WGA Takes On AI & Clarifies Position As AMPTP Talks Continue

The Writers Guild of America and the Alliance of Motion Picture and Television Producers sat down on Wednesday as talks continued over the holiday period that had previously been designated a two-week break.

Cynthia Littleton Business Editor The WGA and Hollywood’s major employers are set to resume contract talks on Wednesday as the sides aim to make progress in sorting through complicated compensation issues and averting a strike. Negotiators for the Writers Guild of America and Alliance of Motion Picture and Television Producers are expected to sit down again in person Wednesday morning at AMPTP headquarters in Sherman Oaks. The WGA had planned to take a two-week break after March 31 to begin the process of a strike authorization vote, with talks tabbed to resume the week of April 17. The guild’s current three-year contract expires on May 1. A rep for the AMPTP declined comment. The WGA did not immedately respond to a request for comment.

fans were left disappointed over the weekend when the creator and a majority of the cast of the popular Paramount Network series were no-shows at their PaleyFest panel in Los Angeles.Originally, the panel was set to include most of the stars of the series — including Kevin Costner -- as well as creator Taylor Sheridan and executive producer David Glasser. However, only Moses Brings Plenty, Dawn Olivieri, Josh Lucas and Wendy Moniz were in attendance, along with Keith Cox, president of development and production at Paramount Network.The absence of Costner, Sheridan, Glasser, Kelly Reilly, Cole Hauser, Luke Grimes, Kelsey Asbille, Wes Bentley, Gil Birmingham and Jacki Weaver at the event was said to be due to «scheduling conflicts.» The event was first announced in mid-January.Cox did not speak to reporters at PaleyFest but did address Costner's future on the series when he took the stage at the Dolby Theatre.

Zooey Deschanel is opening up about life at home.

He’s in a New York state of mind. When it comes to dining, there’s no greater place than New York City.

Nick Vivarelli International Correspondent Andrea Scrosati, who is group COO and continental Europe CEO of Fremantle, isn’t too worried about various types of turbulence that are currently creating anxiety in the U.S. media market such as draconian cost cuts being made by juggernaut groups and the impending prospect of a Writers Guild of America strike. Speaking in Italy at a panel titled “Less is More – What to Do When the Streaming Boom is Over” Scrosati noted that the effect of market consolidation in the U.S. and fear due to plunging stock market results that is prompting cost cuts at Disney and Warner Bros. Discovery certainly means that “some of the big buyers are in a conflict.”

As the WGA begins its second week of bargaining for a new contract with the AMPTP today, the guild is prepared for a strike, if it comes to that, though that’s by no means a foregone conclusion. The WGA’s current film and TV contract expires May 1.

Gavin Bridge Senior Media Analyst Entertainment-industry pros believe the writers have more leverage than the studios as they begin negotiations over a new contract, according to an exclusive new survey. One-third of respondents gave TV scribes a vote of confidence, as opposed to one-fifth who touted the studios’ clout in an online poll of 640 U.S. adults working in showbiz conducted on March 15-16 by insights firm YouGov. The survey was commissioned by Variety Intelligence Platform, which recently released the special report “Time to Strike?”  What may explain the perception of the writers’ leverage is a sense that there’s newfound solidarity among members of the WGA, in the past a notoriously fractious group believed this time to be united around key issues, from its top showrunners to its newbie scribes.

The RMT has suspended strikes due to be held on March 30 and April 1, the union has announced.

Hundreds of WGA East members who work for Hearst Magazines Media are planning to stage a walkout Thursday to demand a fair contract. The half-day action is scheduled to begin at 1 p.m. ET and will last the remainder of the day.

Leaders of SAG-AFTRA and Hollywood’s Teamsters Local 399 showed their support for the WGA on Monday, posing with WGA leaders shortly before the 11 a.m. start of the Writers Guild’s contract negotiations with producers at the AMPTP’s headquarters in Sherman Oaks.

The editorial staff at Fox affiliate WNYW-TV New York has voted unanimously to ratify a new four-year contract with the WGA East. The 52-member bargaining unit includes news writers, writer/producers, assignment editors, segment producers, news assistants and feed coordinators.

Much like the beginning of a Congressional hearing on a hot potato political topic, expectations for the first day of talks between the WGA and AMPTP were high, but largely began with formalities.

Gene Maddaus Senior Media Writer The Writers Guild of America officially began negotiations on Monday with the studios, as the union seeks to increase compensation and set minimum standards for the size and duration of writers rooms. Over the decades, bargaining has become a highly ritualized process, with each step carefully scripted. The guild has already told members that the initial round of talks will last for two weeks. At that point, the WGA will advise the membership on “what next steps we believe are necessary,” said writer-director Kay Cannon in a video posted on Friday. If it’s anything like the last contentious negotiation, in 2017, the guild will seek a strike authorization vote, which would give negotiators leverage for the final round of talks.

With its contract talks with the AMPTP set to start this morning, the WGA is telling its members in a new video what to expect in the coming weeks amid an expected media blackout on the negotiations.

EXCLUSIVE: First among Hollywood unions this year, the WGA is going face-to-face with the studios starting Monday in what’s expected to be contentious negotiations for a new overall contract. However, the atypical pole position for the hard-hitting scribes this labor round is a consequence of the Alliance of Motion Picture and Television Producers’ rebuke of the DGA efforts to strike a pact a few months ago.

Just hours before the WGA and the studios are scheduled to start stridulous talks on a new overall contact, the Alliance of Motion Picture and Television Producers have decided to publicly play nice, firmly.

Gene Maddaus Senior Media Writer The solo TV auteur may soon be a thing of the past. The Writers Guild of America will sit down with the studios on Monday, and high on the agenda is setting a minimum staffing level for writers rooms. That means the days when Mike White or Craig Mazin could write an entire season of prestige TV all by themselves could be coming to an end. The guild argues that studios are squeezing more work out of fewer writers over a shorter time span, and paying them less than they’re entitled to. And the union’s leadership believes that it’s time to set basic standards around the size and duration of a writers’ room.

EXCLUSIVE: There was “fire and brimstone” at tonight’s WGA membership meeting – the last to be held before the start of contract negotiations with the AMPTP on Monday. The meeting, held via Zoom, was led by the co-chairs of the guild’s negotiating committee: former WGA West presidents Chris Keyser and David A. Goodman.

Leaders of the Writers Guild of America won’t discuss the specifics of the contract proposals they’ve exchanged with the Alliance of Motion Picture & Television Producers. But in an interview with Deadline on Tuesday ahead of next week’s start of negotiations, they made it perfectly clear a deal can be reached without a strike if the companies take the needs of writers seriously.