A+E Networks Promotes Asia Management Pair Soh Youngsun and John Flanaghan

Patrick Frater Asia Bureau Chief “Heavens: The Boy and His Robot,” a Singapore-produced movie, will have its world and commercial premiere in Japanese cinemas this November. The film is Singapore’s first live-action feature film of the mecha genre, a genre of Japanese manga and anime that features or focuses on mechanical innovations such as robots and cyborgs.

Patrick Frater Asia Bureau Chief The Busan film festival’s Asian Project Market is set to welcome several of the region’s top auteurs either as producers or prospective directors at its next edition in October. APM organizers Thursday unveiled 30 projects to be presented during a four-day round of one-on-one meetings and pitching sessions. India’s Rima Das (“Tora’s Husband”) will pitch “Malti My Love.” Japan’s Fukada Koji (“Love Life,” “Harmonium”) will pitch “Nagi Notes.” Indonesia’s Makbul Mubarak (“Autobiography”) will pitch “Watch It Burn.” Among the successful producers adding their weight to APM contenders are: Patrick Mao Huang (“Moneyboys,” “Tiger Stripes”) selling Peter Ho’s project “Appetite for Desire”; Jeremy Chua (“Inside the Yellow Cocoon Shell,” “Autobiography”), pitching Rafael Manuel’s “Filipinana”; Ichiyama Shozo (“Ash Is Puirest White”) pitching Song Fang’s Japan-China collaboration “Full Moon”; Fran Borgia (“A Land Imagined,” “Tiger Stripes”) pitching Aakash Chhabra’s “I’ll Smile in September”; and Tan Chui Mui (“Barbarian Invasion”) pitching Jian Xiaoshuan’s “To Kill A Mongolian Horse.” The project market and the Asian Contents & Film Market are both scheduled to operate Oct.

Patrick Frater Asia Bureau Chief Upcoming female-led mystery-thriller series “Mask Girl” sees an unassuming office worker secretly rise the heights as a popular, masked online model and, in a downward spiral, become Prisoner #1047. Seemingly repentant, she secretly plots her escape. The Korean-produced show employs three different actors Ko Hyun-jang, Nana and a yet-to-be-revealed newcomer to represent the Kim Mo-mi character in her different evolutions.Netflix will Thursday drop a trailer and three separate posters intended to create intrigue as to Kim’s real nature, ahead of the series’ Aug.

Patrick Frater Asia Bureau Chief The Asia Contents Awards, held as part of the Busan International Film Festival since 2019, is to join forces with the Global OTT Awards to form a wider-reaching event. The merged events are to be known under the ungainly abbreviation ACA & G.OTT Awards and will be co-hosted by South Korea’s Ministry of Science and ICT and Busan Metropolitan City authorities. The ceremony will be held in Busan on Sunday Oct.

Patrick Frater Asia Bureau Chief There is female empowerment in Korean cinemas, but it is coming more from local characters, than global hit “Barbie.” Female-led crime action film “Smugglers” dominated the weekend at the South Korean box office and pushed aside “Mission: impossible – Dead Reckoning Part One” which had headed the chart for the previous two sessions. “Smugglers” earned $9.31 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic), giving it a nearly 54% market share. Over its full five opening days, the film has built up a cumulative total of $13.1 million.

Patrick Frater Asia Bureau Chief Ichikawa Ennosuke, a leading Japanese Kabuki actor, was indicted in Tokyo on Friday on charges of assisting his parents’ suicides. The indictment, reported by public broadcaster NHK and other major Japanese media, alleges that Ichikawa gave an excessive amount of sleeping drugs to his father, Kabuki actor Ichikawa Danshiro IV, and his mother Nobuko.

Patrick Frater Asia Bureau Chief Wonyoung from IVE will MC the Friday night first concert at this year’s K-pop convention KCON LA in Los Angeles on Aug. 18. Veteran performer Rain will host the Saturday performances, while Bang Chan from Stray Kids will introduce a third and final night of performances.

Patrick Frater Asia Bureau Chief Margot Robbie, America Ferrara and director Greta Gerwig visited South Korea early on the promotional tour for ‘Barbie’ (without Ryan Gosling). But their charm failed to translate into strong box office performance in the country and the film opened anonymously in fourth place over the weekend. “Barbie” earned just $1.19 million between Friday and Sunday and $1.91 million over its opening five days, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Worth just 8% of the nationwide weekend total, “Barbie’s” scores were barely better than fellow new release title “Insidious: the Red Door.” That earned $1.17 million between Friday and Sunday and $1.90 million over five days.

Patrick Frater Asia Bureau Chief While “Barbie” was romping to box office records in North American and scoring strongly in many international territories, the pink phenomenon could muster only fifth place in China, the world’s second largest movie market, on its opening weekend. “Barbie” managed $8.2 million in its opening three days, according to data from consultancy firm Artisan Gateway. Local box office sources show the film trapped in that position on all three days of the weekend session, as the locally-produced titles jostled for leadership and swapped positions. Somewhat encouragingly, the daily score for “Barbie” had increased by Sunday as it was given more screening sessions by Chinese exhibitors.

Patrick Frater Asia Bureau Chief Korean TV series and films are increasing still further their hold on streaming audiences across East Asia. They accounted for half of viewing time in the first half of the year, according to new third-party research. Korean-made premium VOD content captured 50% of SVOD viewership and 42% of freemium viewership between January and June 2023, with a record 58 million VOD users tuning in nine East Asian territories (Indonesia, Japan, Korea, Malaysia, Philippines, Singapore, Taiwan, Thailand and Vietnam), according to Singapore-based research and consultancy firm Media Partners Asia. The analysis is based on the measured media consumption activity of 40,000 Asia Pacific consumers, conducted by AMPD, the analysis firm’s sister company.

Patrick Frater Asia Bureau Chief Exports of K-pop albums increased by 17% year on year to reach an all-time record of $133 million in the first six months of the year. The U.S. is now the second biggest overseas market for Korean music worth $25 million, having overtaken China, but still trailing Japan ($48 million), according to data from the Korea Customs Service. The next largest were Germany, Taiwan, Hong Kong, the Netherlands, Canada, the U.K. and France.The record was achieved despite the absence of BTS as a group (though BTS members Jimin, and Suga put out solo efforts) and saw Stray Kids, Tomorrow X Together, Seventeen, Ateez and Twice all make an international impact.

A+E Networks has rejigged its structure in Asia, with its regional chief leaving as a result.

Patrick Frater Asia Bureau Chief Netflix is to release its Japanese live action film “Zom 100: Bucket List of the Dead,” on Aug. 3. The horror comedy film is based on the hit manga (comic book series) by Aso Haro and Takata Kotaro that debuted in the Shogakukan magazine Monthly Sunday Gene-X in October 2018. It has also spawned an animated series that plays on Hulu in North American and other territories. The underlying comic is a wackily original melding of the salaryman gag manga – a popular genre in Japan seldom exported abroad – with the sort of zombie holocaust story that has become a Hollywood staple.

Patrick Frater Asia Bureau Chief Tom Cruise has become a regular visitor to South Korea and, while his latest visit was more than a week ago, the impact of his efforts appeared to endure. His ‘Mission: Impossible – Dead Reckoning’ got off to the second strongest start at the Korean box office of any Hollywood movie released this year. The film grossed $9.75 million between Friday and Sunday, according to Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 60% market share, earned from some 2,400 screens. In its full opening five days (plus previews), it earned $14.2 million.

Patrick Frater Asia Bureau Chief Specialty distributor, Trinity CineAsia is releasing China’s summer blockbuster “Lost in the Stars” in the U.K and Ireland on some 30 screens from Friday. “I was fortunate to watch the film when it opened in China and once I saw it I just knew we had to have it,” said Cedric Behrel “‘Lost In The Stars’ is a very clever, uncanny thrill of a ride that harks back to classic Hitchcock and any noteworthy thriller since – the master himself had in fact once optioned the rights to the same story. We organized the fastest turnaround premiere known to man and we’ve been delighted by the reactions to the early previews. It epitomizes the best of what new Chinese cinema can bring to audiences.”

Patrick Frater Asia Bureau Chief Major Japanese studio Toho Co. has announced “Godzilla Minus One” as the title of the latest instalment in its “Godzilla” film franchise. The film will premiere in Japanese theaters on Nov. 4. A U.S. release is set a few weeks later, on Dec. 1. The company revealed an understated poster and a short but punchy teaser trailer. It suggests that an already-devastated postwar Japan faces a new threat in the form of Godzilla, an enormous, mutated kaiju. Directed by sci-fi and fantasy specialist Yamazaki Takashi, the picture is the first Japanese-produced “Godzilla” movie since 2016’s “Shin Godzilla.” The previous picture topped the Japanese box office, earning JPY25 billion ($181 million at current exchange rates).

Patrick Frater Asia Bureau Chief Sakamoto Ryuichi, the Japanese film composer and music supervisor who died in March, has been posthumously named as the recipient of the Jecheon Film Music Award at the 19th Jecheon International Music & Film Festival (Aug. 10-15). Sakamoto won Academy Awards and Golden Globes for his score for “The Last Emperor” and has other credits including “The Sheltering Sky,” “Railroad Man,” “The Revenant,” “Call Me By Your Name” and “The Fortress.”Abrai Joji from Commons the music label established jointly with Sakamoto, and Yutaka Toyama from Promax, which had produced Sakamoto’s concerts since 1986, will visit the festival. Additionally, a tribute concert will be held on Aug. 12 at the Jecheon Stadium.

Patrick Frater Asia Bureau Chief Korean star Park Eun-bin is confirmed to lead Netflix’s upcoming series “Castaway Diva,” set to premiere in late 2023. Park previously starred in “Extraordinary Attorney Woo,” the hit series that featured in Netflix’s non-English global top ten chart for 21 weeks and reached the top ten titles in 57 countries. In the new series, Park brings to life the character of Seo Mok-ha, an aspiring singer turned castaway who, after being stranded on a deserted island for 15 years, commences her journey to become a diva. Joining her are renowned actors Kim Hyo-jin, Chae Jong-hyeop, Cha Hak-yeon, and Kim Joo-hun. Kim Hyo-jin portrays a once-popular singer who is the idol of Seo and who seeks a new lease of life after encountering her fan from the island.

Patrick Frater Asia Bureau Chief ITN Distribution has picked up distribution rights in North and Latin America for the live action fantasy epic, “Fight For Freedom” from Incredible Film. The completed film, which is also available as a 5×30 mins. mini-series, is a live action fantasy epic about Friesland’s greatest hero known as Grutte Pier. Fabled Frisian freedom fighter, Peer Gerlofs Donia, is a gentle giant who turns into a blood-thirsty, revenge-driven killer when his family is brutally murdered. His quest for revenge forges him into a beacon for his people as he becomes their leader in a fight for independence. The film is directed by Steven de Jong.

Patrick Frater Asia Bureau Chief