Toronto International Film Festival Returns in Person This Fall

At Water’s Edge, a mesmerizing queer dance short from the acclaimed, trailblazing transgender choreographer, and Homo Pol, a short dance documentary film by Amadeus Pawlica focused on the LGBTQ community in Poland.Monday, March 21, brings nine more in a program exploring relationships at opposite ends of the age spectrum, from budding young love to the Alzheimer’s-induced fading memory of a relationship more than 40 years in the making.Also part of Week 2 programming is the German short Pussy Cruising, a humorous take and fantastical riff on the subject posed by the question, “What would cruising among lesbians look like?”The seven films packaged in Week 3 examine the prejudices, discrimination, and other hurdles, some of them self-imposed, faced by people with queer identities, particularly as faced by those living in Iran, Finland, Greece, Spain, North America, and Chile — with The Bodies of Siegfried, Emilio Rodriguez’s documentary offering a visual exploration questioning the limits of art and pornography.Finally, queer challenges, from identity and self-image to romantic relationships, are explored in the final six selected for Week 4, beginning April 4 and ending April 11.Tickets per program, offering a full week of streaming, are $10, or $25 for a full festival pass.

There’s no denying that Baz Luhrmann is going big for his new film, “Elvis.” From the over-the-top style and the “What the hell?” accent from Tom Hanks, the musical drama seems like a must-see event. And when you have such a stylish, uber-theatrical musical film, what better place to debut than at Cannes? READ MORE: ‘Elvis’ Trailer: Austin Butler & Tom Hanks Star In Baz Luhrmann’s New Drama About The King Of Rock & Roll According to Deadline, that’s exactly what’s happening.

Elsa Keslassy International Correspondent“Elvis,” Baz Luhrmann’s drama of the rock-and-roll legend starring Austin Butler (“Once Upon a Time in Hollywood”) and Tom Hanks, will world premiere at the Cannes Film Festival, Variety has confirmed.The movie currently has June 24 release date, which means it couldn’t open the festival unless Warner Bros. Pictures decides to have it bow on May 17 to kick off the milestone 75th edition.

Every year, the Cannes Film Festival is a showcase of some of the best films from around the world made by some of the most respected filmmakers alive today. Oh, and it’s also an event that loves to showcase at least one tentpole, blockbuster film.

Elsa Keslassy International CorrespondentTikTok has become the official partner of the Cannes Film Festival on time for its 75th anniversary and will give the cultural event a wider-than-ever platform comprising one billion users around the world.While it banned selfies on the red carpet several years ago, Cannes is looking to draw global eyeballs and will provide TikTok users with some exclusive content from backstage, glamorous red carpet scenes and interviews with talents. Aiming to position itself as a top entertainment destination and content creator, the banner is also launching the #TikTokShortFilm, a global in-app competition of vertical short films – between 30 secondes and 3 minutes.

J. Kim Murphy The Kyiv-based Molodist International Film Festival has penned an open letter to the film community calling on other festivals to join in a boycott of Russian films as a response to the invasion of Ukraine by Russian military forces.The festival’s statement cites an ongoing effort by modern Russia to “separate culture from politics” and to “[use] that same culture to distract the West from Russia’s wars, human rights violations, censorship and persecution of political dissidents.”“There are Russian filmmakers and intellectuals who have been truly vocal in their dissent and criticism of Russia’s aggression toward Ukraine throughout these years, and we know some of them personally,” the statement reads.

Native sons and daughters of the American South have offered many a meditation on the soil where their lineage was replanted. But the observations and insights of documentarian Jon-Sesrie Goff form something that strikes with the potency of prayer.

Lest there be any lingering doubt, director Ramin Bahrani intones in narration over his first documentary feature “2nd Chance” that this is a metaphor for America. This isn’t particularly surprising given that his subject Richard Davis, a pioneer of the concealable bulletproof vest, straddles the country’s dark fascinations with violence and capitalism.

After being the first major film festival hit by the 2020 COVID-19 pandemic—the unfortunate timing couldn’t have been worse, March 2020 as the virus first started causing lockdowns around the U.S. — and having to cancel that year, SXSW has been arguably hit the hardest of all the festivals in North America.

At a whopping 246 minutes, Sergey Loznitsa’s feature documentary “Mr. Landsbergis” spans a duration longer than some non-fiction miniseries that pop up on streamers now.

Addie Morfoot ContributorTrue/False, the preeminent non-fiction festival, returned as an in-person event Thursday, drawing documentary notables and fans of their work to a Missouri college town for the first lineup under the artistic direction of Chloe Trayner.There were 31 features and 19 short non-fiction films at the fest, which had more of an international tilt than usual and concludes March 6. Eight features, including “Fire of Love,” “I Didn’t See You There” and “The Territory,” had previously debuted virtually at Sundance in January, but screened for the first time for public audiences at True/False.Their respective directors — Sara Dosa (“Fire of Love”), Reid Davenport (“I Didn’t See You There”) Alex Pritz (“The Territory”) – were among the filmmakers making the trek to Columbia for the 19th edition of True/False.

The Toronto Film Festival said Thursday that it will suspend participation by film organizations and media outlets supported by the Russian state for its next festival, in the wake of Russia’s invasion of Ukraine.

Ellise Shafer The Toronto Film Festival has banned all official Russian delegations from its 2022 edition following the country’s invasion of Ukraine, but will welcome work from independent Russian filmmakers into their programming.“As an arts organization dedicated to transforming the way people see the world through film, we support artists and their freedom of expression. TIFF will continue to include films from independent Russian filmmakers in our programming at the Toronto International Film Festival and year-round at TIFF Bell Lightbox,” festival organizers said in a statement to Variety on Thursday.

Peter Debruge Chief Film CriticCritics matter. That’s how I interpret the love the Academy showed for “Drive My Car” this year, nominating the three-hour Japanese drama in four separate categories: best picture, director, adapted screenplay and international film, and in so doing, effectively issuing a referendum to the Spike Lee-led Cannes jury that awarded the Palme d’Or to the relatively divisive “Titane.”Sure, other non-U.S.

Drive My Car,” a three-hour Japanese film; “Lunana: A Yak in the Classroom,” only the second Oscar submission (and first nom) from Bhutan; Paolo Sorrentino’s “Hand of God,” the Italian helmer’s second visit to the Academy Awards; Denmark’s “Flee,” an animated tale of an Afghan refugee; and Norway’s “The Worst Person in the World.”Three of the films even broke out of the international film race, with “Drive My Car” drawing noms for best pic, adapted screenplay and director; “Flee” also earned nominations for animation and doc, while “The Worst Person in the World” nabbed a nom in original screenplay.Joachim Trier, who directed “Worst Person in the World” says of the noms: “The Academy wants a broader spectrum of people from across the world looking at films and voting. It’s a more international community.

Despite a new rule about theatrical releases in France and filmmaker Andrew Dominik really hoping “Blonde” would debut at the event, it appears 2022 will be another year where Netflix skips the Cannes Film Festival. According to Variety, Netflix isn’t expected to debut any new films at this year’s Cannes Film Festival.

The Toronto Film Festival said Thursday that it is planning a return to an in-person festival for this year’s edition, which it confirmed will run September 8-18. The festival had been all but virtual the past two years because of the global pandemic.

wrote at the time. “We’re thrilled to share this news about TIFF 2022 and to introduce fresh voices to our programming team,” Cameron Bailey, CEO, TIFF, said in a statement.

Terry Flores The Tennessee Williams & New Orleans Literary Festival is returning after two years with an in-person event celebrating the 75th anniversary of the playwright’s “A Streetcar Named Desire.” The fest will run from March 23 to March 27.“After a canceled festival in 2020 and a virtual festival last year, we are so happy to be returning to our home at the Hotel Monteleone once again for our five-day festival,” said the event’s executive director Paul J. Willis.