‘Top Gun: Maverick’ Filmmakers on Box Office Glory, Oscar Ambitions and Sequel Speculation

Refresh for latest…: There was a little more excitement at the international box office this weekend, with two local movies leading the charge and a handful of new milestones for Hollywood pics.

according to BoxOffice Mojo. It’s projected to earn $9 million this weekend, according to Variety.In second place, taking in $2 million in its debut, was the Hindi-language action flick “Brahmastra Part One: Shiva”Brad Pitt’s “Bullet Train” came in third, with $865,000 in ticket sales.

Naman Ramachandran In its 15th weekend of release, Paramount’s “Top Gun: Maverick” is still flying high at the U.K. and Ireland box office. The Tom Cruise vehicle collected £600,258 ($692,670) in third place at the box office, according to numbers released by Comscore. With a total of £81.6 million ($94.1 million) it has overtaken “Titanic” (£80.3 million) to occupy the No. 9 position on the all time box office chart in the territory. Sony’s “Spider-Man: No Way Home” swung back into cinemas with an extended cut and collected £469,309 in fifth position in its 38th weekend in the territory. With a total of £96.9 million, it has swung past James Bond film “No Time to Die” (£96.7 million) and is now No. 3 among the territory’s all time box office champions. “Star Wars: The Force Awakens” (£123.2 million) and another Bond title “Skyfall” (£103.2 million) are the top two.

Top Gun: Maverick” has reached a milestone it has been projected to hit for months: $700 million in domestic grosses. The film pulled in $7.9 million in ticket sales between Friday and Monday, bringing its total domestic gross to $701 million.In doing so, the Tom Cruise blockbuster now stands among the top 5 highest grossing films ever in North America before inflation adjustment, joining a list led by “Star Wars: The Force Awakens” ($936 million) and also include “Avengers: Endgame,” ($858 million), “Spider-Man: No Way Home” ($804 million), and “Avatar” ($760.5 million).

Patrick Frater Asia Bureau Chief South Korea’s cinema box office slipped to its lowest level since mid-May as local film “6/45” took the top spot with just $3.06 million over the weekend in its second week of release. Comedy “6/45” was released a week earlier and scored $2.74 million in its opening weekend, according to data from Kobis, the tracking service operated by the Korean Film Council (KOFIC). The latest weekend, then, represents an 11% improvement for the title. It increased its share of the market to 45% during the latest weekend and advanced its cumulative total to $8.36 million. Depressed by a lack of significant new releases, the nationwide box office over the Friday to Sunday period, however, dropped to $6.75 million. This was the lowest scoring weekend since the first half of May.

according to IMDB’s Box Office Mojo.The Marvel Comics flick, which stars real-life couple Tom Holland and Zendaya, is projected to rake in $6.1 million on this four-day weekend, per Variety.“Bullet Train” is still chugging along — holding onto second place with $1.1 million in sales. It was recently announced that the Brad Pitt picture already has an accompanying line of Funko Pop dolls, which will be available for purchase in January.

J. Kim Murphy Hey, North America, today is supposed to be National Cinema Day — didn’t you get the memo? The domestic box office is looking so slow this Labor Day weekend that a re-release of “Spider-Man: No Way Home” — a superhero film that first hit theaters almost nine months ago — may make a return to the top of the charts. Though the third Tom Holland-led Spidey film debuted in theaters in December 2021, Sony is releasing the “More Fun Stuff Version” in 3,935 theaters over the holiday weekend, hoping to lure devoted fans back to the big screen with its promise of 11 minutes of unseen footage.

SATURDAY AM UPDATE: “Estimates aren’t worth a whole lot this morning thanks to the brilliant idea of National Cinema Day” cried one industry source to us this morning about the challenges for studio box office analysts to peg exactly what’s going to be No. 1 over the 4-day holiday weekend. Despite all good intentions by the Cinema Foundation to drive business over a slow weekend, taking a page out of the book from what’s been down in Spain to spike admissions, it’s not creating a windfall of cash for the marketplace, but several movies are projected to show a 150%-200% gain in their Saturday box office over Friday thanks to $3 tickets on National Cinema Day today.

Neon in association with National Geographic Documentary Films said director Sara Dosa’s Fire of Love will cross $1 million at the box office this weekend, becoming the biggest documentary release of the year for combined domestic and international gross. The film opened this summer and is entering its ninth week in theaters nationally. It will stream on Disney+ later this year.

Most of the 21 Broadway productions on the boards last week showed some signs of summer doldrums, with 17 shows reporting drops in box office over the previous week. Still, with The Music Man back on the roster after a week’s hiatus, the overall total box office take of $23,513,592 was up about 6%.

Brent Lang Executive Editor of Film and Media After Warner Bros. executives signed off on the risky decision to bankroll their $90 million look at the life of Elvis Presley with a little-known actor portraying the hip-swinging rocker, producer Gail Berman reached for her phone. She wanted to immortalize the moment for Austin Butler, the man who reportedly beat out the likes of Ansel Elgort and Miles Teller to land the kind of role that can make a career. “I needed to take a photo of all these people sitting around after they made a decision that was going to mark a major change in Austin’s life,” says Berman. “It was wonderful that they saw from his screen test just how good he was, and that they were ready to support him on this journey.”

J. Kim Murphy In a summer that’s often seen only one new wide release in a weekend, a whopping three new films hit theaters on Friday: Sony’s horror-thriller “The Invitation,” George Miller’s “Three Thousand Years of Longing” and bank heist movie “Breaking,” starring John Boyega. However, none of them seem to be making much of an impact, as the total box office projects a sum in the $50 million to $60 million range. That wouldn’t just be the worst weekend of the summer, but also the worst since February. “The Invitation” is tracking ahead of the other two, as it looks to claim the weekend’s top spot with a meagre $6 million to $7 million gross from 3,114 locations in its opening. Critics didn’t really care for the movie — it landed a 40% approval rating from review aggregate website Rotten Tomatoes — and audiences were perhaps more unenthused. The film holds a “C” grade from research firm Cinema Score, indicating a rather snoozy reception from general consumers.

of “Top Gun: Maverick” earlier this year.Kilmer made the revelation during an email interview with IGN — he’s unable to speak after a tracheotomy several years ago — that was posted on the reporter’s Twitter feed.“We now have multiple universes in comic book movies where actors who’ve played Batman or Spider-Man in the past team up with the current actor playing the role. Would you have any interest in playing Batman/Bruce Wayne again even in a cameo?” asked the IGN reporter.

Broadway box office drooped in the final, sun-baked weeks before the Fall arrivals of new shows, with the roster of productions down to 20 last week and total box office slipping 19% from the previous week to $22,232,527.

Wise men say only fools predict that adult films don’t work at the pandemic box office, however, older moviegoers kept falling in love with Warner Bros.’ Elvis this summer to the point where it’s now director Baz Luhrmann’s highest grossing movie ever of his career in U.S./Canada with $144.851M, beating the original run of his 2013 title, The Great Gatsby, which made $144.84M.

Continuing its hypersonic run, Paramount/Skydance’s Top Gun: Maverick has, in its 13th weekend of release, crossed the $1.4B mark worldwide, lifting the cume to a touch over $1.403B through today.

“Top Gun: Maverick” has moved up another spot on the all-time domestic box office charts, passing the $678.8 million total of Marvel’s 2018 megahit “Avengers: Infinity War.”Buoyed by the return of premium format support as well as a lack of major new releases during the end-of-summer period, “Top Gun: Maverick” briefly slid out of the top 5 on the weekend charts two weeks ago but has returned with renewed legs during this late stage in its extended theatrical run. While the film will be released on digital platforms this Tuesday, it is still on course to pass the $700 million run of “Black Panther” to become one of the top 5 highest grossing films in North American history.

Rebecca Rubin Film and Media ReporterThe milestones keep rolling in. “Top Gun: Maverick” has collected $679 million in North America, enough to overtake Marvel’s “Avengers: Infinity War” ($678 million) as the sixth-highest grossing movie in domestic box office history.It’s an especially impressive benchmark because 2018’s every-hero-but-the-kitchen-sink adventure “Avengers: Infinity War” had a little help in building up anticipation. It served as part one (2019’s “Endgame” was part two) of Marvel’s epic culmination of more than 20 movies — most of which were box office juggernauts in their own right — over 10 years.

Patrick Frater Asia Bureau ChiefSpace comedy Moon Man held on to the top spot at the mainland China box office for a third weekend. It has now accumulated $363 million.Released on July 29, “Moon Man” earned RMB217 million ($32.4 million) between Friday and Sunday earning some 45% of the nationwide weekend total, according to data from consultancy Artisan Gateway. The film’s invulnerability underlines once again how the Chinese exhibition and distribution sector has become focused on major hits and top-heavy.There could scarcely be more powerful demonstration of that than the photographs carried over the weekend by Mainland Chinese of Hong Kong star Louis Koo apparently in tears over the disappointing box office stars for “Warriors of Future,” the sci-fi fantasy that he starred in, financed and produced.