The Irish accents in Wild Mountain Thyme proved very controversial and now Jamie Dornan has responded to the criticism they received.
10.12.2020 - 14:46 / hollywoodreporter.com
John Patrick Shanley follows Doubt with another persuasive argument against playwrights adapting their own work for the screen in Wild Mountain Thyme, a limp dollop of Irish whimsy that never sparks to life. Shanley's 2014 play Outside Mullingar was a mellow charmer that returned with disarming sentimentality to territory not far from the writer's Oscar-winning screenplay for Moonstruck, demonstrating the same faith that true love will eventually surmount all obstacles.
The Irish accents in Wild Mountain Thyme proved very controversial and now Jamie Dornan has responded to the criticism they received.
A movie can have the best intentions in the world and still not quite hit the mark. Such is the case with Ron Vignone's heartland-set drama about a woman attempting to pick up the pieces of her life after serious missteps relating to her previously undiagnosed bipolar disorder.
Covid-19. The Department of Health engaged two leading PR companies in Belfast in a bid to reach younger people with viral online posts and videos from influential figures.
Most parents think it's a big deal to take their kids to Disney World or Universal Studios for some family bonding. Sorry, but Robert Rodriguez has you all beat.
Some evil geniuses have tailor-made crews of Minions to do their bidding; others have to hire their help the old-fashioned way. Imagining the working-class frustrations of a heroes-and-villains world, Adam Wood's Henchmen centers on a kid who, until he can realize his dreams of evil grandeur, has to pay his dues by mopping up other bad guys' messes.
Also Read: 'Sylvie's Love' Review: Tessa Thompson Pursues Love and Career in Swoon-Worthy Period RomanceCassie’s avoidance routine is interrupted by the arrival of an old classmate, Ryan (Bo Burnham), who professes a longtime crush on her and asks her out. Inadvertently, his presence also brings up painful memories for Cassie, which are slowly revealed to be a traumatic event that led to the end of her dreams of becoming a doctor.
Anyone who's ever resorted to sex in an attempt to heal a fractured relationship will find something to relate to in married filmmakers Sarah Portelli and Ivan Malekin's anthology-style drama set in a variety of international locales.
A likably low-rent, low-ambition entry into a genre whose standard-bearer, Meatballs, doesn't set the bar very high, Mike Stasko's Boys Vs. Girls goes to summer camp for its promised battle of the sexes.
If 2020 was not exactly a banner year for art-house cinema, with festivals either cancelled or relegated to online status and theatrical releases postponed or demoted to streaming sites, this was not necessarily the case for French filmmaker Sébastien Lifshitz, who managed to put out two of his best works by December: the feature documentaries Little Girl and Adolescents, both of which saw distribution and critical acclaim at home.
A lyrical portrait of a former political giant in his twilight years, Vitaly Mansky's Gorbachev. Heaven is an unusually intimate docu-memoir that feels like an epitaph.
In theory, The Stand In might sound promising. It stars Drew Barrymore, was written by Four Lions and Peep Showscribe Sam Bain and directed by Jamie Babbit (cult queer classic But I'm a Cheerleader, plus some excellent TV episodes for Silicon Valley and Russian Doll).
There should be a limit to the number of plot twists a film can spring on an audience. Sure, it's okay for fiendishly clever puzzlers like Sleuth and Deathtrap to keep us guessing from one moment to the next.
Focus Features has acquired worldwide rights to Kenneth Branagh-directed feature drama Belfast.
Chris Cornell, “No One Sings Like You Anymore" (UMe)No disrespect to Sinead O’Connor, but there's another version of “Nothing Compares 2 U” that might be even better than the one the Irish singer delivered. That would be the cover by Chris Cornell, which is ragged with heartbreak.It's the highlight of “No One Sings Like You Anymore,” a batch of 10 covers that the leader of Soundgarden and Audioslave recorded in 2016, a year before his death.
Peter Debruge Chief Film CriticMovies are constantly coming up with reasons to keep lovers apart for long enough to convince audiences that they genuinely belong together, but “Wild Mountain Thyme” may be the first film in which those obstacles are never made clear. Rosemary Muldoon (Emily Blunt) is beautiful.
Running time: 102 minutes. Rated PG-13 (some thematic elements, suggestive comments).
So hasn’t himself from “Fifty Shades of Grey” gone all forty shades of green in the new fillum, “Wild Mountain Thyme,” named for the haunting ballad that we Irish are taught at the teat, and apt to burst into once we’ve a bellyful of stout in us.
Watch Video: Emily Blunt and Jamie Dornan Live a Romantic Irish Fairy Tale in 'Wild Mountain Thyme' TrailerBased on Shanley’s play “Outside Mullingar,” the film tells the story of Rosemary Muldoon (Emily Blunt) and Anthony Reilly (Jamie Dornan), who have grown up on adjoining farms.
Ask any actor, Irish accents are notoriously tricky. Even natives can struggle with regional dialects.
As the title suggests, the documentary “Queer Japan” is big and broad, not focused.