Christina Applegate says she’s doing with acting in front of a camera after wrapping up Dead to Me amid her multiple sclerosis diagnosis.
25.04.2023 - 19:17 / deadline.com
The Writers Guild of America doesn’t want to strike, but it will if it has to. That’s the thrust of the guild’s latest video featuring WGA West board member and BoJack Horseman creator Raphael Bob-Waksberg discussing the history of gains the guild has made by standing firm at the bargaining table – and by going on strike if all else fails.
“I want to be very clear,” he says in the video posted the WGA website Tuesday. “A strike is not a guaranteed outcome for this year’s negotiation. And we do not want one. What we want is to be paid fairly for creating a product that earns massive profits for the companies. And we want protections that allow us to build a stable career and a stable life.”
The studios, he said, “would love to paint us as irrational for wanting these most basic of things. They would love for us to forget the gains we make when we stand up together, and to instead fret over what standing up might cost us. The better question to ask is: What does it cost us when we don’t?”
The WGA is now in the final week of negotiations with the Alliance of Motion Picture and Television Producers before the May 1 expiration of their current contract.
“In a difficult negotiation, with a powerful group of companies, you don’t win gains by playing nice, or knowing the right people, or with an extra firm handshake,” Bob-Waksberg says. “No. What you’re able to win is directly tied to how much leverage you have. And just like when you’re negotiating your individual contract as a writer, our leverage as a union depends on our willingness to walk away from a bad deal. “
“We’d love it if the studios met our reasonable demands, agreed to a fair deal, and we could all keep doing what we do best: making art,” he said, but noted that
Christina Applegate says she’s doing with acting in front of a camera after wrapping up Dead to Me amid her multiple sclerosis diagnosis.
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SAG-AFTRA, which starts its contract negotiations with the Alliance of Motion Picture and Television Producers on June 7, is in “the same boat” with the Writers Guild as it strikes for a fair contract, SAG-AFTRA National Executive Director and chief negotiator Duncan Crabtree-Ireland told a cheering crowd Wednesday night at the WGA strike rally at the Shrine Auditorium.
Paramount CEO Bob Bakish said today that “writers are essential in creating content and… we hope we can come to a resolution that is good for everyone fairy quickly. But it’s also fair to say there is a pretty big gap today, and it’s really a multifaceted kind of bid and ask.”
Jennifer Maas TV Business Writer Paramount Global CEO Bob Bakish addressed the writers strike during Paramount’s Q1 earnings call Thursday, stating that writers are “an essential part of creating content” and “we hope we can come to a resolution that works for everyone fairly quickly.” However, the Paramount chief added, “it’s also fair to say there’s a really big gap.” “Obviously, we’ve been planning for this, we do have many levers to pull and that’ll allow us to manage through the strike, even if it’s for an extended duration,” Bakish said. “In terms of those levers, we have a lot in the can, so to speak, content in the can. So with the exception of things like late-night, consumers really won’t notice anything for a while. Add to that a broad range of reality, unscripted, where we’re definitely a leader, as well as sports, and that’s not effected, so we can do more in those areas, if necessary.”
EXCLUSIVE: With the Writers Guilds strike now in its second day, negotiations for a new Directors Guild contract are now just one week away. And like the WGA, streaming residuals are on the DGA’s bargaining agenda when its contract talks start May 10.
statement posted to Twitter Tuesday. “We believe that everyone working in the film and television industry deserves to be fairly compensated for their work and receive essential benefits.”The statement comes hours after the WGA officially commenced the entertainment industry’s first strike in 15 years after the union and the Alliance of Motion Picture and Television Producers (AMPTP) failed to reach a deal by Monday at midnight, when the most recent contract expired.“The decision was made following six weeks of negotiations with Netflix, Amazon, Apple, Disney, Discovery-Warner, NBC Universal, Paramount and Sony under the umbrella of the Alliance of Motion Picture and Television Producers (AMPTP),” the WGA said in a statement Monday evening.
On Day 1 of the WGA strike, the guild is telling members to inform their agents, lawyers and managers that they are “immediately instructed to engage in no further negotiations, meetings or discussions with any struck company concerning my performance of writing services on future or pending projects, or for the sale or option of literary material I have written, alone or with a writing partner.”
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The Writers Guild sent a message to its members Monday evening saying that picketing will begin Tuesday afternoon if a deal on a new contract can’t be reached tonight.
Jennifer Maas TV Business Writer With half a day to go until the clock strikes midnight on WGA talks, Hollywood is trying to operate as if it were any other day in town, despite the fact TV and film writers could be on strike Tuesday if the negotiations don’t go their way. While high and low-budget shows alike shoot in Los Angeles, New York City, Georgia and across the pond Monday, everyone from writers on sets to executives in office buildings knows Tuesday might bring a situation they haven’t dealt with since 2007. “As expected, it is eerily quiet — it is overcast in LA and that matches the mood of the town,” one comms exec said. “Lots of discussion about what news to announce and how news will play with both sides of the table, so to speak. Definitely feels like the calm before the storm.”
Cynthia Littleton Business Editor Here we are at the precipice of an uncertain yet familiar place. The question of whether the TV and film industry will be shut down by labor action will be answered one way or another by the time Monday ends on the West Coast. In broad strokes, the Writers Guild of America and Alliance of Motion Picture and Television Producers face one of three basic outcomes as the WGA contract expires at midnight PST. Behind Door No. 1 – the sides reach a tentative agreement. Door No. 2 — they agree on a short-term extension, which is unlikely but could be anything from 12 hours to 12 days, or more. Door No. 3 – the talks are called off by one side or the other — or both — and picketing ensues in Los Angeles and New York on May 2.
on Thursday, Kunis said flat-out she will not be appearing in “Fantastic Four,” and that the rumors stemmed from a lunch she had with director Matt Shakman. “We went out to a deli and had lunch together,” Kunis said of her and Shakman’s meeting, “and the next day I was somehow in Fantastic Four.”Kunis, who would presumably play Sue Storm, aka the Invisible Woman, in the reboot (though some rumors are claiming she was also in talks to play a female version of The Thing), said the meeting was just a lunch, and that she will not be playing any of the four titular roles. However, she says she knows who will be. “I am not in Fantastic Four,” she said, “but I know who is.” Go on…“But I don’t want to get in trouble with The Mouse, so none of you will find out,” she laughed, much to the studio audience’s disappointment. This is Mila's response in a new interview by the way: pic.twitter.com/wU4nRZuazH https://t.co/prVeri5vIN“The Mouse” she is referring to is the Disney executives/legal teams/overlords that be.
EXCLUSIVE: In the event of a strike by the Writers Guild, IATSE members working on struck shows have the “legal right” to honor the guild’s picket lines, though they might be replaced temporarily by non-union workers, according to IATSE president Matthew Loeb.
Picket signs are being prepared to possibly hit the streets next week, but talks between the Writers Guild of America and the Alliance of Motion Picture & Television Producers appear to have taken a productive turn in the past 24 hours.
Gene Maddaus Senior Media Writer Negotiations on a new Writers Guild of America contract could go through the weekend, as the sides continue to trade proposals ahead of the Monday deadline. The WGA and the Alliance of Motion Picture and Television Producers and may hold a session on Saturday, according to a source close to the situation. Given the looming deadline and prospect of a strike grinding Hollywood production activity to a halt, it’s no surprise that the guild and AMPTP representatives would look to work through the weekend in the hopes of avoiding industry-wide disruption. Another source close to the situation emphasized that nothing has been formally scheduled, and may not be until Friday.
The WGA, in a message to members accompanying its new set of “Strike Rules,” is answering frequently asked questions about a possible strike that could happen as soon as May 2. And the answer to many of the questions is “No.”
IATSE has joined SAG-AFTRA and the DGA in support of the Writers Guild in its ongoing negotiations for a new film and TV contract.
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