‘Power Of The Dog’ Producer Tanya Seghatchian To Lead London Film Festival Jury
14.09.2022 - 15:33 / variety.com
Leo Barraclough International Features Editor Iran’s Asghar Farhadi, who directed the Oscar winners “A Separation” and “The Salesman,” U.S. producer Christine Vachon, whose credits includes Oscar winner “Boys Don’t Cry,” and Oscar nominees “Far from Heaven” and “Carol,” and Romania’s Alexander Nanau, the director of the Oscar nominated “Collective,” are among the jury members at the 18th edition of the Zurich Film Festival, which takes place from Sept. 22 to Oct. 2. Farhadi will head the jury for the International Feature Film Competition. He is joined by the U.K.’s Clio Barnard, who directed the BAFTA nominated “The Arbor,” “The Selfish Giant” and “Ali & Ava”; L.A.-based Brazilian Daniel Dreifuss, a producer on the Oscar nominated “No” and “All Quiet on the Western Front,” Germany’s Oscar entry; Swiss/Italian screenwriter and director Petra Volpe, whose credits include Tribeca prizewinner “The Divine Order”; and Sweden’s Peter “Piodor” Gustafsson, the producer of Ali Abbassi’s “Border,” which won the main award in the Un Certain Regard section at Cannes.
Vachon heads the Focus Competition. She is joined by Swiss filmmaker Fred Baillif; Austrian director and screenwriter Katharina Mückstein; Italian editor Maria Fantastica Valmori; and Swiss journalist Roger Schawinski. Nanau heads the Documentary Film Competition jury. He is joined by Macedonian producer Atanas Georgiev, who was an Oscar nominee with “Honeyland”; Swiss producer and director Joëlle Bertossa, whose credits include “I Am Not Your Negro”; Czech Republic’s Nina Numankadić, the director of Doc Alliance, and producer of “FREM”; and Indian filmmaker Sushmit Ghosh, a Sundance prizewinner and Oscar nominee with “Writing With Fire.”
‘Power Of The Dog’ Producer Tanya Seghatchian To Lead London Film Festival Jury
Rebel Wilson is having a blast on the red carpet!
Eddie Redmayne chills out with some fans at the premiere of The Good Nurse during the 2022 Zurich Film Festival at Kongresshaus on Sunday (September 25) in Zurich, Switzerland.
Oscar-winning Iranian director Asghar Farhadi is imploring everyone worldwide to unite “in solidarity” with protesters following the death of Mahsa Amini while in the custody of Iran’s morality police.
Nick Vivarelli International Correspondent As protests continue to erupt in Iran and around the world sparked by the death of Mahsa Amini – the young Iranian woman who died last week while being held in custody by morality police for allegedly wearing a loose headscarf – the country’s film community is intensely engaged and keenly aware that their voices are now even more at risk of being quashed. Two-time Oscar-winning Iranian director Asghar Farhadi (“A Separation”), who is currently presiding over the Zurich Film Festival jury, has issued a statement and a video appeal urging artists around the world to proclaim their solidarity with the Iranian people who are protesting against the death of Amini.
killing of Mahsa Amini.On Sept. 16, the 22-year-old was murdered in the nation’s capital for wearing what morality police deemed “immodest clothing.” Authorities denied harming her and claimed she suffered from pre-existing health conditions, which her family disputed.
Ed Meza @edmezavar “Becoming an Astronaut,” an ambitious documentary that will focus on four new astronauts who will be announced by the European Space Agency (ESA) this November, has won the Focal Audience & Market Strategies pitching event at the Zurich Film Festival. Organized by Focal, the Lausanne-based foundation for film and audiovisual media training, Audience & Market Strategies is a three-part training program that helps producers promote their projects at an early stage. This year’s event showcased eight Swiss projects in various states of development. The program culminated with the pitching event, in which the producers presented their projects to sales company representatives, industry experts and an international jury comprising Stephen Kelliher of Bankside Films, Netflix’s Lars Wiebe, Olivier Tournaud of Cinephil, Sven Wälti, head of film at Swiss pubcaster SRG SSR, and Deadline’s Diana Lodderhose.
Former Lionsgate film chief Patrick Wachsberger, Carol producer Christine Vachon, Neon CEO Tom Quinn and SPC bosses Michael Barker and Tom Bernard will be among industry executives taking part in the Zurich Summit tomorrow [Saturday 24] in Switzerland.
The Rome Film Festival has unveiled its first line-up under the new management team of former Rai executive Paola Malanga as artistic director and Cineteca di Bologna director Gian Luca Farinelli as president, who were both appointed to their roles last March.
Nick Vivarelli International Correspondent The 17th annual Rome Film Festival will fete James Ivory with a career honor, a mini retrospective and the Italian launch of the Oscar-winning filmmaker’s personal new documentary “A Cooler Climate.” Ivory is expected in Rome to receive the award and present the doc about his life as a traveler that takes its cue from boxes of film the director shot during a life-changing trip to Afghanistan in 1960. The film premieres beforehand at the New York Film Festival. Rome’s Ivory mini-retrospective will comprise his films “Maurice”; “Mr. and Mrs. Bridge,” starring Paul Newman and Joanne Woodward; “The Remains of the Day”; and “A Room With a View.”
Naman Ramachandran Joachim Back’s “Corner Office,” featuring “Mad Men” star John Hamm, will open the 30th edition of London’s Raindance Film Festival (Oct. 26-Nov. 5). Austin Bragg and Meredith Bragg’s “Pinball: The Man Who Saved the Game” will close the festival. To mark its 30th anniversary, Raindance will screen iconic independent films that had their U.K. premieres at the festival, including “Pulp Fiction,” “Memento,” “The Blair Witch Project” and “Oldboy.” Special screenings of new films include the world premiere of Stephen Moyer’s “A Bit of Light” (U.K.), starring Anna Paquin and Ray Winstone; director Moshe Rosenthal will take part in a Raindance masterclass and present the U.K. premiere of “Karaoke” (Israel); and the world premiere of Dilshad Husain’s British Asian feature “Banglatown.”
Patrick Frater Asia Bureau Chief Iranian action drama “World War III,” which won two awards at the recent Venice festival, will feature among the main competition titles at next month’s Tokyo International Film Festival. The festival will operate as an in-person event with foreign filmmakers, media and other guests in attendance from Oct. 24-Nov. 2, 2022. “World War III” is joined in the competition section by the world premiere of Milcho Manchevski’s “Kaymak,” Spanish director Carlos Vermut’s “Manticore” and Roberta Torre’s “The Fabulous Ones,” Michale Boganim’s “Tel Aviv Beirut,” and Youssef Chebbi’s debut film “Ashkal.”
Toronto Film Festival returned in spectacular fashion after two years of virtual premieres or limited capacity screenings. The parties were packed (which may lead to COVID outbreaks down the road, but… that’s showbiz?), the red carpets were glittering and the atmosphere was electric, bordering on euphoric, as director Rian Johnson’s acclaimed sequel “Glass Onion: A Knives Out Story,” Steven Spielberg’s semi-autobiographical “The Fabelmans” and the Harry Styles-led romantic drama “My Policeman” debuted to blockbuster-starved audiences in Canada. Hollywood seemed eager to make up for lost time. So, as the curtain comes down on TIFF, here’s a look back at the major trends and takeaways from the 10-day festival.
Asghar Farhadi will preside over the jury for the International Feature Film Competition at this year’s Zurich Film Festival.
Manori Ravindran International Editor “Shantaram” star Alexander Siddig is set to lead a supernatural series for Brazilian streaming service Globoplay. “Fallen,” which has begun principal photography, will star Siddig alongside Sarah Niles (“Ted Lasso”), Jessica Alexander (“Get Even”), Gijs Blom (“The Letter for the King”) and Timothy Innes (“The Last Kingdom”). Produced by Silver Reel and Night Train Media, and co-produced with Globoplay, “Fallen” (8 x 60′) follows the story of Luce, a young woman who is sent to a cult-like rehab facility called Sword & Cross to serve time for a crime she can’t remember committing.
Brad Pitt is ready to make his way home.
Italian director Paolo Sorrentino has been named as jury president of Morocco’s Marrakech International Film Festival, which will run as a physical event for the first time in three years from 11 to 19 November.
Tilda Swinton takes over the red carpet in a dazzling lavender gown at the premiere of The Eternal Daughter during the 2022 Venice International Film Festival on Tuesday (September 6) in Venice, Italy.
WATCH: Met Gala 2022 red carpet styleWith the likes of Harry Styles, Timothee Chalamet and several Euphoria stars making appearances in Italy for the 79th Venice International Film Festival, we were guaranteed to see a few unique styling choices.From sheer styles and cut-outs, to backless numbers on men and ladies baring all in barely-there frocks, there's been so much to look at.Meanwhile rumours of feuds between certain members of the Don't Worry Darling cast and crew (Florence Pugh and Olivia Wilde, to be specific) have kept all eyes on the red carpet as fans watch out for any awkward encounters.So what have we seen on the red carpet so far, which stars are acing the fashion game and why have some outfits been labelled fashion misses? Keep reading to find out - and see all the photos.Sadie Sink really can do no wrong, making her VFF debut in this divine Alexander McQueen number.The cape, the colour, the jewelled details - this dress is a statement and Olivia Wilde pulls it off flawlessly.Florence Pugh looks phenomenal in this sheer black Valentino number but it's the statement shoes that really pulls this look together.Gemma Chan in silver is something we never knew we needed but god does she look amazing.In a bold fashion move, Timothee Calamet rocked a backless red ensemble by Haider Ackermann that mad eheadlines in the fashion world. We're just glad he wasn't dressed in a boring black suit.This is how you do Barbiecore. Alessandra Ambrosio took feminine to the next level in this pink Ermanno Scervino gown.Okay, we know we just dissed plain black suits, but hear us out: if anyone can get away with this look it's Regé-Jean Page.
Julianne Moore sparkles her way down the red carpet for her latest appearance at the 2022 Venice Film Festival.