It seems that every few years, there’s another filmmaker attempting to offer some form of half-hearted commentary on our society’s increased use of the digital devices that seem destined to enslave us all; from the one-two punch of 2013’s dismal “Disconnect” and “Men, Women & Children” the following year to practically every episode of “Black Mirror,” the line on the graph labeled “Quality” tends to ebb and flow with all the frequency of a neglected version of Angry Birds or any number of