Toyah Willcox and Robert Fripp share special Sunday Lunch cover of Grace Jones

Toyah Willcox and Robert Fripp have shared a special edition of Sunday Lunch today (August 28), featuring only bloopers from across their popular YouTube series.The Sunday Lunch series begin in 2020, and Willcox explained last year that it had been born from a desire to keep Fripp inspired and entertained during the coronavirus-enforced lockdowns. Here I am in this house with this 74-year-old husband who I really don’t want to live without,” she told the Guardian.

Ozzy Osbourne has revealed that Eric Clapton took umbrage with a religious lyric in ‘One Of Those Days’, a forthcoming collaborative single between the two.Osbourne discussed the song in a new interview with Classic Rock to promote his upcoming 13th solo album, ‘Patient Number 9’. The song features the lyric, “One of those days / That I don’t believe in Jesus.” Osbourne said that he believes the line will “cause shit”, and used the reaction of Clapton – who is a born-again Christian – as proof.“[Clapton] said, ‘Oh, I’m not sure about that lyric’,” Osbourne said.

Ozzy and Sharon Osborne recently posted a rare photo of a PDA-filled moment they shared while on vacation in Hawaii. The picture shows the two of them kissing in a pool, with a view of the ocean and the luscious landscape in the background. Sharon simply captioned the photo with an emoji of a palm tree and a heart.

Toyah Willcox and Robert Fripp have returned to their kitchen for the latest edition of Sunday Lunch – watch them cover Limp Bizkit‘s ‘Nookie’ below.Last week, the married couple covered Grace Jones’ ‘Slave To The Rhythm’, for which they performed from within a building site. The pair were joined by Simon Darlow, the former Buggles member who played on Willcox’s recent album ‘Posh Pop’, to make up the Posh Pop Three.This week (August 21), they return to the kitchen to give a short, sharp cover of the Limp Bizkit hit.The description for the video reads: “The Duo are back on form this week – we have literally no words for this one, Oh and we have left the Fripp mistake in because its so funny!!”Watch Willcox and Fripp cover ‘Nookie’ below.Earlier this month, (August 7), Willcox and Fripp shared their own spin of Ozzy Osbourne’s 1980 hit ‘Crazy Train’ in the traditional setting of their home kitchen.

Thania Garcia Beyoncé’s seventh solo album “Renaissance” serves as a celebratory tribute to the Black and queer roots of dance and house music; a compilation of new and old sounds, complete with samples from the genre’s most influential. It’s an intensely purposeful formula, and to get it just right, Beyoncé elected a board of “superheroes,” as Leven Kali — one of the many young contributors on the project — describes them to Variety.Indeed, the credits for “Renaissance” are impressive, with producers the Neptunes, Mike Dean, The-Dream, Skrillex, A.

Beyoncé‘s ‘RENAISSANCE‘ single ‘Thique’ was originally put together back in 2014.The guest-heavy 16 track album was released last month and featured the likes of AG Cook, Skrillex, Giorgio Moroder, Grace Jones, Tems and Jay-Z.Now, Hit-Boy has told a Rolling Stone podcast, how Beyoncé stashed away their collaboration for eight years.“I had to sit on that beat for eight years!” he said. “That’s the way the game goes sometimes.

teaser for opening track “I’m That Girl.”In the clip, released Friday, the singer models a sculpted mirrored bodysuit and polka-dot tights while she struts around a house. The next sequence’s outfits alternate between a casual T-shirt and a futuristic dress accessorized with cat-eye sunglasses and a gun-shaped microphone.

Beyoncé is sharing how grateful she is with Madonna for their recent collaboration, after the release of the singer’s new ‘Break My Soul’ remix, using the iconic melody from the popular song ‘Vogue.’“Thank you, Queen,” Beyoncé wrote in a heartfelt note for Madonna, sending her white roses to show her appreciation. She continued, “I’m so grateful for you.

Beyoncé has hit the pinnacle of the music charts with her single “Break My Soul.” The singer topped the Billboard Hot 100 as a solo artist for the first time in 14 years. Beyoncé’s lead single from “Renaissance” first hit the charts six weeks ago and it rose to its peak the same week the album made its debut as No. 1 on the Billboard 200 list.

Birmingham has been dubbed the ‘home of metal’ for a long time thanks to its long history of producing some of the genre’s most iconic acts. One of the second city’s biggest bands brought the 2022 Commonwealth Games to a thunderous close as Ozzy Osbourne and Black Sabbath rocked the city’s Alexander Stadium. The band closed the games time in the city in style following performances from fellow Midlands acts Dexy’s Midnight Runners, UB40, Beverley Knight, Jorja Smith, Laura Mvula, Apache Indian, Goldie, Jacob Banks, Jaykae, Ash, Mahalia, Musical Youth, Neelam Gill, Panjabi MC, Raza Hussain, Talulah-Eve and The Selecter.

King Crimson‘s Robert Fripp and wife Toyah Willcox have returned with the latest instalment of their Sunday Lunch series, putting their uniquely off-kilter spin on Ozzy Osbourne’s 1980 hit ‘Crazy Train’.It’s the second time Fripp and Willcox have paid tribute to the Prince Of Darkness – one of their first Sunday Lunch videos, from all the way back in November of 2020, was a cover of Black Sabbath’s ‘Paranoid’. Responding to their take on the 1970 single, Sabbath guitarist Tony Iommi told Heavy Consequence: “I think they’ve gone mad, actually.

Renaissance (★★★★☆), an album that, at its core, captures the physicality of the dancefloor and everything that goes along with it.Its story should sound familiar by now: amid the uncertainty of a global pandemic and the claustrophobia of quarantines and lockdowns, an artist longs for the freedom, expression, and human connection of the club and puts out an album inspired by dance music.Although the COVID dance album has become something of a meta-genre at this point, Beyoncé’s take on it is, unsurprisingly, a standout.Renaissance is undeniably a fun dancefloor fantasy, but it works as well as it does because it is made from a place of intimate familiarity with its genre.

Beyoncé's new album, Renaissance, which came a whopping six years after her last solo album, Lemonade, was full of surprises and instantly viral lyrics.MORE: Kelly Rowland stops fans in their tracks with a special gown ahead of an exciting night outOne fellow singer especially surprised by the album is the singer's very own Destiny's Child bandmate, Kelly Rowland, who is mentioned in none other than the Break My Soul remix, which features the one and only Madonna.Upon listening to the song, the star took to Instagram to thank her longtime friend for the shout-out.WATCH: Kelly wows in sleek top and jeansMORE: Kelly Rowland's children have the most adorable bond – see photoThe part of the song where the mom-of-two is mentioned is an ode to several iconic singers, including Nina Simone, Grace Jones, Aretha Franklin, Lauryn Hill, and Beyoncé's sister, Solange Knowles.To the beat of Madonna's iconic hit, Vogue, the songstress sings: "Badu, Lizzo, Kelly Rowl' (You know you can do it)."Kelly posted a clip of the remix on Instagram, and even gave a glimpse to the former bandmates' ongoing friendship when she implied that Beyoncé had gone to her to play some of the tracks that she would eventually release.A post shared by Kelly Rowland (@kellyrowland)The sweet moment between the two former bandmatesShe wrote: "Now, you know you didn't play me this!!" and then added: "It's so damn fire!!"MORE: Kelly Rowland shares special baby bump photos: 'I'm so grateful'MORE: Kelly Rowland reveals major milestone for latest project in candid new videoThanking the fellow singer, she endearingly said: "Ahem——thx for the shout out sis-Boo!! Love you back!!" Then she added: "YOU ALREADY KNOW!!" and fans loved to see that their friendship is still

Beyoncé has united with Madonna for a supercharged remix of her hit, “Break My Soul.”

Ethan Shanfeld Beyoncé’s critically acclaimed “Renaissance” album has only been out a week, but the pop titan is already gifting fans with more to dance to.On Wednesday, the singer released an EP of “Break My Soul” remixes by Will.I.Am, Terry Hunter, Honey Dijon and Nita Aviance. Today, Beyoncé dropped yet another spin on the disco-inspired single, featuring none other than Madonna. However, it appears that Madonna did not record anything new for the remix beyond (possibly) a few spoken words, but rather had snippets of previously released, decades-old songs, particularly “Vogue,” dropped in.As of now, “Break My Soul (The Queens Remix)” is only available on Bey’s online shop for $1.29.

Sundance prize winner Cooper Raiff (Cha Cha Real Smooth) has partnered with former Black Bear Pictures development executive Clementine Quittner to launch Small Ideas—a new production company that will develop and produce indie projects across film and television.

Brent Lang Executive Editor of Film and Media“Cha Cha Real Smooth” director Cooper Raiff and former Black Bear Pictures development executive Clementine Quittner are teaming up to launch a new production company, Small Ideas, with a goal of developing and producing independent film and television projects.The duo are joining forces to make projects from emerging filmmakers and creators, as well as projects written and directed by Raiff. Their first endeavor will be an undisclosed television series which Raiff will write, direct, and produce, and which Quittner will produce.Raiff’s most recent film, “Cha Cha Real Smooth,” won the Audience Award at this year’s Sundance Film Festival and was acquired by Apple for $15 million.

Proving once and for all that you just can't keep a good big pop girl down, Beyoncé's potential dominance of the Official Charts this week continues as we can announce that RENAISSANCE album track CUFF IT is officially the UK's Number 1 Trending Song. 

Ilana Kaplan Six years after the release of Beyoncé’s magnum opus “Lemonade,” the pop icon has come through again: giving us all something to talk about. The long-anticipated “Renaissance” (volume one of three) is sticky, sweaty, hedonistic art — flanked by a pastiche of genres that never lingers on long enough for the listener to get too comfortable.It’s what makes the collection its own kind of masterpiece: beauty in the chaos.