A person was left with injuries after a dog attack outside a primary school in Bury on Tuesday morning (June 4). Police and paramedics were called to the incident on Leigh Lane, beside the Guardian Angels R C Primary School at around 8.15am.
22.05.2024 - 02:45 / variety.com
Owen Gleiberman Chief Film Critic There’s one very good scene in “Armand,” a movie written and directed by Halfdan Ullmann Tøndel, the grandson of Ingmar Bergman and Liv Ullmann. We’re inside a primary school in Norway. Elisabeth, the mother of a student, has been summoned to the school to appear before a panel of teachers.
She’s informed, in dribs and drabs, that her six-year-old son, Armand (we never see him — or any other child, which is odd, since the whole film is about children), may have sexually abused one of his classmates. Since Elisabeth believes that she has a well-adjusted son, and that a six-year-old can’t be guilty of abuse in any predatory way, she fixes her interrogators with a look of skeptical contempt. And after she’s been grilled about a series of what strike her as trivial micro transgressions, she starts to laugh.
In fact, she can’t stop laughing. Elisabeth is played by Renate Reinsve, who reached a new peak of prominence with her performance in Joachim Trier’s “The Worst Person in the World.” The laughing jag she subjects us to — it lasts about four minutes — is a bravura piece of acting. She keeps laughing, and stopping, and laughing again, as if it were busting out of her and she couldn’t control it.
Watching this, I began to think that laughing, for an actor, must be even harder than crying. How can you make it look spontaneous? For minutes at a time? But the power of Reinsve’s performance is about where the laughter comes from. It’s bitter and almost sarcastic laughter, with an undercurrent of are-you-shitting-me? disbelief.
A person was left with injuries after a dog attack outside a primary school in Bury on Tuesday morning (June 4). Police and paramedics were called to the incident on Leigh Lane, beside the Guardian Angels R C Primary School at around 8.15am.
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CANNES: You are no doubt familiar with the work of Renate Reinsve. The Norwegian actress earned accolades for her performance in Joachim Trier’s stellar “The Worst Person in the World,” and if you happened to attend the 2024 Sundance Film Festival this past January, you may have seen her in Aaron Schimberg’s lauded “A Different Man.” Reinsive has already proven her prowess as an actress, but there is a scene in her latest endeavor, “Armand,” which, and excuse the justified hyperbole, is simply startling.
Three years ago, Cannes audiences fell in love with Renata Reinsve, the titular star of Norwegian competition entry The Worst Person in the World. Chances are, they won’t be quite as well disposed to her character in this austere drama from fellow countryman Halfdan Ullmann Tøndel, grandson of Norwegian actress Liv Ullman and Swedish auteur Ingmar Bergman. Tøndel’s lineage should give you a fair idea of what’s in store here, but, surprisingly, Armand doesn’t dig especially deep into the human psyche, finally falling into a strange no man’s land between intense character drama and jet-black comedy.
Before making Joachim Trier’s 2021 hit The Worst Person in the World, Renate Reinsve was about to jack it all in. Three years later — after A Different Man, with Sebastian Stan, Another Life, with Gael García Bernal, and Handling the Undead, a chiller from Let the Right One In writer John Ajvide Lindqvist — she now finds herself not just back in Cannes but doing double duty at the Sundance, Berlin and Tribeca film festivals (“It’s a running joke that I have two movies everywhere”). Reinsve takes the lead in the Swedish drama Armand, directed by Ingmar Bergman’s grandson Halfdan Ullmann Tøndel.
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