New York Times series published Saturday.Investigative reporter Nicholas Confessore’s three-part series “American Nationalist” investigates how the right-wing host seized upon the “white fear” and white nationalism stoked by the Trump administration to rack up ratings.The series begins with selections from Carlson’s “encyclopedia of provocations,” citing his remarks about immigrants, Black Lives Matter protesters and refugees. It also dives into his ardent defense of the insurrectionists who attacked the U.S. Capitol, as well as Vladimir Putin throughout Russia’s invasion of Ukraine.An analysis of 1,150 episodes of “Tucker Carlson Tonight” revealed how Carlson has popularized “dog-whistle” terms like “legacy Americans” that had once been relegated to white nationalist publications.
Why the Music Industry Must Remove the Racist Term ‘Master Recording’ From Its Vocabulary — Now (Guest Column)
11.04.2022 - 23:01 / variety.com
Dina LaPolt Guest ColumnistDuring the spring and summer of 2020, as protests across the country illuminated the systematic injustices Black Americans have faced and continue to face, the music industry was one of many that was called out to take accountability and action for its treatment of a group of people that is largely responsible for its many decades of profitability. While the industry’s unfair treatment of Black Americans is longstanding and deep-seated, one seemingly simple course of action is to cease all usage of the term “master recording,” which may sound innocuous but, as detailed in Variety’s expansive August 2020 interview with Pharrell Williams, derives from the words “master and slave.” For those not aware, the terms have long been used to distinguish between a source recording (the “master”) and the subsequent copies made (the “slaves”), which has led to a pervasive use of both terms in many industry contracts.
Although these charged words have been normalized to indicate a dominant/ subservient relationship, it does not negate the weight that they carry, especially in context of the music industry.For as long as the music business has existed, Black performers often have been in a subordinate position to label executives, the majority of whom are white, even though their music is the vital resource upon which this industry is founded. Digging deeper, when you consider that most of these performers do not have control or ownership of the underlying copyrights to their music, parallels can easily be drawn to how slaves did not have autonomy over their lives since they themselves were the property.
Katie Holmes Shows Off New Romance With Musician Bobby Wooten III
It looks like Katie Holmes has a new man in her life!
The Handmaid’s Tale star Elisabeth Moss makes rare comments on Scientology background
Elisabeth Moss has made rare comments about her background in Scientology, with The Handmaid’s Tale saying she doesn’t want her viewers to be ‘distracted’ by her faith. The actor, whose previous roles include starring in The West Wing, Mad Men and The Invisible Man, was raised as a Scientologist. Invented by American author L Ron Hubbard, Scientology is a set of beliefs and practices that expanded from a movement into a global church.
Hyperobject Industries’ Director Adam McKay Boards ‘The Holly’ As Executive Producer Ahead of Mountainfilm Festival World Premiere
EXCLUSIVE: Writer, director, and award-winning journalist Julian Rubinstein’s highly anticipated anti-gang war documentary, The Holly has tapped Academy Award-winning filmmaker and Hyperobject Industries founder, Adam McKay (Don’t Look Up) and Emmy-nominated filmmaker Todd Schulman (Borat) as executive producers ahead of its world premiere at Telluride’s this Memorial Day weekend.
Every Time Miranda Lambert Called Out Sexism in the Country Music Industry: ‘I’d Rather Do It My Way’
A true wild card. Miranda Lambert is known for speaking her mind through her music — and she’s not afraid to get candid about the country music scene, either.
Netflix to Release Alejandro G. Iñárritu’s New Film ‘Bardo’ in Theaters Later This Year
), “BARDO” will enjoy a theatrical release on a global scale later this year including in Mexico, its country of origin, as well as the US, Canada, UK, Italy, Spain, Germany, Argentina, Brazil, Australia, New Zealand, Scandinavia, the Netherlands, Japan and Korea, among many more before debuting on Netflix.Iñàrritu previously worked with cinematographer Emmanuel Lubezki on his last two films to Oscar-winning effect.“BARDO” stars Daniel Giménez Cacho and Griselda Siciliani. In addition to Khondji, the film features a below-the-line team that includes production design by the Oscar-winning Mexican designer Eugenio Caballero (“Pan’s Labyrinth”) and costume design by Anna Terrazas (“ROMA”).Netflix previously released noteworthy titles like Alfonso Cuaron’s “ROMA,” Martin Scorsese’s “The Irishman” and Adam McKay’s “Don’t Look Up” in theaters before the films were available to stream on Netflix, and for Iñárritu’s first Netflix feature it appears he’s being given a similar rollout strategy – although it’s unclear if “BARDO” will have an exclusive theatrical window or if the film will release on streaming and in theaters on the same day.This is Iñárritu’s first film since 2015’s “The Revenant,” which earned him a Best Director Oscar on the heels of 2014’s “Birdman” which won Best Director, Picture and Original Screenplay.
Watch Interpol debut new songs from ‘The Other Side Of Make Believe’ as they kick off 2022 tour
their current world tour, Interpol delivered the live debuts of four songs from their upcoming seventh album, ‘The Other Side Of Make Believe’.The show took place at The Factory in Deep Ellum, Texas on Monday (April 25). In addition to singles ‘Toni’ and ‘Something Changed’ – both of which dropped earlier this month with the announcement of their new record – Interpol performed two previously unheard songs, ‘Fables’ and ‘Into The Night’.For their performance of ‘Toni’, lead guitarist Daniel Kessler played the song on electric piano – a live first for Kessler, who has played piano on the band’s albums since 2010, but never performed the instrument live with them.The rest of the 20-song setlist featured tracks from all six of Interpol’s previous albums.
Trina and Latto join forces on wild new single ‘Clap’
Trina and Latto explain what it takes to impress them in their new single ‘Clap’, with solid lyrics teetering on the controversial.Marking the second time the US artists have collaborated, ‘Clap’ sees veteran rapper Trina bring up-and-coming Latto under her wing.The single harkens back to some classic ’90s hip-hop beats, with limited melodies allowing for a better focus on the pair’s risqué, yet empowering lyrics. The tracks chorus plays out: “Throw it in rotation, shawty bring that ass back, back, back, back / Clap, ayy, she gon’ shake that ass / She gon’ make that ass clap, clap“.Take a listen below:The single dropped last Friday (April 15) and marks the follow-up to Trina’s 2021 single ‘Receipts’.
'We’re all really happy to be back together after so long:' Madison Beer opens up about European tour and new music
After releasing her debut album last year, American pop star Madison Beer is finally back on the road.
Elon Musk is being sued by Twitter investors for delay in disclosing stake
Elon Musk has been filed with a lawsuit by Twitter investors for failing to disclose that he had bought a substantial stake in the company.The Tesla chief revealed on April 4 that he had acquired a 9.2 per cent stake in the social media platform.Shares in Twitter soared as investors viewed the move as a vote of confidence, according to The Guardian.But federal trade laws require that investors notify the US Securities and Exchange Commission (SEC) after surpassing a 5 per cent stake in a company within 10 days. Musk acquired his shares on 14 March but did not make that public until over two weeks later.A new lawsuit filed in New York yesterday (April 12) alleges, in the time between passing the 5 per cent threshold and publicly reporting, Musk was able to buy up additional shares at a deflated price.Experts estimate that the delay may have resulted Musk netting $156million (£120million), according to The Washington Post.The lawsuit seeks class action status on behalf of investors who sold Twitter stock during that time who claim they lost out on gains they would have been aware of had Musk disclosed his stake earlier.After Musk disclosed his stake, Twitter shares rose 27 percent from $39.31 to $49.97.
Music Industry Moves: Juan Gabriel Estate Inks Deals With Virgin Music, Universal Publishing
Jem Aswad Senior Music EditorThe estate of the late Mexican singer-songwriter Juan Gabriel has signed an exclusive, worldwide agreement with Virgin Music US Latin and extended its agreement with Universal Music Publishing Group. Under the new deal, Virgin Music US Latin will now represent Juan Gabriel’s post-2008 catalog and future recordings, while UMPG will represent his entire catalog through an extended, exclusive global publishing agreement, bringing Gabriel’s music under the Universal Music roof.New music will be released “in the coming months,” the announcement continues, including the highly anticipated “Los Duo 3, including duets with Mon LaFerte and Gloria Trevi as well as posthumously recorded duets. Billboard notes that Gabriel, who died in 2016, left behind dozens of unreleased recordings, including new songs and re-recordings of older ones.
Coldplay add new South American dates to ‘Music Of The Spheres’ world tour
Coldplay have added new South American dates to their huge eco-friendly world tour for new album ‘Music For The Spheres’ – see the updated schedule below.The band’s 2022 world stadium tour comes with an emphasis on environmental sustainability, and began with a gig at the Estadio Nacional in the Costa Rican capital San Jose last month (March 18) – see what went down here.North American dates for the tour kick off later this month, with European dates beginning in July and UK dates in August, including six shows at London’s Wembley Stadium.The band have now announced that they’ll head back to South America in September and October, adding six more shows to the run.Coldplay will be joined by Camila Cabello and H.E.R.
Watch ‘Lux Æterna’ trailer, the witchy new horror film by Gaspar Noé
Lux Æterna has landed.The film, which is set to open next month, centres on characters trying to make a movie about witches. In the trailer, disorienting flashing lights make for a disconcerting first-look at the movie that was delayed several times during the COVID pandemic.Per Collider, the film’s description provides a little more insight into the plot: “Béatrice Dalle and Charlotte Gainsbourg are on a film set telling stories about witches.
Music Industry Moves: Shira Knishkowy Leaves Spotify for Another Management Company; Lauren Alaina Leaves Mercury Records
Jem Aswad Senior Music EditorIn a move that sounds like a “Who’s on first?” routine, Shira Knishkowy is joining Another Management Company, leaving Spotify after three years to join the company that oversees the careers of such artists as Kurt Vile, Waxahatchee, Stephen Malkmus, Mary Timony, Snail Mail, Mdou Moctar and Horsegirl, as well as High on Fire, Protomartyr, Sheer Mag and others. Knishkowy’s artist-centric role at Spotify and previous multi-year roles at Matador Records, Partisan Records and Big Hassle Media make her a solid fit for her new role as artist manager and director of digital and creative strategy.Another co-founder Rennie Jaffe says, “I have ultimate confidence that Shira will take the relationships, skill-sets and most importantly the instincts she’s developed over the past 10+ years as a leading music publicist to quickly emerge as a world class artist manager.