Lionsgate has furnished more details to investors ahead of its planned split into two publicly traded entities — one centered on film and TV production and the other on media networks, principally Starz.
27.06.2023 - 14:27 / variety.com
Brent Lang Executive Editor XYZ Films has acquired domestic rights to “The Deep Web: Murdershow,” a new horror-thriller with a bloody bitcoin twist. The deal arrives on the heels of the Cannes Film Market. The film is written and directed by Dan Zachary, and according to the official description, it “takes viewers on a dark ride when a journalist’s search for clues to his sister’s murder leads him to a disturbing crypto currency torture website inside the deep web called The Murdershow. As those close to him disappear, he must find and stop this reign of terror.” Josh Blacker (“Elysium”, “See”) leads the cast, playing a detective trying to unravel the mystery. He’s joined by Aiden Howard (“Riverdale”, “Firefly Lane”) as a hard-charging reporter, as well as Kimi Alexander (“A Million Little Things”, “Tribal”), playing a woman ensnared by the murderous group behind the shadowy site.
“The Deep Web: Murdershow” was produced by Vancouver-based production company, Hadron Features with Darci MacDonald and Miles Forster. It was produced in association with Convoke Media, and executive produced by Chris Wilkinson, Ryan Marchant, Kevin Zhao, Michelle Wu, and Todd Slater. Slater, owner of Convoke Media, negotiated the deal for domestic rights on behalf of the producers, with Pip Ngo, SVP of sales and acquisitions for XYZ Films, representing the company. “We’re thrilled to be working with Todd Slater and the group at XYZ to bring this dark and thrilling film to U.S. audiences” Wilkinson said in a statement. Slater added “Hadron Films brought some serious talent and world class resources to the table for this film and I’m excited to make many more projects with this team in the future”
Lionsgate has furnished more details to investors ahead of its planned split into two publicly traded entities — one centered on film and TV production and the other on media networks, principally Starz.
Brent Lang Executive Editor Imax announced Wednesday that it plans to spend $124 million to get full ownership of Imax China. The subsidiary was listed on the Hong Kong exchange and was established in 2011 by Imax to oversee its business in Greater China, which has become a key market for the exhibition company. Imax creates wide-screen technology that enables theater owners to charge premium prices — it is also a favorite with big-budget filmmakers such as Christopher Nolan and Michael Bay, who use the company’s proprietary cameras to produce their movies. Since COVID, Hollywood films have struggled to attract the same level of business as they did pre-pandemic, but local-language titles such as “The Wandering Earth 2” and “Lost in the Stars” have been huge hits when they have screened in Imax.
Brent Lang Executive Editor The American Theatre Wing has unveiled the panel of judges and eligibility details for the 2023 edition of the Obie Awards. The annual celebration of the best of Off and Off Off Broadway is now in its 67th year. The jury will be co-chaired by Obie-winning director David Mendizábal (“Sanctuary City”) and veteran theater critic Melissa Rose Bernardo. New 2023 Obie judges are Dede Ayite, an Obie-winning and Tony-nominated costume designer who has worked on “Topdog Underdog” and “American Buffalo”; Ty Defoe, writer and Grammy Award winner; Ann C. James, Broadway’s first Black intimacy coordinator for Antoinette Nwandu’s “Pass Over”; Florencia Lozano, actor, writer, performance artist who has appeared in “Rinse, Repeat” and “Devil of Choice”; Dael Orlandersmith, playwright of “Stoop Stories” and “Yellowman”; and Carmelita Tropicana, an Obie-winning downtown performance artist.
Brent Lang Executive Editor James Ashcroft will direct the feature film adaptation of “Old Haunts.” The “Coming Home In the Dark” filmmaker was tapped for the gig by AWA Studios, the film and television division of Artists, Writers & Artisans (AWA), which published the popular graphic novel that is inspiring the movie. Ashcroft will direct the “Old Haunts” adaptation from a script by in-demand scribe Aaron Rabin, who is hot off of the newly launched Marvel series, “Secret Invasion.” Zach Studin, president of AWA Studios, will produce the movie. Since the world premiere of “Coming Home In The Dark” at Sundance, where the psychological thriller made a stir, Ashcroft has become an in-demand filmmaker, lining up projects with AGBO, Legendary, and Netflix.
EXCLUSIVE: VMI Worldwide has hired Scott Freije, former Vice President of Global Sales at XYZ Films, as President of Global Sales.
Two it-girls of their respective generations are officially linking up for a horror-tastic classic.
Brent Lang Executive Editor Amplify Pictures, the independent television studio behind HBO’s Emmy-winning “100 Foot Wave,” has made a pair of hires. It has tapped Rachel Eggebeen as its chief content officer and Colin King Miller as its chief operating officer. The veteran executives will take founding partnership roles alongside Amplify Pictures CEO Joe Lewis. “It’s a time of expansion,” Lewis told Variety in an interview. “We’re growing our team and becoming more global.” At the same time, Amplify has sold a minority stake to Great Mountain Partners. The sale values Amplify at $50 million. The funding will be used to back more production of original series of both the unscripted and scripted variety. Great Mountain Partners previous investments include the Oscar-winning film studio A24, branded content producer Rise Studios and the Vuelta Group, a European film studio.
Joe Otterson TV Reporter ESPN Films is working on a docuseries about the legendary Gracie family, Variety has learned exclusively. Titled “Gracie,” the series will delve deep into the family’s history and dissect how they became the founders of Brazilian jiu jitsu, which serves as a major cornerstone of modern mixed martial arts (MMA). The official description of the series states: “Featuring larger-than-life personalities, triumphs and tragedies, deep loyalties, passionate loves and deadly feuds, ‘Gracie’ will explore the essence of family, honor, legacy, and humanity’s innate desire to fight. Told through the eyes of key Gracie family members, the series will dive deep into an epic family saga that takes audiences from Scotland and Japan, to Brazil and America.”
Rebecca Rubin Film and Media Reporter Shout Studios acquired North American rights to “The Kill Room,” a thriller starring Uma Thurman, Samuel L. Jackson and Joe Manganiello. The distribution and production division of indie Shout Factory has emerged victorious in a bidding war at Cannes Film Festival. Shout Studios plans to release the film in theaters this fall. “The Kill Room” was directed by Nicol Paone and written by Jonathan Jacobson. The dark comedic-thriller follows an art dealer (Thurman) who teams with a hitman (Manganiello) and his boss (Jackson) for a money laundering scheme. The plan accidentally turns the hired killer into an overnight avant-garde sensation, forcing the dealer to play the art world against the underworld.
Brent Lang Executive Editor Ladj Ly, the French filmmaker behind “Les Misérables,” will return to the Toronto International Film Festival with his latest drama, “Les Indésirables.” The film will have its world premiere at the fall festival, where it is selling distribution rights. Buyers, particularly those looking to land the rare foreign language film that could appeal to U.S. audiences, will certainly be keen to see what Ly has brought to Toronto. “Les Misérables,” with its searing depiction of police violence and roiling tensions in an immigrant community on the outskirts of Paris electrified critics when it debuted in Cannes in 2019. It won Cannes’ Jury Prize and went on to pick up Oscar and BAFTA nominations after it sold to Amazon.
John Hopewell Chief International Correspondent Films Boutique will handle international sales on Filipino master Lav Díaz’s “Essential Truths of The Lake,” one of the highest-profile titles in the just announced main International Competition at this year’s Locarno Festival. The Berlin and Lyon-based production-sales company’s fifth collaboration with Diaz following, among others, Venice Golden Bear Winner “The Woman Who Left” and Berlin Silver Bear Winner “Lullaby To A Sorrowful Mystery,” “Essential Truths of The Lake” marks a prequel to Diaz’s ‘When The Waves Are Gone’ that premiered out of competition at Venice last year. It reprises the character of the ethically conflicted police lieutenant Hermes Papauran, one of the best investigators of the Philippines. When asked what drives a man to search for the truth, Papauran says dejectedly that maybe he just wants to keep inflicting pain on himself.
Leo Barraclough International Features Editor Sales agency The Playmaker has signed with Lieblingsfilm to handle international sales for their Zlin Film Festival winner “What the Finn?!” (“Kannawoniwasein”). “What the Finn?!” is based on the children’s book by Martin Muser, which was adapted for the screen by Klaus Döring, Adrian Bickenbach and Stefan Westerwelle, who is also the director of the film. The film had its world premiere at Zlin, where it won the main prize, the Golden Slipper Award for Best Feature Film for Children. The Playmaker will present “What the Finn?!” at the upcoming German Films Previews in Potsdam (July 5 – 8), where it will screen for international buyers.
Brent Lang Executive Editor Alan Arkin etched many indelible performances over his long career in movies. From heroin-snorting grandfathers (“Little Miss Sunshine”) to ornery movie producers (“Argo”) to harried dentists (“The In-Laws”), Arkin, who died on June 29 at the age of 89, played an extraordinary range of roles with great gusto. But it’s fair to say that none of it would have been possible were it not for 1966’s “The Russians Are Coming, The Russians Are Coming,” a Cold War comedy that marked Arkin’s first major screen role. It’s the film that earned him the first of four Oscar nominations (he’d win for 2006’s “Little Miss Sunshine”) and a part that launched his career as a shape-shifting character actor.
Will Tizard Contributor Alicia Vikander, the Swedish actor who won an Oscar for her role in “The Danish Girl” in 2015, has taken on a remarkable range of characters in recent years – but is still stretching her boundaries, she says. Speaking at the Karlovy Vary Film Festival, where she presented the historical drama “Firebrand” on opening night, Vikander says she’s now prepping for films that offer distinctly different challenges than her turn as Catherine Parr, the only one of Henry VIII’s six wives to outlive the marriage. One character she admits she’s still deciphering is the central figure in the upcoming sci-fi feature “The Assessment,” a feature project with Paris-based writer/director Fleur Fortuné.
Brent Lang Executive Editor A temporary protective order in Massachusetts against Ezra Miller, the embattled star of “The Flash,” was lifted on Friday. Miller was accused of acting inappropriately around the 12-year old child of Shannon Guin, a Massachusetts woman, and of menacing her family. “I’m encouraged by today’s outcome and very grateful at this moment to everyone who has stood beside me and sought to ensure that this egregious misuse of the protective order system was halted,” Miller wrote in a statement on Instagram. Miller, who uses they/them pronouns and identifies as nonbinary, never faced criminal charges. In their Instagram statement, Miller argued that the protective order issued against them was being “used as weapons by those seeking attention or fleeting tabloid fame or some sort of personal vengeance when there are people in true and dire need of these services.”
Brent Lang Executive Editor Patrick Corcoran is stepping down from the National Association of Theatre Owners, ending a 24-year run that most recently saw him serve as vice president and chief communications officer of the exhibition industry lobbying organization. It’s a time of transition at NATO, with Michael O’Leary taking over as president and CEO from John Fithian, who ran the organization for decades. Corcoran worked closely with Fithian, helping to manage the group’s public relations outreach. His tenure overlapped with tectonic changes in the theatrical landscape, from consolidation of major chains to the rise of streaming to a public health crisis in COVID that led to the closure of cinemas for months. Through it all, Corcoran, a wry, unflappable presence labored to argue that movie theaters were not in a death spiral and would continue to attract customers, just as they had for more than a century. He also had to deal with fractious theater owners, all while helping to launch NATO’s annual exhibition business conference, CinemaCon.
In three weekends, Greta Gerwig‘s “Barbie” squares off against Christopher Nolan‘s “Oppenheimer” for this summer’s big box-office battle. So which film will walk away victorious? Both movies boast stacked ensemble casts, but given its soundtrack, premise, and Margot Robbie as its lead, “Barbie” may be 2023’s movie to beat.
Brent Lang Executive Editor Christopher Storer is no slouch when it comes to orchestrating kitchen chaos, having created the hit Hulu comedy-drama “The Bear.” Now, he’ll turn his camera on “The Winter of Frankie Machine” and trade trades the tense world of short-order cooking for a mob story about a hitman who is lured out of retirement to set up a meeting between waring crime families only to turn into a target himself. It’s a mean streets saga that previously attracted attention from the likes of Martin Scorsese, who was set to make it at Paramount Pictures with Robert De Niro, only to abandon it in favor of “The Irishman”; as well as Michael Mann and William Friedkin.
Brent Lang Executive Editor MTV Documentary Films has released a first look teaser for “The Eternal Memory,” a look at love and Alzheimer’s disease that won the grand jury prize for world documentary at this year’s Sundance. A U.S. theatrical release kicks off on Aug. 11 in New York. It will be followed by engagements in Los Angeles and San Francisco on Aug. 18, with a limited national roll out to follow. Chilean filmmaker Maite Alberdi directed the movie, which could be a contender for the documentary Oscar. Alberdi is the Academy Award-nominated filmmaker behind “The Mole Agent.” To that end, “The Eternal Memory” played at the Berlin Film Festival, where it was the runner up for the audience award. A robust international festival campaign is already in the works, including stops at CPH:DOX, Hot Docs, and DocAviv, Hamptons Summer Docs and DC DOX.
EXCLUSIVE: Vertical has picked up rights to the crime thriller Mother’s Milk, directed by Miles Joris-Peyrafitte (As You Are), with plans to distribute it in North America, the UK, Australia and New Zealand. The film in which two-time Academy Award winner Hilary Swank (Million Dollar Baby) stars opposite Olivia Cooke (House of the Dragon) and Jack Reynor (Midsommar) will hit theaters across North America beginning September 1, debuting in the other territories shortly thereafter.