’20 Questions On Deadline’ Podcast: Dan Stevens Talks ‘Godzilla X Kong: The New Empire’, A Potential Taylor Swift Collab & His Elvis Dreams

. Just weeks after sources revealed that the tight end and his pop superstar girlfriend Taylor Swift are , the football player did a video interview in front of a wall Swifties quickly determined was part of her house.“I would recognize that blank wall anywhere,” a fan wrote on Twitter, quote-tweeting a clip from Kelce’s Entertainment Tonight interview with a picture Swift posted during quarantine. The wall slabs behind them do appear to be similar! (See the photo .)(And before you judge, know that the Swiftie in question is self-aware, to her own post with, “also dw guys i am astutely aware to how chronically ill it is of me to know this damn wall roast me all you like.”)In the clip itself Travis Kelce has nothing but praise for the Grammy winner, applauding her taste in music and her work ethic, and the fact that she’s playing eight shows at Wembley Stadium in London when the Eras tour picks up again.But first, some chill time.

Naman Ramachandran Honors were even atop the U.K. and Ireland box office as Universal’s “Kung Fu Panda 4” and Warner Bros.’ “Godzilla X Kong: The New Empire” battled for top spot during the Easter holiday weekend. While “Godzilla X Kong: The New Empire” won the three-day weekend, “Kung Fu Panda 4” had the higher gross including previews.

Patrick Frater Asia Bureau Chief Legendary Entertainment’s “Godzilla x Kong: The New Empire” had the best opening in China of any Hollywood film this year. It scored $44.6 million (RMB317 million) in mainland Chinese cinemas between Friday and Sunday, according to data from consultancy firm Artisan Gateway. That was a nearly 70% share of the country’s weekend box office. Nationwide, cinemas enjoyed $64.1 million of business, a significant leap from the $39.5 million they earned in the previous weekend.

Godzilla-King Kong combo stomped on expectations as “Godzilla x Kong: The New Empire” roared to an $80 million opening on 3,861 North American screens, according to Sunday studio estimates.The monster mash-up from Warner Bros. and Legendary Pictures starring Rebecca Hall and Brian Tyree Henry brought the second-highest opening in what has been a robust year, falling just short of the the $81.5 million debut of “Dune: Part 2.”Projections had put the the opening weekend of “Godzilla x Kong: Frozen Empire” at closer to $50 million.Last week’s No.

Godzilla x Kong: The New Empire is huge!

whopping $37 million during its first week in theaters, according to IMDB’s Box Office Mojo. The Rebecca Hall-helmed big budget beastly buddy film, which The Post said has “a brain-busting plot,” opened in 3,861 theaters, and follows 2021’s “Godzilla vs.

Brent Lang Executive Editor “Godzilla x Kong: The New Empire” is looking mighty as it heads into its opening weekend, earning an impressive $10 million in Thursday previews. The muscular results come despite the fact that the film suffered meh reviews — critics faulted the latest clash of the primordial beasts for hectic pacing and overstuffed plotting. Variety‘s Owen Gleiberman, for instance, dismissed the film as “overly busy boilerplate” (though he liked the finale).

In the wake of Dune: Part Two, Kung Fu Panda 4 and Ghostbusters: Frozen Empire, Legendary/Warner Bros‘ Godzilla x Kong: The New Empire continues to provide momentum to the box office following a lack of event titles in Q1 due to the strikes. Tonight, sources tell us that the Adam Wingard directed monster mash movie is seeing $8M from previews that began at 3PM Thursday in roughly 3,400 locations. That’s arguably the second-best previews ever for a Legendary’s Monsterverse movie following the first 2014 Godzilla which posted $9.3M. That Gareth Edwards directed lizard movie went on to make $38.4M on its first Friday with a 3-day of $93.1M.

Jennifer Maas TV Business Writer Warner Bros. and Legendary are hoping for a monster-sized opening weekend for “Godzilla x Kong: The New Empire” and are tapping every method possible to pull in moviegoers, including partnering with Roblox to grab the attention of its young audience so that they will sway their parents to take them to the theater. Over the past two weeks, Warner Bros.

between lizard and monkey. A creaturely collab.But “x” is also the symbol that should have been prodigiously used to cross out the script’s many, many stupid ideas.

The utterly convoluted lengths filmmakers will go to contrive some excuse to make monsters fight has become exasperating. Moreover, the unique paradox at the heart of Legendary’s Monsterverse series continues.

There is a twist with the latest offering from the now-decade-old Monsterverse, a franchise that has featured Kong and Godzilla in their own movies and then in 2021’s Godzilla vs. Kong battling each other to the death. (These monsters never really die. But you knew that). The twist this time is there an even greater threat for these iconic giant creatures to each other and the world, so instead of being on opposite sides of the ring, they team up against an evil new villain, a batshit-crazy ape on steroids named Skar King, in order to save not just Hollow Earth — where most of the action takes place in a dense rainforest — but just about everyone else.

Owen Gleiberman Chief Film Critic Watching “Godzilla x Kong: The New Empire,” I realized that the movie, a standard overly busy and mediocre blockbuster with a pretty awesome wow of a clash-of-the-titans climax, was demonstrating one of the essential principles of Hollywood movie culture today. Namely: All blockbuster movies are now connected! Kong, living in the Hollow Earth, where most of the film is set (the Hollow Earth is a place I’ve never much liked the idea of, since it seems like Earth’s version of a storage basement), is supposedly the last of his kind, but he discovers a child ape who actually looks like an homage to the cuddly creature in the 1967 Japanese film “Son of Godzilla.” This kid gorilla leads Kong to a tribe of scraggly hostile apes who are living in a slave society presided over by the Skar King, an evil ape with blotchy red hair who’s as tall as Kong and wields a skeletal bone whip that looks like it was fashioned out of the spine of a sea serpent.

Jack Antonoff refused to answer a question regarding his frequent collaborator Taylor Swift.

Adam Wingard, director of Godzilla x Kong: The New Empire, is discussing possibly making a third film to complete the MonsterVerse trilogy.

The world premiere of Godzilla x Kong: The New Empire is here!

Taylor Swift track while rejecting Metallica‘s lawsuit related to a handful of 2020 gig cancellations in South America.The legendary metal band had sought out legal ruling after their insurance policy did not cover their losses after having to cancel six tour dates in 2020 due to COVID travel restrictions. Lloyd’s of London – the insurance company used by the band – stated that there was a clear exclusion in their contract for any losses accrued from “communicable diseases.”A California appeals court rejected the band’s lawsuit – which demanded that the insurance company pay for more than $3 million in losses due to the COVID travel restrictions.

2021’s “Godzilla vs. Kong” ended up one of the pandemic era’s biggest box office successes, cementing a future for the Legendary franchise.  Warner Bros. confirmed a sequel in March 2022, with director Adam Wingard returning to direct.

Travis Kelce is a true Swiftie — because he’ll find any way to reference Taylor Swift in any conversation!

of the James Bond franchise is over, fans are still wondering: Who will take up the 007 mantle next?Well, it seems that a casting announcement is imminent. reports that Eon Productions has offered the role to , who is expected to sign the final contracts this week. “Bond is Aaron’s job, should he wish to accept it,” a source told the publication.