‘American Star’ Review: Ian McShane’s Hitman Postpones One Last Job for a Soul-Searching Island Vacation
25.01.2024 - 22:51
/ variety.com
J. Kim Murphy Short days on site, nice rental cars, plus room and board — being a hitman doesn’t seem so bad. But a job is a job, and everybody deserves a vacation now and then.
That’s what Wilson (Ian McShane) treats himself to in “American Star,” checking into a Canary Islands resort after discovering his target’s residence empty for the time being. A foreign location and senior citizen with a gun can often indicate a bargain bin actioner these days, but filmmaker Gonzalo López-Gallego surprises with an art-house touch, pushing his star into a considered, if also very safe, tranquility. The director’s most rewarding decision: simply trusting McShane to summon the mood.
Now 81 years old, the decorated English actor conveys a wealth of character with his delicate but steady gait, playing a hitman of few words. It’s beguiling enough to see Wilson scan an empty room for signs of life or calmly allow an irate driver to pass him on the highway. McShane has played more than a fair share of tough guys — in recent decades, cussing saloon owner Al Swearengen in HBO’s “Deadwood” and cultured hotel proprietor Winston in “John Wick.” His rich CV adds dramatic weight to his turn here as an over-the-hill gun-for-hire.
Another classic that featured McShane: Jonathan Glazer’s potboiler “Sexy Beast,” which “American Star” resembles in its crime genre trappings, retired masculinity and especially its sun-soaked locale. López-Gallego gets a lot out of the setting of Fuerteventura — an otherworldly island with arid, desolate landscapes stretching out next to calm, bright beaches. And it’s sparsely populated enough that anybody that Wilson meets stands to pop up again sooner or later.
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