.

Naman Ramachandran Film and TV studio Fifth Season has secured international distribution rights to “Monsieur Spade,” the crime drama series starring and executive produced by Clive Owen. Fifth Season will represent the title at the upcoming Berlin European Film Market. The six-episode series is based on Dashiell Hammett’s hard-boiled private detective Sam Spade, the protagonist of 1930 novel “The Maltese Falcon,” adapted several times for the screen, most notably in 1941 by John Huston with Humphrey Bogart as the sleuth.

Patrick Frater Asia Bureau Chief Indian director and cinematographer Jatla Siddhartha has assembled several of the biggest names in world cinema in service of “In the Belly of a Tiger.” The film has its premiere next week at the Berlin Film Festival. Pitched as a blend of surreal horror and selfless love, the film is a fictionalization of reportedly real events in rural India, in which a couple arranges to be eaten by a tiger in order to ensure their family’s financial security.

Leo Barraclough International Features Editor The 26th Thessaloniki Intl. Documentary Festival has revealed the lineup of the International Competition section, which includes “A New Kind of Wilderness,” winner of the Grand Jury Prize in the World Cinema – Documentary section of Sundance Film Festival. Thessaloniki Documentary Festival runs from March 7-17.

Leo Barraclough International Features Editor Nele Wohlatz‘s “Sleep With Your Eyes Open,” which has its world premiere in the Encounters section of the Berlin Film Festival, has debuted its trailer (below). Rediance has taken world sales rights. Wohlatz’s fiction debut “El futuro perfecto” won Locarno’s Golden Leopard for the best first feature in 2016, and was invited to more than 70 international film festivals.

Naman Ramachandran Montreal-based distributor and sales agent Filmoption International has acquired world rights to Nick Butler’s feature directorial debut, “The Legacy of Cloudy Falls.” Filmoption will launch the film at the upcoming Berlin European Film Market. Set in the Cloudy Falls residence, a run-down apartment complex in Niagara Falls that seems destined to be torn down, the film tells the story of a handful of its tenants, chosen at random by the narrator, Rita (Susan Berger), the building’s glib superintendent.

open letter from the Strike Germany movement, which called for a boycott of state-funded cultural events, claiming that the “use of McCarthyist policies” suppressed “freedom of expression” in relation to displays of solidarity with Palestine and criticism of the Israeli state.The International Holocaust Remembrance Alliance’s (IHRA) definition of anti-Semitism cites examples including “drawing comparisons of contemporary Israeli policy to that of the Nazis” and “denying the Jewish people their right to self-determination, e.g., by claiming that the existence of a State of Israel is a racist endeavor”.Strike Germany claimed that the IHRA definition was “increasingly becoming official state policy, effectively censoring criticism of the state of Israel and anti-Zionist perspectives from the German cultural sphere, furthering a dangerous false equivalency that ultimately harms the fight against anti-Semitism”.A post shared by STRIKE GERMANY (@strikegermany)As of Monday (January 22), however, the clause has been dropped. “I must take the legal and critical voices that saw this clause as a restriction on the freedom of art seriously,” said Joe Chialo, Berlin’s culture senator, in a statement (via The Art Newspaper).

Leo Barraclough International Features Editor Chinese filmmaker Lin Jianjie‘s debut feature “Brief History of a Family,” which is being sold by Films Boutique, has debuted its trailer (below), following its world premiere in the World Cinema Dramatic Competition section of the Sundance Film Festival. The film, which will make its European premiere in the Panorama program of the Berlin Film Festival, was received warmly by Variety critic Carlos Aguilar. In the review, Aguilar says the suspenseful drama was “elevated by its consistent visual inventiveness.” He adds that although at first it seems to be the story of a “cunning infiltrator wreaking havoc in an unsuspecting household,” it then “reveals itself as a tale of wish fulfillment for everyone involved.” Aguilar says that it is this approach which “turns Lin’s debut into an engrossing brain-tickler.” The drama is put in motion by an incident at the high school attended by Wei, an outgoing only son from a middle-class family, and Shuo, his quiet, perceptive classmate.

EXCLUSIVE: HanWay Films will represent international sales at next month’s EFM on Berlinale Competition title La Cocina. Fifth Season co-financed the film and is co-representing North America with WME.

Over the past several weeks, we’ve been seeing reports of several films making their debuts at this year’s Berlin International Film Festival. However, we haven’t really gotten a full picture of the festival just yet.

Elsa Keslassy International Correspondent Playtime has boarded “The Devil’s Bath,” a period psychological thriller directed by Veronika Franz and Severin Fiala, the Austrian filmmaking duo behind the critical and commercial hit “Goodnight Mommy.” The movie reteams Franz and Fiala with Ulrich Seidl, who also produced “Goodnight Mommy.” Set in rural Austria in 1750, “The Devil’s Bath” stars Anja Plaschg, the up-and-coming singer and composer known as Soap & Skin. Plaschg plays Agnes, a young married woman who feels oppressed in her husband’s world which is devoid of emotions and limited to chores and expectations. A pious and highly sensitive woman, Agnes falls into a deep depression, before committing a shocking act of violence that she sees as the only way out of her inner prison.

Leo Barraclough International Features Editor The Match Factory has secured the rights for Berlinale Competition title “Dying,” by German director Matthias Glasner. Wild Bunch will be distributing the film in Germany, Austria and German-speaking Switzerland. Glasner credits include Golden Bear nominees “Gnade” (2012) and “Der Freie Wille” (2006).

Patrick Frater Asia Bureau Chief Leading Korean rights sales firm Finecut is to handle the international distribution of “A Traveler’s Needs,” which on Monday was confirmed as debuting in the main competition section of next month’s Berlinale. Remarkably, it is director Hong Sang-soo’s sixth selection for Berlin since 2020. The picture is also the third time that French acting icon Isabelle Huppert stars in a film by the Korean veteran director, following their previous joint efforts “Claire’s Camera” and “In Another Country.” A synopsis provided reads: “She came from France.

Elsa Keslassy International Correspondent Gaumont has unveiled a first still and trailer for “Black Tea,” Abderrahmane Sissako‘s highly anticipated follow-up to his 2015 Oscar-nominated film “Timbuktu.” The movie will world premiere in competition at the Berlin Film Festival. A lushly-lensed romance drama, “Black Tea” (previously titled “The Perfumed Hill“) tells the story of Joice, who leaves the Ivory Coast after walking out on her wedding day and sets off to start a new life in Guangzhou, China.

The Berlin Film Festival on Monday unveiled the titles selected for its official competition and its sidebar Encounters competitive section.