‘Wo Long: Fallen Dynasty’ is coming to PS4 and PS5

Patrick Frater Asia Bureau ChiefKakao Entertainment, part of Korean tech group Kakao, confirmed Monday that it is to produce a film version of “Solo Leveling,” a hit webtoon.The picture will be produced on its behalf by Japan’s A-1 Pictures (“Sword Art Online,” “The Seven Deadly Sins,” “Anohana: The Flower We Saw That Day, Erased,” and “Your Lie in April”) with Nakashige Shunsuke directing. Music is to be scored by Sawano Hiroyuki (“Attack on Titan”).

Patrick Frater Asia Bureau ChiefNetflix will produce the new Japanese film “In Love and Deep Water,” a suspenseful romantic comedy written by acclaimed creator Sakamoto Yuji.The story is set on a massive luxury cruise ship. While at sea, the loyal butler Suguru, and a mysterious woman named Chizuru cross paths as they try to uncover a murder-mystery that occurs on the ship.

Oli Sykes and Alice Longyu Gao have dropped their new collaborative track, ‘Believe The Hype’ – watch the twisted video below.The Bring Me The Horizon frontman and Chinese electro-pop artist first teased the release last week, with a behind-the-scenes glimpse of the song’s silver-themed video.“Our new song ‘Believe The Hype’ is about to come out,” Longyu Gao said in the clip. “You should pre-save the song now! Do it! If you don’t, Oli is going to go into your dreams.

Oli Sykes and Alice Longyu Gao have announced the release of a new collaborative track, ‘Believe The Hype’.In a video posted to Instagram on Tuesday (June 21), the Bring Me The Horizon frontman and Chinese electro-pop artist teased the release of their upcoming collaboration while covered in silver paint on what looks like a video set.“Hi guys it’s bad gal Alice… and I’m Oliver from Bring Me The Horizon,” the pair begin the clip. Longyu Gao continues: “Our new song ‘Believe The Hype’ is about to come out.

Ben Croll After two years of hybrid and online-only editions, the Neuchatel Intl. Fantastic Film Festival will fête its 21st year with a return to a fully on-site event, hosting four world premieres, and more than twice as many international premieres. Running July 1-9, the Swiss event will world premiere the absurdist “Jaws”-in-France riff “The Year of the Shark,” the Thai creature feature “Leio,” and the Japanese Yakuza thriller “Bad City.” Titles like the Toho-produced Kaiju flick “Shin Ultraman,” “Something in the Dirt” from U.S.

Keiynan Lonsdale is an Australian actor, dancer, and singer-songwriter. Best known for his roles in Love, Simon and The Flash, his newest film, My Fake Boyfriend, is a romantic comedy about Andrew (Lonsdale), who with the help of his friends, creates a made-up online boyfriend as a way to get space from his toxic ex.When asked if he has ever created a fake boyfriend in real life, Lonsdale laughs as he says, “Probably in my dreams, but no, I haven’t gone and used my skills to craft a fake boyfriend.” He then punctuates the sentence with a mischievous, “yet.”Prior to the role of Andrew in My Fake Boyfriend, Lonsdale found his stride playing Bram in the groundbreaking, coming-of-age LGBTQ romantic comedy, Love, Simon.This new queer role, however, is different from his role in Love, Simon.“[My Fake Boyfriend] isn’t a coming out movie. It is still, in ways, about finding yourself but it’s more about being honest with yourself to a larger degree.

Patrick Frater Asia Bureau ChiefTIFFCOM, the affiliated market of Tokyo International Film Festival, will remain as an online only event for the third year. It will run for three days, Oct. 25-27, 2022, in parallel with the early part of the film festival.The Tokyo market’s decision to stay as an exclusively virtual event comes at a time when other film and TV markets and festivals are returning to in-person meetings after the COVID-19 pandemic.

Noma Sets Crypto Feature Film Trio

Crystal Globe Competition“America,” Ofir Raul Graizer (Israel, Germany, Czech Republic)“Chemi otakhi” (“A Room Of My Own”), Ioseb “Soso” Bliadze (Georgia, Germany)“Edna provintsialna bolnitsa” (“A Provincial Hospital”), Ilian Metev, Ivan Chertov, Zlatina Teneva (Bulgaria, Germany)“F—ing Bornholm,” Anna Kazejak (Poland)“Hranice lásky” (“Borders of Love”), Tomasz Wiński (Czech Republic, Poland)“Isihia 6-9” (“Silence 6-9”), Christos Passalis (Greece)“The Ordinaries,”  Sophie Linnenbaum (Germany)“Slovo” (“The Word”), Beata Parkanová (Czech Republic, Slovak Republic, Poland)“Tabestan Ba Omid” (“Summer with Hope”), Sadaf Foroughi (Canada)“Tenéis que venir a verla” (“You Have to Come and See It”), Jonás Trueba (Spain)“Tooi tokoro” (“A Far Shore”), Masaaki Kudo (Japan)“Vesper,” Kristina Buožytė, Bruno Samper (Lithuania, France, Belgium)Proxima Competition“A pak přišla láska…” (“And Then There Was Love…”),  Šimon Holý (Czech Republic)“Los Agitadores” (“Horseplay”), Marco Berger (Argentina)“Au grand jour” (“In Broad Daylight”), Emmanuel Tardif (Canada)“Balaye aseman zire ab” (“Like a Fish on the Moon”), Dornaz Hajiha (Iran)“Głupcy” (“Fools”), Tomasz Wasilewski (Poland, Romania, Germany)“Još jedno proleće” (“Another Spring”), Mladen Kovačević (Serbia, Qatar)“La pietà” (“Piety”), Eduardo Casanova (Spain, Argentina)“Ramona,” Andrea Bagney (Spain)“Stric” (“The Uncle”), David Kapac, Andrija Mardešić (Croatia, Serbia)“Tinnitus,”Gregorio Graziosi (Brazil)“Zkouška umění” (“ART talent show”), Tomáš Bojar, Adéla Komrzý (Czech Republic)“Zoo Lock Down,” Andreas Horvath (Austria)Special Screenings“BANGER.” Adam Sedlák (Czech Republic)“June Zero,” Jake Paltrow (USA, Israel)“The Killing of a Journalist,” Matt Sarnecki (Denmark, USA, Czech

Katherine Tulich Lukas Dhont’s “Close,” which won the Grand Prix in Cannes last month, picked up the Sydney Film Prize, the top prize at the Sydney Film Festival, on Sunday evening.Accepting the award via video message Dhont said: “It’s a film that comes from our hearts, that we worked on for a lot of years with many people.”The international jury consisted of Australian actor David Wenham, Australian director Jennifer Peedom, writer-director-producer Mostofa Sarwar Farooki (Bangladesh), Berlin Golden Bear winner Semih Kaplanoglu (Turkey), and the executive director of the Kawakita Memorial Film Institute in Tokyo, Yuka Sakano (Japan). Twelve titles in the official competition included Carla Simon’s “Alcarras”, Hlynur Palmason’s “Godland”, Colm Bairead’s “The Quiet Girl” and Del Kathryn Barton’s “Blaze.” The winner is awarded AUD$60,000 ($41,600).

Karen Idelson When writer-director Leon Cheo was crafting his Indeed Rising Voices short “The 25th Filial Exemplar,” he drew inspiration from old Hollywood films with terrifying depictions of the parent-child relationship, both classic (“Psycho”) and unintentionally camp (“Mommie Dearest”).But his initial creative spark came from something much closer to home: an article he read about a man in China who dressed up as his late sister to help ease his mother’s feelings of loss and grief. Cheo’s own parents live in his native Singapore, and he’s aware that as they grow older, he may have to help them navigate the health care system. It’s rare in Asian culture for parents to go into nursing homes or for people outside the family to provide assistance, so he knows that the burden of providing care could very well fall on him.  “It’s an unpaid job that kind of lasts a lifetime,” says Cheo. Cheo amped up the psychological terror and turmoil in “The 25th Filial Exemplar,” infusing the story with the dark tone of a horror movie and adding sibling rivalry to the thematic mix. While it’s often the first-born male child who becomes the favorite in Asian cultures, in this film, it’s the daughter — though the “daughter” is actually the son dressed as his dead sister.

Patrick Frater Asia Bureau ChiefA manga (comic book) companion to the Disney/Pixar animated film “Turning Red” is in preparation and will be launched in the second quarter of 2023 by Viz Media. The teen-focused “Turning Red” franchise has already stretched far beyond the film and related content has clocked up more than two billion views on TikTok.The Domee Shi-directed original film premiered on Disney+ in North America and in limited international theatrical markets earlier this year.

Naman Ramachandran Shailaja Padindala’s Kannada-language film “Naanu Ladies” won best narrative feature and Pedro Peira’s English and Spanish-language film “LA QueenCianera” best documentary feature at the 2022 Kashish LGBTQ+ film festival in Mumbai.Gujarati-language shorts “Muhafiz” by Pradipta Ray and “Dal Bhat” by Nemil Shah” won best Indian narrative short and the Riyad Wadia Award for best emerging Indian filmmaker respectively. “Muhafiz” also won best screenplay for Ray and Ashutosh Pathak.Padindala said: “ ‘Naanu Ladies’ is a film attempting to identify cis-het culture [as it] weaves itself into the queerness of everyday life.

Mark Schilling Japan CorrespondentBack in Japan after his Korean-language drama “Broker” won two prizes at this year’s Cannes festival, Kore-eda Hirokazu appeared as a press event in Tokyo on Tuesday to announce the launch of a group of industry professionals who aim for structural reform of the Japanese film industry.The group calls itself the “Association for the Establishment of a Japanese Version of CNC.” The reference is to France’s government-backed oversight body, the Centre National du Cinema et de l’Image Animee. Kore-eda noted the low incomes and long working hours of freelance filmmakers and emphasized the need for reform.

Justin Lin recently made headlines for stepping away from “Fast X,” while already in production. While the reasons behind his unexpected departure from the “Fast & Furious” franchise have been discussed to death, the filmmaker has already lined up his next big project.

Justin Lin has found his next project.

Wilson Chapman editorJustin Lin is attached to direct an upcoming film adaptation of the popular manga “One Punch Man.”Lin will direct the film based on a script from “Venom” and “Jumanji: The Next Level” screenwriters Scott Rosenberg and Jeff Pinkner. Sony Pictures is backing the film, and Lin will produce alongside Avi and Ari Arad of Arad Productions.“One Punch Man” will be Lin’s first project following the announcement this April that he exited directing “Fast X,” the latest film in the “Fast and Furious” franchise.

Patrick Frater Asia Bureau Chief“Broker,” the unconventional family drama which appeared in competition at last month’s Cannes Film Festival, topped the box office in South Korea on Wednesday, its opening day.“Broker” grossed $1.10 million, enough to depose crime actioner “The Roundup” from the top spot that it had enjoyed for the past three weeks and which had made it the highest performing film this year.According to data from the Kobis tracking service operated by the Korean Film Council, “Broker” played on 1,590 screens and sold 145,000 tickets for Wednesday screenings. Its cumulative total of $1.15 million includes some $44,000 of previews earned on 14 screens.The feat by a local art-house film gives further support to the notion that cinema attendance is rebounding in Korea.

Mark Schilling Japan CorrespondentNaomi Kawase, Japan’s best-known female film director, has been accused of bullying her company staff and assaulting a member of her film crew.In late April, Bunshun Online, the website of a leading weekly tabloid, published an interview with a former male staffer of Kawase’s production company Kumie. He stated that Kawase had punched him in the face in the company office in October of 2015.