The writers and the studios are set to get back around the negotiating table.
28.08.2023 - 23:49 / variety.com
Gene Maddaus Senior Media Writer Negotiations between the Writers Guild of America and the major studios remained in limbo on Monday, after a week of public sparring failed to result in forward movement. The sides have not formally met since Aug. 18, when the Alliance of Motion Picture and Television Producers rejected the WGA’s Aug.
15 counter offer. Four CEOs did meet with a handful of WGA leaders on Aug. 22 to urge them to accept the studios’ counter, which was made on Aug.
11. But since then, there has been no move to get back to the negotiating table. As it stands, both sides seem to feel that the other owes them a response.
The AMPTP publicly released its counter on Aug. 22, in a move intended to demonstrate its readiness to make concessions and to put pressure on WGA leadership. The WGA objected to that tactic, saying it was intended to “jam” negotiators.
The union described the AMPTP offer as “neither nothing nor nearly enough,” and cited a host of limitations on several issues. For instance, the studios have offered a guaranteed rewrite for screenwriters, but only on “original” screenplays under a certain income threshold. That provision would apply to a “tiny” number of writers, according to the guild.
In its Aug. 15 response, the WGA largely stuck to its original demands, though it did make slight numerical adjustments on some items. The WGA strike is now 119 days old, still a month shy of the two longest strikes in guild history, which took place in 1960 and 1988.
The writers and the studios are set to get back around the negotiating table.
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The AMPTP called the Writers Guild out Friday night after the guild released a statement saying that several of the legacy companies have privately expressed “both the desire and willingness to negotiate an agreement that adequately addresses writers’ issues.”
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Michaela Zee Chris Keyser, co-chair of the Writers Guild of America negotiating committee, has shared a special message over the Labor Day holiday. After acknowledging the WGA staff, who have “dedicated their working lives to the cause of writers and writing,” Keyser shared key points of the ongoing writers strike. “We all know the list by heart by now,” he said in the video message.
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As Hollywood waits for the WGA’s official response to the AMPTP’s latest contract offer, a ray of sunlight emerged for comedy/variety writers in the latest back-and-forth.
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The Writers Guild said today that the AMPTP’s latest counteroffer for a new contract “is neither nothing, nor nearly enough.”
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WGA leaders met face-to-face with key CEOs on Tuesday evening as executives sought to pitch the guild on their most recent contract offer in the hopes of ending the nearly four-month-old strike. Late Tuesday, the Alliance of Motion Picture and Television Producers released details of the contract offer presented to the WGA on Aug. 11.
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The Writers Guild and the AMPTP didn’t come back to the bargaining table Monday. The two sides last met on Friday, after which the guild told its members that talks would resume sometime this week. The strike is now in its 112th day.
After four straight days of bargaining, the Writers Guild said tonight that it will meet again next week with the Alliance of Motion Picture and Television Producers.
Gene Maddaus Senior Media Writer UPDATED: The Writers Guild of America met again with negotiators from the major studios on Friday afternoon, but the sides appeared to make little progress toward ending the 109-day strike. The guild issued a message to members Friday evening confirming that the sides plan to gather again next week. The guild has held talks each of the last four days with the Alliance of Motion Picture and Television Producers, but the two sides remain far apart on the major issues, according to sources familiar with the negotiations.
Jazz Tangcay Artisans Editor North Hollywood’s United American Costume Company has been dressing Hollywood since 1977. The company counts costume designers Sandy Powell, Arianne Phillips and Ellen Mirojnick among its clients, and has provided outfits for “Yellowstone” as well as “American Horror Story.” But with the writers and actors on strike, the business is in danger. “I could survive probably five months, but I would be left with nothing,” says the company’s owner, Diana Foster.