Venice Review: Koji Fukada’s ‘Love Life’

The trailer for First Love is here!

Netflix has shared a first look at the upcoming original Korean film 20th Century Girl, which follows the lives and loves of 17-year-old girls in 1999.The extended preview was shared as part of the streaming platform’s TUDUM event today (September 24), in which upcoming content for the rest of 2022 and beyond was revealed.The film was introduced by All Of Us Are Dead star Cho Yi-hyun, who described it as “depicting friendships and first love of 17-year-old girls”. “The movie is titled 20th Century Girl, starring Kim Yoo-jung,” she added.

First Love is coming!

Oliver Hermanus and starring Bill Nighy and Aimee Lou Wood, comes from a screenplay that Kazuo Ishiguro wrote, adapting it into English from Akira Kurosawa’s Japanese film “Ikuru.” (“Ikuru” itself was inspired by Leo Tolstoy’s 1886 Russian novella “The Death of Ivan Ilyich.”) Nighy plays a British bureaucrat in post-World War II London whose cancer diagnosis inspires him to reevaluate his life of solitude and try to make a difference in his community before he dies. Hermanus, Nighy and Wood visited TheWrap and Shutterstock’s Interview and Portrait Studio at the Toronto International Film Festival for a discussion about the filmmaking process.Nighy plays the bureaucrat, Williams, and he and Hermanus weren’t too worried by the legacy of Kurosawa’s original film looming over their adaptation.

It has been revealed that the legendary 50-0 Floyd Mayweather is in shock talks to fight KSI's brother Deji in an exhibition bout, with The Mirror revealing that the fight is set to take place in Dubai in November.

Ethan Shanfeld When Netflix announced it had greenlit a reality series based on the murderous competition in “Squid Game,” fans of the hit Korean show were quick to point out the irony in translating the tragic tale, which creator Hwang Dong-hyuk told Variety is a “fable about modern capitalist society,” into reality TV. Now, Hwang is urging “Squid Game” fans not to “take things too seriously,” saying he has met with the creator of the reality spinoff, titled “Squid Game: The Challenge,” and hopes “they will be carrying on my vision and intention as much as possible for the show.” Hwang addressed the spinoff Monday night at the Emmys, where “Squid Game” made history — and scooped up a handful of awards in the process. Hwang won best directing for a drama series for the pilot episode, “Red Light, Green Light,” while star Lee Jung-Jae became the first Asian actor ever to win best actor in a drama.

Nick Vivarelli International Correspondent Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law, has reached the top spot at Italy’s box office following its launch from the Venice Film Festival. “Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 ($487,000) intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector. Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.

Marta Balaga Greece’s Homemade Films has boarded Mahdi Fleifel’s upcoming feature “Men in the Sun,” currently in the final stages of development. The story, set in Athens, will deal with masculinity, exile and loss, showing young refugees in their 20s hustling to survive in the urban pressure cooker. The company is also ready to start shooting Sofia Exarchou’s “Animal,” co-producing with Nabis Filmgroup, Ars Ltd., Digital Cube and Felony Productions. Furthermore, its founder Maria Drandaki recently presented new projects at Venice Gap-Financing Market. “Arcadia,” directed by Yorgos Zois, will see Homemade Films joining forces with Foss Production and Red Carpet. “Titanic Ocean” by Konstantina Kotzamani will be shot in Japan and Singapore in 2023.

Netflix hit thriller drama “Echoes,” but it’s a tad darker than the Hayley Mills classic. Michelle Monaghan plays identical twins who have switched places every birthday since they were kids into adulthood, tricking husbands and children. But, the twisted ritual goes wrong one year when they find themselves as prime suspects in a murder, puzzling a local cop who can’t figure out who did it.

Surprisingly, Nuclear is not one of Oliver Stone’s “devil’s advocate” documentaries, the spate of films he started making in the early 2000s that seemed to troll liberals everywhere by spending time with notorious human-rights abusers such as Fidel Castro, Hugo Chavez and Vladimir Putin. In the real world right now, nuclear power is about as toxic as those three men put together, but this intelligent and surprising film is an investigation into how that PR damage came about, which makes it arguably more of a piece with his famous conspiracy thriller JFK than any of those. At nearly two hours, it’s a hard watch, being dominated by Stone’s dense, monotonous voice-over and featuring scientists with next to no screen presence (this explains a lot about Adam McKay’s decision to shoot Don’t Look Up with A-listers). Nevertheless, it puts forward a lot of unexpected proposals about nuclear energy, debunking powerful myths along the way.

After a lifetime spent creating outrage and offence, both on and off screen, Korean master Kim Ki-duk has left the world with this final film, finished by his friends after his death. The story of a passionate affair that curdles almost immediately into jealousy and hate – but ends on a lyrically wistful note – is a startlingly appropriate rogue’s epitaph.

Guy Lodge Film Critic Even the most solidly founded of marriages can be strained and shattered by the death of a child. For handsome, wholesome Japanese couple Taeko and Jiro, however, that tragedy shows up all the fault lines that were already in their young relationship, and that’s before living ghosts of the past show up for both partners. Koji Fukada’s “Love Life” unabashedly embraces melodramatic contrivance in its examination of modern middle-class love tested as much by social prejudices as by personal demons; it just does so with such pallid, polite reserve that its sentimentality never becomes transcendently moving. As such, this agreeable but overlong pic finds the Japanese writer-director still struggling to regain the form of his jolting 2016 Cannes prizewinner “Harmonium.”

Nick Vivarelli International Correspondent Prominent arthouse sales company The Match Factory has closed multiple sales on Italian auteur Gianni Amelio’s Venice competition title “Lord of the Ants” ahead of its Venice premiere on Tuesday. The Match Factory has sealed deals on Amelio’s latest work – which is a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law – that will ensure the film’s theatrical release in: Australia/New Zealand (Palace Films); Japan (Zazie Films); Spain (Surtsey Films); Sweden (TriArt Film) and Greece (Ama Films). Further deals are in negotiation, the company said. Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray, was repealed in 1981.

The tragedy at the center of “Love Life,” the new film from Japanese director Kōji Fukada which premieres in Competition at this year’s Venice Film Festival, does not come to disrupt a perfectly happy family. Cracks are visible in the facade of the life shared by Taeko (Fumino Kimura) and Jiro (Kento Nagayama) even before the fatal accident that claims the life of Keita (Tetta Shimada), her young son from a previous marriage.

Elsa Keslassy International Correspondent MK2 Films has scored key territory deals on Japanese director Koji Fukada’s “Love Life,” which makes its world premiere in competition at the Venice Film Festival. Set in contemporary Japan, “Love Life” is a character-driven film revolving around Taeko and her husband, Jiro, who are living a peaceful existence with her young son, Keita. When a tragic accident brings the boy’s long-lost father, Park, back into her life, Taeko throws herself into helping this deaf and homeless man to cope with the pain and guilt. Popular Japanese actress Fumino Kimura (“The Fable: The Killer Who Doesn’t Kill”) headlines the film. MK2 Films has now sold the movie to Teodora (Italy), Imagine (Benelux), Leopardo (Portugal), Demiurg (Ex Yugoslavia), New Cinema (Israel), Swallow Wings (Taiwan), Edko (Hong Kong), Impact Films (India) and Encore Inflight (Airlines).

Leo Barraclough International Features Editor Venice Film Festival title “Music for Black Pigeons,” directed by Danish filmmakers Jørgen Leth, best known for “The Five Obstructions,” and “The Lost Leonardo” helmer Andreas Koefoed, has debuted its trailer with Variety. The documentary, which premieres on Tuesday in Venice’s Out of Competition section, explores the lives and processes of some of the world’s most renowned and prolific jazz musicians, including Jakob Bro, Bill Frisell, Lee Konitz, Paul Motian and Midori Takada. Leth, who has directed more than 40 films including landmark works such as “A Sunday in Hell” (1977) and the surrealist short “The Perfect Human” (1968), returns to Venice after his feature documentary “The Five Obstructions,” which he co-directed with Lars von Trier, screened on the Lido in 2003.

Alpha Violet founding co-heads Virginie Devesa and Keiko Funato are in Venice this year with Indonesian filmmaker Makbul Mubarak’s first film Autobiography, which plays in Horizons ahead of trips to TIFF and London BFI  among other festivals.