China finally usurped North America as the world’s biggest box office territory in 2020, generating an estimated $3 billion in ticket sales compared with about $2.28 billion stateside. All it took was a global pandemic.
18.12.2020 - 21:39 / deadline.com
Warner Bros/DC’s Wonder Woman 1984, as expected, landed at No. 2 in its China debut on Friday, coming in behind local actioner The Rescue. The Patty Jenkins-helmed sequel to 2017’s Wonder Woman grossed an estimated RMB 44.2M ($7M, including sneaks). This portends a weekend in the mid $20M range for the Middle Kingdom, lower than where the industry was seeing it heading into the session, thus also pushing down the full international box office launch.
WW84 has some factors working against it in
China finally usurped North America as the world’s biggest box office territory in 2020, generating an estimated $3 billion in ticket sales compared with about $2.28 billion stateside. All it took was a global pandemic.
Refresh for latest…: China was the big international box office winner this weekend with three local movies at the top of the chart and a New Year’s Day record set on Friday. That came just as it was confirmed the market led global box office for 2020, surpassing North America for the first time.
Thanksgiving and is also now available to rent on premium video on demand.Disney and Pixar’s “Soul,” which skipped U.S. theaters and is available for free for Disney+ subscribers, added $16.5 million internationally — a 114% increase from its opening in the same markets last weekend.
After crossing $100 million worldwide on New Year’s Eve, Warner Bros.’ “Wonder Woman 1984” reached $118 million on the first weekend of 2021. But the pandemic is making its presence felt as domestic grosses fell 67% from the film’s $16.7 million opening weekend.The DC blockbuster took in $15.6 million worldwide this weekend, with $5.5 million grossed in the U.S.
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Hong Kong action sequel Shock Wave 2 rocked China's box office over the weekend, opening to a healthy $64.5 million. Youth fantasy film Dream of Eternity also did decent business, debuting to $38.9 million.
It’s clear, now having watched both 2017’s “Wonder Woman” and the just-released sequel, “Wonder Woman 1984,” the two films are very different. Whether that difference is good or bad is up to you, but there’s no denying that director Patty Jenkins has crafted a second ‘Wonder Woman’ film that shares very little in common with the original.
Rebecca Davis editorHong Kong’s “Shock Wave 2” out-earned “Wonder Woman 1984” in China in just two days, topping the local box office this weekend with a $51.4 million debut, according to data from Maoyan.By the end of Christmas Day, “Shock Wave 2” had grossed $28.6 million (RMB187 million), more than the $23 million (RMB151 million) “Wonder Woman” had earned since Dec.
Refresh for latest…: There was a bit more varied action at the international box office this weekend, including the continued rollout of Warner Bros/DC’s Wonder Woman 1984, a sizable start for China’s Shock Wave 2, the debut of Disney/Pixar’s Soul, The Croods: A New Age nearing $100M global, and a brand new milestone for Japan’s Demon Slayer The Movie: Mugen Train which, according to estimates, has overtaken Spirited Away to become the highest-grossing film ever in the market.
Patrick Frater Asia Bureau ChiefWhile the North American box office pulls in less than $5 million per weekend due to COVID-19, the China and Japan markets are not only open, but also capable of breaking theatrical records. It may feel logical to hurry more U.S.
The superhero sequel “Wonder Woman 1984” has earned an estimated $38.5 million in ticket sales from international theaters, Warner Bros. said Sunday.
“Wonder Woman 1984” — Warner Bros.’s much-anticipated sequel to its superhero franchise starring Gal Gadot — suffered a weak weekend debut in China, where it earned a mere $19 million in ticket sales, or less than half of what Hollywood had expected. Media watchers had pegged the follow-up film to 2017’s “Wonder Woman” to reel in at least $40 million in the Middle Kingdom.
While we may be talking about the unfortunate death of movie theaters in the US, considering they have yet to fully bounce back from being closed most of the year and 2021 isn’t looking as promising as we hoped, Chinese cinemas are not only open but thriving.
China's box office was the scene of disappointment over the weekend, as Warner Bros.' Wonder Woman 1984 got trounced by local action flick The Rescue. The Rescue, directed by Dante Lam, opened to $36.3 million, nearly double Wonder Woman 1984's meagre $18.8 million start, according to data from Artisan Gateway.
Elsa Keslassy International CorrespondentStrand Releasing has acquired all North American rights to Anthony Chen’s “Wet Season,” which represents Singapore in the Oscar race for best international feature film.The movie world premiered in the Platform section at the Toronto International Film Festival, and is being represented in international markets by Memento Films International.Penned and directed by Chen, “Wet Season” revolves around a Chinese language teacher whose marriage and school
Wonder Woman 1984 opened to an underwhelming $18.8 million in China, behind expectations and a less-than-wondrous start for WarnerMedia as it embarks on a bold plan to release its films both in theaters and on HBO Max. The Warner Bros./DC superhero pic placed No.
Rebecca Davis editorThis weekend pit the best of Hollywood’s action tentpole rolodex against China’s — and found that fresh local content has greater sway over local audiences in what is now the world’s largest film market.“Wonder Woman 1984” grossed just $18.8 million in China, almost half the approximately $34 million haul of Chinese actioner “The Rescue.” Both films far underperformed against expectations, however, as the Chinese box office saw its lowest pre-Christmas weekend since 2014,