AMC Theaters Says More Than 20,000 Moviegoers Have Already Booked ‘Barbie’-‘Oppenheimer’ Double Features

The Barbenheimer hype continues.

Barbie and Oppenheimer enjoyed a hugely anticipated dual release this month (July 21), with huge box office returns.While answering questions from fans on his Instagram page, Coppola was asked about the two films, and he said it sets a shining example for cinema.“I have yet to see them, but the fact that people are filling big theaters to see them and that they are neither ‘sequels’ nor ‘prequels’… no number attached to them meaning they are true one-off’s is victory for Cinema,” he said.Oppenheimer, directed by Christopher Nolan, scored a glowing five-star review from NME‘s Paul Bradshaw, who wrote: “Not just the definitive account of the man behind the atom bomb, Oppenheimer is a monumental achievement in grown-up filmmaking. For years, Nolan has been perfecting the art of the serious blockbuster – crafting smart, finely-tuned multiplex epics that demand attention; that can’t be watched anywhere other than in a cinema, uninterrupted, without distractions.

blockbuster “Barbie” movie’s soundtrack includes colorful hits from Lizzo, Nicki Minaj, Ice Spice, and Billie Eilish, but director Greta Gerwig also revealed that the film was originally intended to include a “fart opera.”“We’ve always tried to get in a proper fart joke and we’ve never done it,” Gerwig told IndieWire revealed about the secret mission she held with longtime editing collaborator Nick Houy to get their characters to pass gas when working together. But apparently there is no farting in Barbie Land.“We had like a fart opera in the middle [of ‘Barbie’]. I thought it was really funny.

world, following Greta Gerwig's box office-topping adaptation, starring Margot Robbie as the titular doll, Mattel is officially in the moviemaking business — and they're not slowing down anytime soon!Mattel Films has a host of projects in the works, with Mattel CEO Ynon Kreiz and Mattel Films executive producer Robbie Brenner opening up to recently about all the toy-based films they have in development.As far as the possibility of sequels, while Gerwig skated around the question during her promotional interviews for the film, Kreiz pointed out that there's plenty of story to explore in the Barbie canon without making a direct follow-up film.«Barbie, as a brand, has many different iterations. The product lines of Barbie is a very broad brand,» he notes.

As many predicted, Greta Gerwig‘s “Barbie” cleaned up at the box office this past weekend, with the film sitting just under $500 million worldwide. Will it break the $1 billion dollar barrier like star Margot Robbie predicted in her studio pitch? It certainly looks like it, and in such a tumultuous time for Hollywood, many people are happy about that.

The Barbenheimer phenomenon just keeps going. To wit: there is so much energy happening at international box office turnstiles that Tuesday’s grosses on Warner Bros’ Greta Gerwig-directed Barbie and Universal’s Christopher Nolan opus Oppenheimer were down just 1% from Monday. The offshore gross through Tuesday on Barbie is now $258.5M with global at $472.6M.

Cillian Murphy’s Oppenheimer co-star Robert Downey Jr. is praising him for his performance as J. Robert Oppenheimer.

movie is, of course, full of Barbies and Kens, but Greta Gerwig's vibrant and detailed Barbie Land also includes plenty of Easter eggs for only the most devoted fans, including accessories, outfits and some of the all-but-forgotten dolls that Mattel has discontinued over the years. Margot Robbie's Stereotypical Barbie is introduced to some of the less-popular members of the Barbie doll canon when her existential crisis has her returning to Weird Barbie's (Kate McKinnon) house, lamenting the way her fellow beautiful Barbies have been brainwashed into complacency by the Kens.

Everyone didn’t stop going to the movies on Monday with Barbenheimer in full force: Warner Bros posted the best Monday at the domestic box office with Barbie grossing $26.1M while Universal’s Christopher Nolan pic Oppenheimer wasn’t shabby with $12.6M.

Zack Sharf Digital News Director Cillian Murphy is the star of Christopher Nolan’s “Oppenheimer,” but is he ready to embrace the pink? Given the “Barbenheimer” craze that’s sweeping the nation, Murphy has naturally been asked a lot about Greta Gerwig’s “Barbie.” Cinéfilos even asked the “Oppenheimer” actor if he’d play a Ken in a potential sequel to Gerwig’s now historic comedy blockbuster. “Sure, yeah. Let’s read the script, let’s have a conversation,” Murphy responded about playing Ken.

Barbie was more than it actually cost to make the film itself, it has been reported.Greta Gerwig‘s film, starring Margot Robbie and Ryan Gosling, came to cinemas on Friday (July 21).Ahead of its box office opening, the film hosted a host of marketing activities from making a real-life Barbie dreamhouse to pink burgers and beyond, as well as a social media-led meme trend pitting the film against Christopher Nolan‘s Oppenheimer.Now, it has been reported by Variety that the marketing budget for the film was a staggering $150million (£117m), eclipsing the $145m (£113m) it cost to actually make the film itself.Barbie is currently set to outpace Oppenheimer at the box office over the two films’ shared opening weekend.As things stand, Gerwig’s comedy is set to bring in $110million (£86.6million) at the US box office this weekend, over twice the expected takings of Nolan’s biopic about the creator of the atomic bomb. Oppenheimer is expected to gross $50million (£38.8million).Barbie’s current takings mean it will break the record for the highest-opening film in the US by a female director. Wonder Woman previously held the title, bringing in £103million (£89.1million) in 2017.Warner Bros confirmed that Barbie had earned $22.3million (£17.3million) in box office previews – the highest figure of any film this year.

Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer handed UK cinema chain Vue its second biggest weekend in history as cinemagoers flocked in record numbers to catch the Barbenheimer double bill.  

McKinley Franklin editor No one is immune to the cultural craze that is “Barbenheimer” — including Quentin Tarantino. Moviegoers across the globe assembled over the weekend to celebrate the debut of both Greta Gerwig’s pink and plastic-permeated “Barbie” and Christopher Nolan’s atomic history piece “Oppenheimer.” With both films opening on the same day, many ticket buyers picked up same-day viewings of the films — Tarantino among them. In a photograph posted to Twitter, a user snapped a picture of the filmmaker in Los Angeles with Roger Avary, his “Pulp Fiction” co-writer and co-host on the pair’s Video Archives Podcast. The caption shared that Tarantino walked across the street after seeing “Oppenheimer” to buy tickets for “Barbie,” going from the Westwood Village to the Regency Bruin Theatre.

The Barbenheimer numbers are in!

reads the description of the exclusive convertible, which acts as a popcorn vessel. “This collectible Barbie car popcorn container recreates the iconic pink Corvette seen in Barbie The Movie.”“With a curvy silhouette and retro trims, the vintage-inspired convertible is a piece of art on four wheels!” it continued. On Twitter, AMC Theaters elicited a less-than-enthusiastic reaction from Mattel fans.

All those naysayers fretting over the state of the box office are going to have to find something new to complain about after Christopher Nolan’s “Oppenheimer” and Greta Gerwig’s “Barbie” arrive in theaters this weekend. Yes, “Barbenheimer” is finally here and both films are looking at a combined $150 to $170 million (or maybe more) over the three-day span (and that’s just in the U.S.).

EXCLUSIVE: The box office event of the year which has Warner Bros. mass female attraction, Barbie, and Universal’s Christopher Nolan directed, Oppenheimer, has officially fired off its confetti guns with the movies seeing respectively an estimated $20M and $9M+ from their previews. Again, these numbers could fluctuate by morning.

Zack Sharf Digital News Director While “Oppenheimer” has been touted as Christopher Nolan’s first biopic, that’s not necessarily true. It’s only the director’s first biopic to hit the big screen. Decades ago, Nolan wrote the screenplay for a biopic about aviator and business tycoon Howard Hughes, but the project never took flight because Martin Scorsese’s “The Aviator,” starring Leonardo DiCaprio as Hughes, beat him to it. Nolan told The Daily Beast in 2007 that his Hughes biopic was the best script he’d written, and he even lined up Jim Carrey to star as Hughes. Nolan said Hughes was the role that Carrey was “born to play.” Nolan’s Howard Hughes movie never materialized, but learning how to distill the life of an iconic American figure into a movie script would pay off years later when it came time to penning “Oppenheimer.”

At a time when the industry is suffering through historic dual strikes by the WGA and SAG-AFTRA, the motion picture industry is poised to see an enormous weekend at the box office with Warner Bros./Mattel’s long awaited toy feature adaptation Barbie and Christopher Nolan’s World War II era three-hour adult drama Oppenheimer reaping a combined $260M+ global start.

The “Barbenheimer” opening weekend is finally upon us!