Tribeca Title ‘A Story of Bones’ Boarded by Sales Company Cinephil (EXCLUSIVE)

The Game of Thrones sequel starring Kit Harington will be called Snow, and it has all been instigated by the actor, author George R.R. Martin says.

EXCLUSIVE: Well Go USA Entertainment has expanded its slate of Korean films, acquiring North American rights to titles including Alienoid, Hansan: Rising Dragon, Gangnam Zombie, The Ghost Station and The Assassin. While the international and indie distributor has set theatrical releases in place for Alienoid and Hansan, plans for the other three films have not yet been finalized. 

Lady Gaga while filming American Horror Story: Roanoke.On Wednesday’s (June 22) episode of the Trailblazers Radio show, Jordan admitted that he didn’t recognise the multi award-winning singer-songwriter and actress (whose real name is Stefani Joanne Angelina Germanotta) when he was first introduced to her on the set of Ryan Murphy’s FX anthology series.“The first day, I showed up and there was a girl standing there and they said, ‘Leslie, have you met Stefani?’ And I thought she was maybe an extra. I didn’t know who she was,” he said.Jordan added that he briefly introduced himself to Gaga, who featured in season six as forest-dwelling witch, before walking away from her.“They could tell I didn’t know,” he said.

Magnolia Pictures has acquired U.S. rights to “There There,” Andrew Bujalski’s ensemble comedy starring Jason Schwartzman and Lili Taylor. The film had its world premiere at Tribeca.

Stella Donnelly has shared a new single, ‘Flood’, which serves as the title track to her second studio album.The single, released today (June 21), is the second to be lifted from the album following the release of ‘Lungs’ last month – which also coincided with the album’s announcement. ‘Flood’, the album, is set for release on August 26.Donnelly has also shared an accompanying music video for the new song, which she co-directed alongside producer Grace Goodwin and director of photography Nick McKinlay.

If there hadn’t been a body count, Chris and Jeff George’s escapades might have made for a divinely trashy TLC reality show. The brothers had gargantuan appetites, a habit of breaking the law without consequences, a flair for exaggeration, and a knack for spending money as fast as it came in on all the things that would keep a certain kind of viewer coming back: strip club visits, firearms, McMansions, and jacked-up trucks.

EXCLUSIVE: Deadline has an exclusive track from Ariel Marx’s score for Candy, which is set for digital release via Lakeshore Records tomorrow.

Holly Jones Following its world debut at Cannes Directors’ Fortnight this May, Kino Lorber has snagged North American distribution rights to “1976,” a gripping Pinochet-era drama directed by Manuela Martelli.The film is the first feature for Martelli, produced by Chilean writer-directors Omar Zuniga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) for Cinestación, Alejandra Garcia and writer-director Andres Wood (“Violeta Went to Heaven”) for Wood Producciones, and co-produced by Nathalia Videla Peña and Juan Pablo Gugliotta for Argentina’s Magma Cine.“1976” takes place in a small seaside town where Carmen (Aline Kuppenheim) reflects on her life as she transforms from a side-lined housewife into an integral caretaker. Putting her sanity and the values of her peers on the line, she steps further into uncertainty by aiding a weary and wounded opponent to Pinochet’s regime, Elías (Nicolás Sepúlvda), at her priest’s request.

Jennifer Maas TV Business WriterThis year marks the 30th anniversary of Joe Berlinger and Bruce Sinofsky’s “Brother’s Keeper,” which, as Berlinger says, is “one of the granddaddies of the true-crime docu movement.”It’s true that the 1992 film about the bizarre murder trial of Delbert Ward, who was accused of the “mercy killing” of his brother in rural upstate New York, was an early entrant in our collective societal obsession with the unscripted true-crime format, which in recent years has crossed over to the scripted side.As one of the founding fathers of the format that has piqued our interest in true crime to the point where limited series including “Impeachment: American Crime Story,” “The Staircase,” “The Dropout,” “Inventing Anna,” “Dr. Death,” “A Very British Scandal,” and several more are all competing in the same Emmys’ cycle, Berlinger has some unique insight into the nonfiction-to-dramatized evolution.

“American Dreamer” is a mess of a movie, in which scenes of startling wit and emotional truth co-exist alongside entire subplots that are utterly inexplicable. It’s all over the damn place; its good ideas in near equal proportion to its bad ones, feeling less like a polished production than a filmed first draft, released as a rough assembly.

Leo Barraclough International Features EditorMetFilm Sales has acquired worldwide rights for filmmaker Kristy Guevara-Flanagan’s feature documentary “Body Parts” ahead of its world premiere Sunday in Tribeca Film Festival’s Spotlight section.The pic shows the evolution of desire and sex on screen from a female perspective, “allowing women to reclaim the parts of themselves that have been objectified and exploited for decades,” according to a statement. It uncovers the processes involved in creating intimacy for mainstream American film and television, the toll these scenes exact on those directly involved, and the impact on women and girls in the real world.The documentary features candid interviews with actors and creators who are advocating for real change, including Jane Fonda, Rosanna Arquette, Joey Soloway, Angela Robinson, Karyn Kusama, Rose McGowan, Alexandra Billings, Emily Meade and David Simon.

EXCLUSIVE: Deadline has an exclusive track from Dustin O’Halloran and Herdís Stefánsdóttir’s score for The Essex Serpent, which is set for digital release today via Lakeshore Records.

The horrors of opioid addiction, greed, corporate interests, and the exploitation of the drug and patients are nothing new, and shows like “Dopesick” have done a great job of putting the epidemic in a great cultural, capitalistic and political context. But a new true-crime documentary, “American Pain” is showing one specific slice of the story that’s almost too unbelievable to believe.

Manori Ravindran International EditorPBS documentary strand ‘POV’ has acquired “An Act of Worship,” a counter-narrative of the last 30 years of Muslim life in America, out of the Tribeca Film Festival.Directed by Pakistani-American helmer Nausheen Dadabhoy, the film centers on a diverse range of Muslim Americans who recount the past three decades of pivotal moments in U.S. history and policy from their own perspectives.The film weaves together observational footage of activists who came of age after the 9/11 attacks, community-sourced home videos and recollections from individuals impacted by incidents of Islamophobia.“An Act of Worship” premiered at Tribeca on June 9, and will make its national broadcast premiere on Oct.

Nick Vivarelli International CorrespondentLos Angeles-based Dark Star Pictures has acquired North American distribution rights to Colombia-based Spanish director Ruth Caudeli’s Tribeca title “Petit Mal” from Italian sales company The Open Reel. “Petit Mal,” in which Caudeli also stars, is centered around three young women, Martina, Laia, and Anto, who are in a passionate, playful three-way relationship — the dynamic of which is reshaped when one is called away for a long-term project.The pic, which premieres in Tribeca’s Viewpoints section, is loosely based on the director’s personal life experiences.“Petit Mal” is Caudeli’s third feature segueing from her exploration of somewhat similar themes in “Eva + Candela” (2017), in which a female filmmaker falls in love with her leading lady, and “Second Star on the Right” (2019), about a 30-something bisexual woman who refuses to grow up. During Cannes, the Rome-based Open Reel, which is headed by Cosimo Santoro, also sold rights to “Petit Mal” for Germany and all German-speaking territories to Cinemien.de/Pro-Fun Media; and for Benelux to Cinemien.nl.