Robert Downey, Jr. sports a full head of white hair on the set of his new movie, Oppenheimer, in New York on Tuesday afternoon (April 12).
24.03.2022 - 12:31 / deadline.com
Hollywood movies are more ethnically diverse than ever according to a new report from UCLA, which found that women and people of color “have made enormous gains” over the past decade in their share of leading roles in top-performing films.
UCLA’s “Hollywood Diversity Report 2022,” released Thursday, found that the percentage of leading roles played by people of color in last year’s top 200 films has nearly quadrupled since 2011; that their share of writing credits has more than quadrupled; and that their percentage of directing jobs has nearly tripled.
It also found that the percentage of women in leading roles has nearly doubled over the last decade; that their share of writing credits has more than doubled; and that the percentage of women directors has increased by more than fivefold over the past decade.
The report, co-authored by UCLA sociologists Dr. Darnell Hunt and Dr. Ana-Christina Ramón, is the latest indication that inclusion efforts by Hollywood’s unions and employers – with pressure from the Motion Picture Academy and the press – are working, though it notes that more work still needs to be done for women and minorities to achieve parity in front of and behind the camera.
See the full report here.
“Following the significant advances for people of color and women in 2020, both groups made small gains, or at least held their ground, relative to their white and male counterparts in 2021,” the report says. “As a result, both groups enjoyed proportionate representation among film leads and top film roles for the second year in a row.”
Even so, some minority groups fared better than others. The report notes that African Americans, who make up 13.4% of the U.S. population, were “slightly overrepresented” in leading film
Robert Downey, Jr. sports a full head of white hair on the set of his new movie, Oppenheimer, in New York on Tuesday afternoon (April 12).
Molly Shannon is looking back at her early days in Hollywood!
Revenge is a dish best served cold, and it doesn’t get any colder, literally or figuratively, than the bitter portion ladled up in Robert Eggers’ merciless yarn of medieval vengeance, The Northman. This seriously nasty and violent tale comes across as an intense labor of love on the part of the American director and his Icelandic co-writer, the poet Sjón; there’s scarcely a moment of softness, sentiment or relaxation here, just fierce and ferocious determination to fight and prevail in an unstintingly harsh environment. For the most part it’s an enthralling immersion in a forbidding time and place, enhanced by an immoderately attractive cast and saddled only by a dramatic sameness that settles in after a while and gradually diminishes the film’s impact.
EXCLUSIVE: Filming has wrapped on documentary Hollywood Dreams & Nightmares: The Robert Englund Story about the life and career of Robert Englund who shot to fame portraying one of Hollywood’s most iconic horror characters: Freddy Krueger.
Vertical Entertainment has acquired the North American rights to the ensemble comedy Tankhouse, starring Christopher Lloyd (The Tender Bar, Nobody), Richard Kind (Argo, Inside Out), Tara Holt (Ballers, Californication) and Stephen Friedrich (This is Us & Nice Girl Like You), with plans to release it in theaters and on VOD on May 13th.
Sharine Taylor It’s no secret that Hollywood, as an industry, has been slow to represent Black culture and real Black narratives on screen. #OscarsSoWhite flagged that issue at the level of prestige pictures and spurred some reflection on just how white it still is, both in front of and behind the camera.But that problem becomes even more complicated: Within Blackness, there is cultural diversity and Hollywood’s portrayals tend to flatten them.
Republican Governor Ron DeSantis is the leading defendant in a massive 80-page lawsuit by Equality Florida against the “Don’t Say Gay” law he signed this week. Roberta Kaplan, one of the nation’s top civil rights lawyers, who successfully argued the Supreme Court case that effectively overturned the Defense of Marriage Act (DOMA), is the lead attorney on the case.“Florida House Bill 1557 (widely known as the ‘Don’t Say Gay’ law) is an unlawful attempt to stigmatize, silence, and erase LGBTQ people in Florida’s public schools.
Beloved BAFTA-winning British underdog movie The Full Monty and its Robert Carlyle-led cast is returning for a Disney+ limited TV series, with production kicking of in Sheffield and Manchester today.
Academy Awards paid tribute to one of the greatest films of all time during Sunday's ceremony.Coppola took the stage alongside stars Al Pacino, Robert De Niro, and he three were met with a long, standing ovation from a revering audience.«I think I feel moments like this should be sincere and brief,» Coppola shared. «I'm so grateful to my two wonderful friends who have come here to help me celebrate with you this project that we began 50 years ago with really the most extraordinary collaborators»Coppola used his time on stage to highlight two men who made the Godfather films possible, and to thank them «from the bottom of my heart.»«One is a collaborator who I thank many times, every time you see The Godfather, his name is above the title.
Shameless had a devoted legion of fans when it first debuted on Channel 4 in 2003 and quickly became a household name in British comedy.
David Benedict “We’ve discussed this. We’ve discussed this many times.” That wearied line, which appears in the final scene of David Hare’s new play “Straight Line Crazy,” is spoken by Ariel Porter (Samuel Barnett), the long-suffering right-hand man to New York’s legendary urban planner Robert Moses (Ralph Fiennes).
Some movie stars can hold the screen without saying a word, their faces etched with such character they arrest attention. From an earlier era, Robert Mitchum, William Holden and Jean Gabin come to mind.
Editors note: Russia’s invasion of Ukraine has had tragic consequences for the Ukrainian people, and the wider ramifications of the conflict are only beginning to be understood. As the West imposes economic sanctions on Russia, the country is facing a period of isolation unseen since the Cold War. Here, acclaimed Russian novelist and journalist Dmitry Glukhovsky, author of the sci-fi novel series Metro 2033, writes about how Russian propaganda has taken hold of his fellow countrymen. He is based in Europe. The column is translated from Russian by Marian Schwartz.
Brent Lang Executive Editor of Film and MediaIt’s hard to believe, but it’s been 50 years since Francis Ford Coppola’s”The Godfather” made moviegoers an offer they couldn’t refuse.The film was a sensation when it debuted in March 24, 1972, setting box office records, revitalizing the career of Marlon Brando, launching the likes of Al Pacino, Robert Duvall and James Caan onto the A-list, and scoring an Oscar for Best Picture. But things could have gone very differently. Coppola, an up-and-coming director tasked with bringing Mario Puzo’s best-selling novel to the screen, was hardly the studio’s first choice for the task (Paramount production chief Robert Evans preferred Costa-Gavras).
Robert Rinder continues his incredible humanitarian mission in Ukraine as he announced he is heading out to collect more than 50 orphans.
Piers Morgan, who last week gave more details about his new 60-minute show for Rupert Murdoch’s Talk TV, revealed Thursday that his former American’s Got Talent co-host Sharon Osbourne is also joining the fledgling network.