Asia Argento and Melvil Poupaud Star in ‘Stronger Than the Devil’ for All Rights Entertainment (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Superstar Japanese auteur Hamaguchi Ryusuke will unveil “Gift,” a companion piece to his recent “Evil Does Not Exist” as a one-off live performance at next month’s Hong Kong International Film Festival. Following the success of his breakout “Drive My Car,” which won the Oscar for best international feature film, Hamaguchi initially made “Gift” as a silent film project to accompany the live performance of Ishibashi Eiko, the music composer of both “Drive” and later “Evil.” From the same project, Hamaguchi also derived “Evil Does Not Exist,” which then went on to win the Grand Jury Prize at last year’s Venice International Film Festival.

Patrick Frater Asia Bureau Chief New Zealand-set detective Series “A Remarkable Place to Die” is being launched by Banijay Rights at the London Screenings. The 4 x 90’ murder mystery was created by Screentime New Zealand and is co-produced with Real Film Berlin (Berlin, Berlin,” Netflix’s “Unorthodox”) in association with Banijay Rights. Smart and savvy detective Anais Mallory (portrayed by Chelsie Preston-Crayford) returns to her hometown, Queenstown, in South Island, New Zealand and is met with a series of startlingly different homicides.

Patrick Frater Asia Bureau Chief Janet Yang, the Los Angeles-based producer and president of the Academy of Motion Pictures Arts and Sciences, has been appointed as an independent non-executive director to the board of Imax China, a subsidiary of premium large format cinema company Imax that has its own share listing on the Hong Kong Stock Exchange. The company, Wednesday, reported a return to net profits of $27.5 million for the 2023 calendar year. That compared with net profit of $10.8 million in 2022.

Patrick Frater Asia Bureau Chief The Berlin Film Festival said Monday that it has filed criminal charges following the hacking of its Panorama section’s Instagram social media site, which was used to post anti-Semitic messages. After a politically charged edition, festival organizers also attempted to distance the Berlinale management from the stances taken by some of the awards winners at Saturday’s closing ceremony. The organizers said that on Sunday, the day after the festival concluded, “The Instagram channel of the Berlinale Panorama section was briefly hacked and anti-Semitic image-text posts about the Middle East war with the Berlinale logo were posted on the channel.

Patrick Frater Asia Bureau Chief France’s Canal+ Group said that it has increased its stake in multi-territory Asian streaming platform Viu to 30%. “This additional investment underlines the confidence that Canal+ has in Viu and its teams. It also highlights the determination of Canal+ to make Asia its next growth vector, through its strategic partnership with PCCW, and through an acceleration of growth at Viu, a premium streaming service present in Asia, the Middle East and South Asfrica,” the French group said in a statement.

Patrick Frater Asia Bureau Chief Hybe, the Korean entertainment group behind BTS, saw revenues and profits both grow by more than a fifth in 2023 as album sales doubled and post-COVID conditions allowed more concerts. The company Monday reported annual revenues of KRW2.17 trillion ($1.63 billion), up 23% compared with 2022. Net profits reached KRW187 million, more that three times 2022’s depressed result and exceeding 2021’s figure.

Patrick Frater Asia Bureau Chief Occult drama-thriller “Exhuma,” dominated the South Korea box office in its opening weekend with a scarily good debut approaching $17 million. The film, about two shaman, a feng shui master and a mortician who attempt to undo the mysterious events happening to a U.S.-based Korean family, grabbed $14.5 million between Friday and Sunday, representing a 77% share of the overall box office market. Including the earnings since its Wednesday debut, the film earned $16.8 million in its full opening session, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief In Berlin with “The Roundup: Punishment,” part four of the action movie series that he created and stars in, the larger-than-life Korean American Don Lee finds himself simultaneously in multiple timely and lucrative businesses. These include the Marvel superhero business, the Korea-to-Hollywood remake business, “The Roundup” franchise and its multiple spinoff possibilities. Lee may even be in the business of saving Korean cinema, which is currently having one of its periodic wobbles.

Patrick Frater Asia Bureau Chief Two Taiwan-based production companies with features in this week’s Berlin Film Festival have joined forces to launch new venture, Long Hu Bao × An Attitude. Taiwan’s Yi Tiao Long Hu Bao International Entertainment, is one of eight co-producers on main competition film “Shambhala,” from Nepal’s Min Bahadur Bham.

Patrick Frater Asia Bureau Chief The route from idol group member to TV and film acting is a well-trodden one for multiple Japanese performers as they mature and attempt to broaden and extend their career. Few, however, can have received the plaudits of SixTONES member Matsumura Hokuto, who flies in to the Berlin Film Festival for the international premiere of two handed drama feature “All the Long Nights.” Derived from a novel by Seo Maiko and directed by Miyake Sho, the narrative features a woman (portrayed by Kamishiraishi Mone) whose pre-menstrual tension is so intense that it changes her character and disrupts her career. She is befriended by a younger, somewhat solitary man who, in turn, suffers from panic attacks.

Patrick Frater Asia Bureau Chief France’s Isabelle Huppert, one of the leading actors of her age, has crafted a unique relationship with Korean auteur Hong Sang-soo. Hong’s “A Traveler’s Needs,” which premieres this week in competition at the Berlin Film Festival, is the third time that Huppert has starred in one of his unique pieces of minimalist cinema. She says she hopes the partnership can go much further. Huppert plays a footloose and intense French woman at large in Korea and vaguely making ends meet as an untrained language tutor with eccentric methods.

Patrick Frater Asia Bureau Chief French shingle MK2 will handle international sales on “We Shall Be All,” a new epic from Jia Zhangke, China’s pre-eminent indie film director.Announced last year, the film has been a labor of love over more than 20 years for Jia. His previous works, including “Platform,” “Unknown Pleasures” and “Still Life,” have chronicled the rapid economic development of China and its impact on people and society.

Patrick Frater Asia Bureau Chief Production firm Movierock and rights sales outfit Hive Filmworks are in advanced production on “Hear Me: Our Summer,” a Korean remake of hit 2009 romance film “Hear Me” from Taiwan. The story involves a motorbike delivery man who falls in love with a hearing-impaired younger woman. Comparing themselves with water birds and trees the pair slowly try to break through the barriers in their relationship, pursue their dreams and take things to the next level. The retread stars Hong Kyung, who has a recent string of appearances including Netflix’s “D.P,” “TV’s Revenant” and “Hero,” and the upcoming “Troll Factory.” Co-star Roh Yoon-seo has credits in “Crash Course in Romance” and “Our Blues” and is currently one of the most ubiquitous faces in Korea thanks to her position as the face of the Paris Baguette bakery and café chain. Stylistically, the adaptation aims for the feel of Iwai Shunji’s pan-Asian hit “Love Letter,” and is directed by Jo Seon-ho, who previously made “A Day.” Movierock previously produced a 2018 Korean remake of 2004 Japanese hit “Be With You.” The film is already being pre-sold to multiple territories in Asia.

Patrick Frater Asia Bureau Chief The Hong Kong-Europe-Asian Film Collaboration Funding Scheme being launched this week in Berlin is intended as a major component of an exercise in rehabilitating and internationalizing the Hong Kong film industry. In unprecedented fashion, the territory’s Film Development Council is getting ready to start giving cash grants to movie projects that don’t necessarily have to shoot in the city or even use one of its three official languages.

Patrick Frater Asia Bureau Chief On Saturday, audiences in Berlin will see the world premiere of “Above the Dust,” a Chinese-made drama that plays somewhat incongruously in the Generation Kplus section, which screens films for or about children. Whether the film plays again, and where, is moot.

Patrick Frater Asia Bureau Chief Taiwan-based auteur Tsai Ming-liang, who has two films in the Berlinale this year, is a contrarian who would be almost at home working with art-galleries and museums as cinemas and film festivals. Indeed, his new “Abiding Nowhere” is part financed by the Smithsonian Institute. “Abiding Nowhere,” which premieres on Monday in the Encounters section and consists of lonely wanderings through Washington DC by a barefoot monk, is, by Tsai’s own admission, “not a normal film.” “It does not have a story or a plot.

Patrick Frater Asia Bureau Chief In January, when Netflix unveiled its slate of Chinese-language original productions for 2024, all of them turned out to be Taiwanese. Not Chinese. And not from Hong Kong, a territory that once produced over 300 movies a year in multiple Chinese dialects.

Patrick Frater Asia Bureau Chief Culturally pluralistic and gender-diverse Taiwan is the backdrop for “The Chronicles of Libidoists,” a new film by Gilles Yang, a director whose three previous films have also explored the erotic. The story is inspired by “The Little Mermaid,” the traditional fairy tale in which a mermaid princess falls in love with a human prince. But in Yang’s hands there is a twist in that the mermaid turns out to be a boy.

Patrick Frater Asia Bureau Chief Taipei and Los Angeles-based Organic Media Group has picked up rights to U.S.-produced classical music documentary title “Crescendo” and will be launching it at the European Film Market, which accompanies the Berlin Film Festival. The picture had its first commercial release in South Korea in December and became the highest grossing foreign documentary in the last three years.

Patrick Frater Asia Bureau Chief U.S-Asian sales company EST N8 has picked up the international rights for “30 Minutes,” a Korean sci-fi thriller film that is currently in production. The story revolves around a middle-aged man trapped in a time loop, repeatedly reliving the Christmas Eve of his murder.