Altitude Boards Laura Poitras’ Venice, Toronto and New York-Bound Documentary ‘All the Beauty and the Bloodshed’

Neon snapped up theatrical rights on Aug. 18 prior to the documentary’s world premiere at Venice Film Festival.

HBO Documentary Films has acquired U.S. television and streaming rights to Oscar winner Laura Poitras’s film All the Beauty and the Bloodshed, fresh from its world premiere at the Venice Film Festival and sneak preview at Telluride.

Harry Styles joked about spitting on Chris Pine last night (September 7) as he returned to the stage for a concert in New York.It follows a viral clip at the premiere of Don’t Worry Darling in Venice earlier this week which many viewers believed showed Styles spitting on co-star Pine as he took his seat next to him.A source close to Styles told The Guardian that “this is not true”. Pine’s rep also released a statement to People, denying that the incident took place.“This is a ridiculous story – a complete fabrication and the result of an odd online illusion that is clearly deceiving and allows for foolish speculation,” Pine’s representative said.

On an abnormally hot summer day in Oslo, a strange electric field surrounds the city as a collective migraine spreads across town. TVs, lightbulbs, and electronics go haywire, the chaos reaching a debilitating crescendo when suddenly, it’s over.

Neon has acquired North American and UK rights to the horror-drama Handling the Undead, marking the narrative feature debut of Thea Hvistendahl, who previously directed the documentary Adjø Montebello and several short films, including the SXSW Grand Jury Award-nominated Virgins4lyfe. The project reteams the distributor with Renate Reinsve and Anders Danielsen Lie, who starred in its Oscar-nominated romantic drama The Worst Person in the World, directed by Joachim Trier.

US Open-dominating Serena Williams to a baseball signed by not only Babe Ruth but Jackie Robinson, too, a jaw-dropping selection of sports equipment and apparel — each with an opening bid that makes season-ticket prices look like chump change — will hit the auction block at Sotheby’s starting Tuesday. The auction is Part II of Sotheby’s “Invictus” event, the first of which, running simultaneously, is dedicated solely to selling off Michael Jordan’s jersey from Game 1 of the 1998 NBA Finals — his last-ever season with the Chicago Bulls.

“Photography was always a way to walk through fear,” says Nan Goldin in her raspy voice as photos fill the screen. Nuzzled within the textures of the snapshots live friends, lovers, and drifters, all eternally preserved through the eyes of the consecrated artist who rose to prominence in the 80s thanks to her visual chronicling of queer life and culture in New York at the height of the AIDS epidemic.

The scourge of the opioid crisis has been documented in the press and in government reports; the culpability of the Sacklers, the multi-billionaire pharmaceutical family whose former company Purdue made the painkiller Oxycontin, has been successfully dramatized. The Sacklers are everywhere in Laura Poitras’ gripping documentary All the Beauty and the Bloodshed, but they are supporting players.

Owen Gleiberman Chief Film Critic In “All the Beauty and the Bloodshed,” the photographer Nan Goldin tells a woeful, revealing, and in its way rather funny anecdote about how in the 1980s, when she first gathered up her photographs — casually transgressive images of her and her friends, who were often drag queens and addicts, along with shots of the assorted other people and situations she experienced as part of the hummingly squalid East Village New York subculture — and tried to shop them around to galleries and museums, they were roundly rejected, because the arbiters of taste, who were inevitably men, favored photographs that were black-and-white and composed in elegant meticulous ways. Goldin’s photographs were in garish verité color, set in environments that were so scruffy (messy bohemian apartments, ordinary people just lolling around) that it looked, to the gallery mavens, like there was no visual organization to them, no art.

Manori Ravindran International Editor Utopia has acquired Participant Media’s feature documentary “Unseen Skies,” which the U.S. distributor will release on Sept. 13. Directed by award-winning filmmaker Yaara Bou Melhem, “Unseen Skies” explores the evolution of state and corporate surveillance. The film follows American artist and geographer Trevor Paglen as he launches an artwork called “Orbital Reflector” into space, visible with the naked eye from Earth, to highlight the global impact of technology in the modern world. Having achieved international notoriety for his conceptual art, which fuses photography and large-scale multidisciplinary events, Paglen’s work reveals the largely unseen power structures of technology and surveillance that shape, impact and increasingly define the framework of our lives.

Addie Morfoot Contributor Laura Poitras’ “All the Beauty and the Bloodshed,” Steve James’ “A Compassionate Spy” and Evgeny Afineevsky’s “Freedom on Fire: Ukraine’s Fight for Freedom” are among 11 documentaries making their world premieres at the Venice Film Festival this year, with Poitras’ competition title vying for a Golden Lion — a rare feat for a doc at a major international film festival. The growing number of high-profile non-fiction films in and out of competition at Venice suggests that major European film festivals have finally accepted documentaries as viable, cinematic art.While docs at the Toronto International Film Festival and major U.S. fests, including Sundance, Telluride and South by Southwest, have long been the belles of the ball, the most prominent international festivals, including Venice, Cannes and Berlin, have been slow to embrace non-fiction content, especially in competition.  

Michaela Zee editor DCTV’s new documentary-dedicated theater, “Firehouse: DCTV’s Cinema for Documentary Film,” will open its doors Sept. 23. Located in DCTV’s historic Chinatown firehouse building in New York, the nonprofit theater will begin its opening week with an exclusive screening of Abigail Disney and Kathleen Hughes’ “The American Dream and Other Fairy Tales.” “I’m so excited that my new documentary, ‘The American Dream and Other Fairy Tales,’ will kick off the opening of DCTV’s Firehouse Cinema,” Disney said in a statement. “I can’t wait to meet the first audiences who will be enjoying and shaping this vital new addition to New York City’s arthouse film scene.”

EXCLUSIVE: Start spreading the news! A new musical loosely based on Martin Scorsese’s 1977 film New York, New York will begin performances on Broadway, theater to be announced, in March 2023. Opening night will be in April, with Tony and Olivier Award winner Susan Stroman on board to direct and choreograph.

Altitude has boarded international sales and UK and Irish distribution on Oscar-winning documentarian Laura Poitras’s Nan Goldin bio-pic All The Beauty And The Bloodshed, ahead of its world premiere at Venice and North American debut at Toronto.

New York Dolls’ David Johansen will premiere next month, it’s been announced.The documentary film, called Personality Crisis: One Night Only, will get its first airing at the New York Film Festival.The film focusses around a one-of-a-kind 2020 performance by New York Dolls frontman David Johansen.“Then and now, David’s music captures the energy and excitement of New York City,” Scorsese said in a statement about the film following its initial announcement.“I often see him perform, and over the years I’ve gotten to know the depth of his musical inspirations. After seeing his show… at the Café Carlyle, I knew I had to film it because it was so extraordinary to see the evolution of his life and his musical talent in such an intimate setting.

Brent Lang Executive Editor of Film and Media“All the Beauty and the Bloodshed,” Laura Poitras’s new documentary about artist and activist Nan Goldin, has sold to Neon. The indie studio acquired the film before it was scheduled to make its world premiere at the Venice Film Festival. It has also landed prominent spots at the Toronto Film Festival and the New York Film Festival, where it will get the centerpiece slot.

NEON has acquired rights to the Participant Laura Poitras docu All the Beauty and the Bloodshed which will hit theaters this fall followed by an ancillary and digital release.

tiff.net.The full list of new additions:TIFF DOCS“752 Is Not a Number,” Babak Payami | Canada“All the Beauty and the Bloodshed,” Laura Poitras | USA“Buffy Sainte-Marie: Carry It On,” Madison Thomas | Canada“Casa Susanna,” Sébastien Lifshitz | France, USA“Ciné-Guerrillas: Scenes from the Labudovic Reels,” Mila Turajlic | Serbia, France, Croatia, Montenegro“The Colour of Ink,” Brian D.

Bones and AllLuca Guadagnino, 2022, U.S., 130mIn a startling, star-making performance, Taylor Russell plays Maren, a teenager who has just moved to a small town in Virginia with her father (André Holland). However, it’s only a matter of time before the frightening secret Maren harbors is revealed and she must hit the road again—on her own.