‘We Were Dangerous’ Review: Teenage Girls Rebel In A ’50s-set Coming-Of-Age Story – SXSW

Jennifer Maas TV Business Writer “We Were Dangerous” is a surprisingly funny film for a movie that’s central conflict is the sterilization of a group of young women on the fringes of society in 1950s New Zealand. Knowing the project, which debuted at SXSW in Austin March 8, is executive-produced by from Taika Waititi and Carthew Neal’s Piki Films certainly informs how the film approaches its troubling topic — much like the production company’s Holocaust-set “Jojo Rabbit” — with such levity, the majority of the credit for the heartfelt tone goes to a trio of women: writer Maddie Dai, director Josephine Stewart-Te Whiu and producer Morgan Waru.

When is a collection of dreamy, romantic, forlorn, and crestfallen moods just that and not actually much of a movie other than a series of sequences that sum up those big melancholy feelings with achingly dreamy music? Oooh, ooh! “The Greatest Hits,” filmmaker Ned Benson’s latest feature-length effort, would like to field this one. Built one too many many groan-worthy romantic clichés like the relationship breakup phrase, “it’s time to move on,” taken to an implausibly silly genre and literal level, Benson uses a flimsy neurological time travel conceit to tentatively move forward and heal his hopelessly heartbroken protagonist’s heart.

1991’s severely underrated “Career Opportunities” revolved primarily around one night in the life of Frank Whaley’s department store custodian as he works a shift at employer Target while simultaneously romancing Jennifer Connelly, while “Dawson’s Creek” used a similar conceit in a season six episode, seeing Joey and Pacey locked overnight within the recesses of another retail giant; even Nickelodeon Magazine joined the fray with their 1990 premiere issue, hiding within its pages a short story about children stranded at a similar store and the misadventures that result.

Music, by and large, can be seen as autobiographical; it’s far from uncommon for songwriters not to draw from any number of personal experiences encompassing, say, the lows of heartbreak and loss to life’s triumphs, all of which and more could easily reside within the average person as distant memories but attain a sort of immortality once this narrative is set to music.

Oscar-winning screenwriter of The King’s Speech, has passed away aged 86.According to his manager, Seidler died in New Zealand on Saturday (March 16) during a fly fishing trip.“David was in the place he loved most in the world – New Zealand – doing what gave him the greatest peace, which was fly fishing,” Jeff Aghassi said. “If given the chance, it is exactly as he would have scripted it.”Seidler won the Academy Award for Best Original Screenplay for his work on the 2010 film, which depicted King George VI’s journey to overcoming his stammer on the eve of World War II.Seidler himself had a stammer as a child, and was inspired by the King’s story of how he overcame his speech impediment.Upon accepting his Oscar in 2011, Seidler said: “My father always said to be I’d be a late bloomer.

Paramount Names Australia/New Zealand Chief

Daniel Brühl is starring in a first look at the upcoming Hulu series Becoming Karl Lagerfeld!

J. Kim Murphy Can you remember how you spent your childhood summers? Were they by the pool eating concession stand junk? Biking everywhere you went? Fist-fighting your best friend? Falling for a girl from out of town? Something along those lines? Or maybe you just saw a movie like that. That kind of easy familiarity is what teen comedy “Snack Shack” comfortably sets up shop on.

Look, let’s be honest. From the opening seconds of its debut trailer, we all knew that Alex Garland’s “Civil War” would not be a pill that went down easily.

McDonald's says it has now 'resolved' the IT shortage which stopped customers from ordering food.

McDonald's has reportedly suffered an IT outage which has left restaurants unable to accept food orders.

In the realm of religious horror, one filled with tales of divine terror, Immaculate emerges as the latest contender. Yet despite its promising setup within the shadowy confines of an Italian nunnery and a cast led by Sydney Sweeney, Álvaro Morte, Benedetta Porcaroli and Simona Tabasco, the film struggles to carve out a niche for itself. Directed by Michael Mohan and written by Andrew Lobel, the movie treads familiar ground, recycling familiar elements without delivering the novel twists, deeper insights or genuine horror in a genre that thrives on the exploration of faith’s darker dimensions.

Millions of workers across the UK will get a boost to their wages worth hundreds in less than a month.

Disney+ has unveiled a proper first look of German-Spanish actor Daniel Brühl as the titular iconic designer in the new show Becoming Karl Lagerfeld, produced by leading French film and TV company Gaumont.

Arcadian director Benjamin Brewer, along with writer Mike Nilon, attempt to navigate the tumultuous waters of a post-apocalyptic narrative, showcasing a world decimated by an unspecified catastrophic event. Starring Nicolas Cage along with Jaeden Martell and Maxwell Jenkins, the film plunges into the life of a family striving to survive in a desolate landscape fraught with nocturnal terrors. Despite a cast that promises gravitas and the tantalizing premise of a stark, survivalist drama, the film ultimately fumbles, delivering a disorienting experience that ultimately fails to terrify.

From the basement of dingy jam sessions in Akron, Ohio, to arena rock success, a multiplatinum career, and multiple Grammy wins, “This is a Film About The Black Keys” tracks the unlikely rise of one of rock’s biggest duos. Directed by Jeff Dupre (“Soundtracks: Songs That Defined History,” “Marina Abramovic: The Artist Is Present”), the largely conventional rock doc doesn’t break the mold but engages, nonetheless, telling a captivating story of brotherhood, slow-grinding perseverance, weathering many personal storms, and the heavy tolls that success enacts.

Jazz Tangcay Artisans Editor Can we get an Amen up in here? For the first time in “Drag Race” history, Emmy-award winner Michelle Visage, who has been a judge on “RuPaul’s Drag Race” and “RuPaul‘s Drag Race: U.K.,” will step onto the main stage and host the fourth season of “RuPaul’s Drag Race: Down Under.” As he hands the hosting baton to Visage, RuPaul will remain on the series as an executive producer. He said, “It has been my great honor to bring Drag Race to Australaisa.

The Europe’s Margrethe Vestager, one of the world’s most powerful and proactive regulators, has made Europe a first mover in checking big tech for the public good and in the interest of competition.

My Dead Friend Zoe, directed by Kyle Hausmann-Stokes and co-written with AJ Bermudez, weaves a complex tapestry of trauma, memory, and the enduring strength of human connection. Starring Sonequa Martin-Green and Natalie Morales in the lead roles, with support from Utkarsh Ambudkar, Ed Harris, Gloria Reuben, and Morgan Freeman, this film delves deep into the psychological aftermath of warfare, presenting a narrative that is both intimate and expansive.

Do you remember where you were on New Years 2000? Were you home wondering if all the electronics in your home were going to short circuit? Kyle Mooney, explores an alternative to what could have happened on that day in his directorial debut Y2K. His unique comedic voice and offbeat humor have prepared him for this ambitious project that emerges as a striking commentary on the intersection of technology, generational angst, and the human spirit. Mooney, alongside co-writer Evan Winter, crafts a narrative that is at once a love letter to the turn of the millennium and a cautionary tale about the dangers of unchecked technological advancement.