Venice Review: Shia LaBeouf In Abel Ferrara’s ‘Padre Pio’

A Syrian war film with a difference, Nezouh is a delicate and engrossing entry in Venice’s Horizons Extra section. Director Soudade Kaadan won Lion of the Future for 2018’s The Day I Lost My Shadow, and she continues to impress with this empathetic story of life under siege. 

Shia LaBeouf is ready to end his he said, she said battle with Olivia Wilde. The stars have been publicly at odds over the narrative surrounding LaBeouf's exit from the Wilde-directed. LaBeouf was originally cast opposite Florence Pugh in a role that eventually went to Harry Styles and, while conducting interviews to promote the project, Wilde has said that LaBeouf was fired.

Shia LaBeouf's mother has died at the age of 80. The 36-year-old actor has confirmed that his mom, Shayna Saide, died of heart failure at a Los Angeles hospital on August 27. Shia told The Hollywood Reporter: "My mother was full of fear in her last moments: asking the doctor what this tube was and what that machine did.

No movie has been a bigger node of controversy in recent weeks than Olivia Wilde‘s sophomore feature, “Don’t Worry Darling.” And now that its world premiere at the Venice Film Festival has come and gone, let’s hope that the drama surrounding this film finally dissipates. Critics didn’t love it, nothing juicy happened on the red carpet or at the screening, and it’s time for everyone to move on.   READ MORE: Olivia Wilde Address All Of The ‘Don’t Worry Darling’ Gossip …Again That appears to be the tactic Shia LaBeouf wants to take now.

claimed that she fired him to protect lead actress Florence Pugh.“It is what it is,” LaBeouf told The Hollywood Reporter. “Every blessing to her and her film.”Wilde, 38, had again insisted that she chose to fire the 36-year-old actor, in an interview with Vanity Fair published on Thursday, citing his on set behavior and her responsibility to Pugh, 26, as reasons she let him go.

Honey Boy, The Peanut Butter Falcon, and Pieces of a Woman until various allegations put him at the lowest point of his career. With all of the trouble that has followed the former Disney Channel star’s reputation in recent years, he’s been trying to earn forgiveness. He was almost ready to throw in the towel until he was approached about a new film opportunity that would get him out of his acting exile called Padre Pio.

[VENICE] It’s Saturday afternoon at the Tennis Club on the Lido, and American director Abel Ferrara chats on camera to an Italian television host before some of his customary swearing sets in, courtesy of a few brave souls wanting a photo with him next to the courts. He’s hungry.

An eccentric 20-something tries to make friends in Amanda, a first feature for Italian writer-director Carolina Cavalli. Premiering in Venice’s Horizons Extra section, it’s a comical, stylized character portrait with a strong central turn from Benedetta Porcaroli. 

Reviews of Olivia Wilde’s psychological drama “Don’t Worry Darling” premiering at the Venice Film Festival are now out. And while it’s a little too early to land on a consensus (our review is mixed), unless you’ve been living under a rock, the film and the spectacle surrounding it have threatened to become one of the biggest, nosiest dramas of the year.

Olivia Wilde is making it clear she's strictly at the 2022 Venice Film Festival for business and not gossip. During a press conference for her new film,, on Monday, the 38-year-old director briefly debunked rumors of a feud with Florence Pugh, who stars in the movie, but was absent from the event. Pugh is expected to walk the red carpet at the premiere later today.While Wilde was joined by the film's stars Chris Pine, Harry Styles and Gemma Chan, a reporter told her it was a «shame» that Pugh wasn't there, according to.

Olivia Wilde steps out in a bright green ensemble for the press conference and photo call for Don’t Worry Darling during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

Who would have thought that, of all the top-shelf auteurs in Venice’s big comeback year, the most constrained would be Darren Aronofsky? His new competition film The Whale opens with that very intent — the screen is cropped to 1:33 — which turns out to be most appropriate for a small and intimate movie about a very big man.

A lesbian gym teacher navigates Margaret Thatcher’s Britain under the “Section 28” law in Blue Jean, Georgia Oakley’s debut feature premiering in the Venice Days section of the Venice Film Festival.

Naman Ramachandran Shia LaBeouf was in a reverential frame of mind at the first public screening of Abel Ferrara’s “Padre Pio” at the Venice Film Festival, as befits a film about a monk in a Capuchin monastery in post-WWI Italy. LaBeouf, who is embroiled in controversy after being accused of abuse and sexual battery in a bombshell lawsuit filed by his former partner FKA Twigs, made a rare public appearance at Venice. He isn’t doing any press at the festival, but the actor was present in the cinema before the screening where he obliged fans with selfies and participated in a Q&A after. “I feel super blessed to have worked on this movie — this movie kind of saved my life,” LaBeouf said during the Q&A. “But I didn’t enter the process as a God guy — definitely not a Catholic. And this movie just found me at a time when I was very willing and open to the process.”

Maureen Kearney’s story is unbelievable. It is a story of unbelief, in fact — of denial, cover-ups, corruption and injustice directed at a small woman who was just doing her job. She’s played with an electric stillness by the great Isabelle Huppert in Jean-Paul Salome’s Venice Film Festival Horizons title The Sitting Duck (La Syndicaliste). There are still plenty of people who openly doubt her story, including people on her own side of politics. Perhaps it would be easier all round if it weren’t true.

Apart from the few but mighty completists of renegade filmmaker Abel Ferrara, the primary draw to watch “Padre Pio” is star Shia LaBeouf making his first on-screen attempt at a comeback after facing domestic abuse allegations. The star credits the film with prompting his conversion to Catholicism and helping to begin the process of repairing his life.

The cast of Francis Ford Coppola’s long-gestating dramatic epic, “Megalopolis”—a film he’s been trying to make for nearly 20 years— has added a bevy of new actors, including Shia LaBeouf, Jason Schwartzman (Coppola’s nephew), Talia Shire (his sister), Grace Vanderwaal, Kathryn Hunter and James Remar. READ MORE: Shia LaBeouf Acknowledges FKA Twigs’ Abuse Accusations: “I Hurt That Woman” The controversial eye-opener in this list is, of course, LaBeouf, who is attempting something of a comeback after his ex-girlfriend FKA Twigs accused him in a February 2021 lawsuit of abuse, mental, physical, and sexual.

Francis Ford Coppola continues to fill out the ensemble for his epic Megalopolis, with Talia Shire (The Godfather), Shia LaBeouf (Honey Boy), Jason Schwartzman (The French Dispatch), Grace Vanderwaal (Stargirl), Kathryn Hunter (The Tragedy of Macbeth) and James Remar (Once Upon a Time in Hollywood) being its newest additions.

Right at the beginning of The March On Rome, a special screening in the Venice Days section of the Venice Film Festival, Mark Cousins draws our collective gaze to a piece of graffiti saying that cinema is most powerful weapon of all. It isn’t clear — to me, anyway — whether that joyful proclamation dates back to 1922, when Benito Mussolini led a Fascist march from Naples to Rome, or to some other eruption of historical optimism. Cinema isn’t as powerful as all that — if it were, Fascism would have been clobbered to a pulp by Chaplin, Lubitsch and all the other filmmakers who lampooned its vainglorious leaders. But images do matter. They certainly mattered to Italian Fascism.

is proving to be a very ironic title for Olivia Wilde's sophomore directorial effort, as quite a bit of drama worth worrying about has unfolded over the course of production and the subsequent promotional blitz ahead of the film's release next month.From the film's early casting shake-ups — with Harry Styles taking over for Shia LaBeouf — to Wilde's high-profile split from her long-time partner Jason Sudeikis and subsequent romance with her new leading man, drama, rumors and mild scandals have permeated every facet of the film's production.Now, with the tensions between Wilde and LaBeouf coming to a head as the actor accuses the filmmaker of misrepresenting his exit from the film — and rumors swirling over Florence Pugh's alleged feud with Wilde allegedly due to her romance with Styles and split from Sudeikis — it feels like risks being overshadowed by the controversy.Amid the back-and-forth allegations and fan-fueled rumors, ET is breaking down all the drama and examining the behind-the-scenes in-fighting and how the headline-grabbing feuds first formed. In April 2020, news broke that Pugh and LaBeouf — as well as Chris Pine — had been cast as the leads of Wilde's forthcoming drama, which is set in the 1950s.