Watch Napoleon slaughter his enemies in epic battle scene

Ridley Scott’s Napoleon through Thursday has grossed an estimated $21M worldwide. The Apple Original Films and Sony Pictures action epic is now eyeing a $70M-$73M five-day global opening, including $40M from the international box office. Should those numbers hold, this will be well ahead of pre-weekend projections.

Napoleon was released in cinemas in the US and UK yesterday (November 22), ahead of an eventual digital release.The new movie stars Joaquin Phoenix as the historical military commander, Napoleon Bonaparte, and charts his rise to power, as well as his relationship with Empress Joséphine (Vanessa Kirby).According to an official synopsis, Napoleon “is a spectacle-filled action epic that details the checkered rise and fall of the iconic French Emperor”. It continued: “Against a stunning backdrop of large-scale filmmaking orchestrated by legendary director Ridley Scott, the film captures Bonaparte’s relentless journey to power through the prism of his addictive, volatile relationship with his one true love, Josephine, showcasing his visionary military and political tactics against some of the most dynamic practical battle sequences ever filmed”.The film also stars the likes of Tahar Rahim, Ben Miles and Rupert Everett.No streaming release date has been announced for Napoleon at the time of writing.

Napoleon has been released – check it out below.The new film stars Joaquin Phoenix as the historical military commander, Napoleon Bonaparte, and charts his rise to power, as well as his relationship with Empress Joséphine (Vanessa Kirby).Described as a “spectacle-filled action epic that details the checkered rise and fall of the iconic French Emperor”, an official synopsis says the film “captures Bonaparte’s relentless journey to power through the prism of his addictive, volatile relationship with his one true love, Joséphine, showcasing his visionary military and political tactics against some of the most dynamic practical battle sequences ever filmed”.The film also stars the likes of Tahar Rahim, Ben Miles and Rupert Everett, while it was written by David Scarpa (The Man In The High Castle, The Day The Earth Stood Still).The original score for Napoleon has also been released. It was composed by Martin Phipps, who has previously worked on scores for the likes of Brighton Rock, The Railway Children Return, Black Mirror, Peaky Blinders, and The Crown.The score is comprised of 15 songs and runs for just under 48 minutes.

Elsa Keslassy International Correspondent Despite being plagued by harsh reviews from French critics and a derisive retaliation by director Ridley Scott, “Napoleon” had a strong opening in France on Wednesday, grossing an estimated €868,000 ($946,000) from approximately 120,000 admissions. The figure, unveiled by Comscore France, includes about 8,000 tickets sold at preview screenings across France, notably in Paris where Sony Pictures held a lavish world premiere of the historical epic on Nov.

Thanksgiving 2023 has arrived, and whether you’re doing a big family celebration or a more quiet affair, there’s plenty to watch on TV. From streaming classic movies, to marathons, here’s your essential guide on what to watch.This documentary is about David Holmes, a former stunt man on the “Harry Potter” films who broke his neck and became paralyzed in an accident. While that subject matter sounds grim, Holmes’ resilience is ultimately inspiring, and the connection to “Harry Potter” makes it have broad appeal as a Thanksgiving watch for multiple generations.

Jordan Moreau Disney is wishing upon a box office star this Thanksgiving, as its latest animated movie “Wish” takes on Apple’s historical drama “Napoleon.” “Wish” is expected to come out on top this weekend, but “Napoleon” won the first box office battle in previews. “Napoleon” made $3 million in previews, which began on Tuesday due to the Thanksgiving holiday, and “Wish” made $2.3 million. The family friendly animated movie about Disney’s iconic wishing star is expected to make $35 million over the typical weekend.

Joaquin Phoenix‘s new epic movie Napoleon, directed by Ridley Scott, is now playing in theaters and you might be wondering if there’s a post-credits scene.

Ridley Scott has fired back at French film critics after they published a series of negative reviews of his new biopic, Napoleon.Despite receiving generally positive reviews by UK critics, several high-profile French publications have been less kind, with French GQ saying it was “deeply clumsy, unnatural and unintentionally funny”, while Le Figaro likened it to “Barbie and Ken under the Empire”.In an interview with the BBC, Scott retorted: “The French don’t even like themselves”.“The audience that I showed it to in Paris, they loved it.”Joaquin Phoenix plays Napoleon Bonaparte in the film, which hits UK cinemas on Wednesday (November 22). It follows the French leader’s rise to power and his relationship with Empress Joséphine (Vanessa Kirby). Other cast members include Tahar Rahim, Ben Miles and Rupert Everett.It is not the first time that Scott has made headlines during the promotion for Napoleon.

Ridley Scott is a man who has earned the right to be a bit… brash with his comments. This is a right given to someone who has created multiple iconic films over the course of his career, literally inspiring generations of filmmakers with works like “Alien” and “Blade Runner.” So, when critics start taking him to task because of “Napoleon,” he clearly couldn’t care less.

Zack Sharf Digital News Director Ridley Scott is shrugging off the negative reviews coming out of France for his new historical epic “Napoleon,” which stars Joaquin Phoenix as the infamous French emperor and Vanessa Kirby as his wife, Joséphine de Beauharnais. Reviews are all over the place for the biographical drama.

Ridley Scott has been typically dismissive of critics taking issue with his forthcoming movie Napoleon, particularly French ones.

Will Tizard Contributor Recreating epic battle scenes was just part of the challenge in filming “Napoleon” with director Ridley Scott, says Polish-born cinematographer Dariusz Wolski, who screened the grand-scale biopic at the Camerimage cinematography festival in Poland on Friday. Getting the realism needed to capture the vast brutality of the Battle of Austerlitz or Waterloo, says Wolski, depends on exhaustive planning and coordination, of course, but also some impressive juggling.

Ridley Scott’s Napoleon marches into cinematic battle with the bluster and confidence that comes with a reported $200-million budget and Sir Ridley’s decades-deep track record of well-mounted action epics.All that money and prestige is visible onscreen in the film’s far-flung locations, hundreds of extras, delectable period costumes and decor, and, as advertised, several massively-scaled scenes of battle, on land and sea, circa 1789 to 1815.Legions of infantry and cavalry clash on various rolling hills of Europe, shot in icy, desaturated blues and grays by Dariusz Wolski, Scott’s cinematographer on his last nine films (though not his next one, Gladiator 2, being lensed by Gladiator d.p. John Mathieson).Against vast fields of green or snow-covered grasses, and CGI-enhanced masses of combatants, soldiers’ coats flash a red that’s many shades brighter than the blood that flows and bursts violently across the screen.The filmmakers spare no visual detail in depicting the bodily devastation of hand-to-hand armed combat — death by bayonet, point-blank gunfire, horse hooves, or long-range artillery.Death here is bloody, disgusting, and woefully unnecessary, but it’s also the main currency of war, and this movie revels in the loud, explosive spectacle of war far more enthusiastically than it casts its feebly critical eye at the men who clamor for it.Above all else, the film renders tribute to Napoleon Bonaparte, portrayed by Oscar-winner Joaquin Phoenix as a shrewd but coarse, fearless, petulant, glowering egomaniac who rises to imperial power fighting and winning wars.

EXCLUSIVE: Getting a leg-up here on our Thanksgiving stretch preview, Apple Studios production of Ridley Scott’s Napoleon will invade the global box office via Sony this Wednesday, in what’s shaping up to be a $46M WW global start.

Barry Keoghan bared it all in his movie Saltburn, and now he’s opening up about the experience.

Joaquin Phoenix reportedly “walked out” of the premiere of his new film Napoleon earlier this week.The historical drama stars Joaquin Phoenix in the titular role as Napoleon Bonaparte, the military mastermind and Emperor of France. It spans 32 years from the outbreak of the French Revolution in 1789 to Napoleon’s death on St Helena in 1821, and explores significant battles as well as the romantic turmoil with his wife Joséphine de Beauharnais.Phoenix was spotted walking out of the film’s premiere in Paris on Tuesday (November 14) before it started.

Patrick Frater Asia Bureau Chief The Ridley Scott-directed historical epic “Napoleon” is set to get a release in mainland Chinese theaters next month. The Apple Original Films and Sony Pictures’ title has received approval for import into China and release in a Dec. 1 slot, Sony said on Thursday. Per a Sony synopsis, the film “details the checkered rise and fall of the iconic French Emperor Napoleon Bonaparte, played by Oscar-winner Joaquin Phoenix.

Apple Original Films and Sony Pictures’ Ridley Scott-directed action epic Napoleon has landed a theatrical release date in China of Dec. 1.

Joaquin Phoenix and Vanessa Kirby are stepping out for the UK premiere of their new movies.

Napoleon, with generally favourable reviews across the board.The historical drama stars Joaquin Phoenix in the titular role as Napoleon Bonaparte, the military mastermind and Emperor of France. It spans 32 years from the outbreak of the French Revolution in 1789 to Napoleon’s death on St Helena in 1821, and explores significant battles as well as the romantic turmoil with his wife Joséphine de Beauharnais.Many have praised director Scott for crafting the kind of bombastic spectacle favoured in late ’50s and early ’60s Hollywood, noting in particular the technical and theatrical skill enacted for the sweeping, bloody battle scenes.