‘Alcarràs’ Review: A Farming Family Faces Change in a Beautifully Observed, Richly Inhabited Ensemble Drama
15.02.2022 - 22:11
/ variety.com
Guy Lodge Film CriticYou can practically smell the midsummer fatigue that wafts through “Alcarràs” on the faintest and most occasional of breezes: a mixture of sweat, baked earth and ripe, plump peaches, inviting in the moment but suggestive of future spoiling. All simple seasonal pleasures are on borrowed time in Carla Simón’s lovely, bittersweet agricultural drama, and not just because winter is inevitably coming.
For the large, garrulous Solé clan, who have spent every summer of their lives picking fruit from their familial orchard, this looks to be the last in that tradition, as they face imminent eviction from their patch of land in Catalonia. Yet as they squabble over their uncertain future — and plenty else besides — the sun shines and peaches droop voluptuously from endangered branches.
There’s nothing for it but to complete the final harvest. In her second feature, Catalan writer-director Carla Simón returns to the rural region that served as the backdrop to her remarkable, autobiographical debut “Summer 1993,” and the film once more benefits from her warm affinity for this alternately parched and verdant landscape.
That “Alcarràs” has been granted a Competition slot at this year’s Berlinale — four years after “Summer 1993” bowed at the same festival in the far lower-profile Generation sidebar — is indicative of the global impression made by Simón’s unassuming but utterly winning debut. Her follow-up shares and builds on many of that film’s virtues, from her subtly textured, fully inhabited evocation of place to her sure hand with non-professional actors, who this time make up the entire ensemble.
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