SAG-AFTRA responded to Sarah Silverman’s criticism over the union allowing certain projects to film amid its strike with the Alliance of Motion Picture and Television Producers (AMPTP) over labor disputes.
19.07.2023 - 22:11 / usmagazine.com
Tom Cruise attempted a real-life mission impossible ahead of the SAG-AFTRA strike going into effect.
Cruise, 61, met with both the Screen Actors Guild – American Federation of Television and Radio Artists (SAG-AFTRA) and the Alliance of Motion Picture and Television Producers (AMPTP) about various issues between the two organizations ahead of the breakdown of contract negotiations, according to The Hollywood Reporter.
In addition to asking the AMPTP — which represents the major studios including Netflix, Amazon, Apple, Disney, Discovery-Warner, NBC Universal, Paramount and Sony — for performer protection against generative artificial intelligence and proposals on behalf of stunt coordinators and performers, the actor encouraged SAG-AFTRA to allow members of the guild to continue promoting their new projects even in the midst of the strike.
Cruise was traveling the world promoting his latest film, Mission: Impossible — Dead Reckoning Part One when SAG’s strike took effect on July 14, and THR reports he was most prominently concerned with overall box office results, something that will inevitably be affected by the lack of PR in a post-pandemic world.
Earlier this month, SAG — which represents more than 160,000 TV and film actors — voted to on strike after the AMPTP did not reach an agreement on fair wages, residual payment snap artificial intelligence in the industry. The labor union joins the Writers Guild of America (WGA), who also previously voted to go on strike in May after their contract negotiations with the studios also broke down.
According to SAG’s current rules, actors and performers are barred from participating in any publicity that promotes struck work including interviews, press tours,
SAG-AFTRA responded to Sarah Silverman’s criticism over the union allowing certain projects to film amid its strike with the Alliance of Motion Picture and Television Producers (AMPTP) over labor disputes.
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Challengers,” starring Zendaya, which had been set as the Venice Film Festival opener, has been pulled from the festival due to promotional complications prompted by the SAG-AFTRA strike. Venice has announced that the sexy sports comedy — in which Zendaya plays a former tennis prodigy turned coach entangled in a love triangle with two pro tennis players, played by Josh O’Connor and Mike Faist — has changed its distribution strategy. The film’s promotion has been disrupted by the current actors strike, which prohibits SAG-AFTRA union members from doing any type of promotional activity. This means Zendaya, O’Connor and Faist would not have been able to launch the film on Aug. 30 on the Venice red carpet.
Manori Ravindran Executive Editor of International “Succession” star Brian Cox and “Catastrophe’s” Rob Delaney are among the confirmed speakers at a London rally in support of the SAG-AFTRA strike. U.K. actors union Equity revealed plans earlier this week for two major demonstrations on Friday in solidarity with the actors strike. Twin rallies will take place at noon local time in London’s Leicester Square and in Manchester’s Media City. Speakers so far scheduled for the London rally include Cox and Delaney as well as “The Pact” and “Alex Rider” star Rakie Ayola, Equity general secretaries Paul W. Fleming and Lynda Rooke, and Bectu boss Philippa Childs. Member of Parliament John McDonnell is also set to speak.
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Elsa Keslassy International Correspondent French film guilds representing authors, directors and producers have released a joint letter pledging their “full solidarity” with the SAG-AFTRA and WGA double strike. “This battle that’s shaping tomorrow’s industry crosses borders. It’s also ours,” reads the letter, which was signed by the ARP (authors, directors, producers) and SRF (society of French directors), the governing body of Cannes’ Directors’ Fortnight. The letter says the double strike “signals a turning point where the questions of sharing of wealth and integration of new models and AI are central.”
Stephen Rodrick Fran Drescher is on a hero’s journey. I know because she told me. We talked on Monday for about an hour as the actors’ strike moved into a second week. So far, it’s been very dramatic. Last Thursday, Drescher gave her version of Shakespeare’s Henry V’s St. Crispins Day speech with “we happy few” replaced by all American workers via “I think that the whole world is looking at us right now, because human beings in all different walks of life are being replaced by robots.” The speech launched a thousand labor-supporting memes and left reporters wondering if “The Nanny” was the new Norma Rae. Drescher carried the mojo into the first day of picketing on Friday when she called Disney CEO Bob Iger a medieval land baron for discourse launched from his Sun Valley Summer Camp.
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Leonardo DiCaprio is standing with his fellow actors. The “Revenant” star took to his Instagram Stories to show his support not long after it was announced that SAG-AFTRA (Screen Actors Guild – American Federation of Television and Radio Artists) formally approved a strike upon negotiations falling apart between the actors’ union and major Hollywood studios and streamers, who are represented by the AMPTP (Alliance of Motion Picture and Television Producers).
Leonardo DiCaprio is standing with his fellow actors. The star took to his Instagram Stories to show his support not long after it was announced that SAG-AFTRA (Screen Actors Guild — American Federation of Television and Radio Artists) formally approved a strike upon negotiations falling apart between the actors' union and major Hollywood studios and streamers, who are represented by the AMPTP (Alliance of Motion Picture and Television Producers).The actors will now join the writers on the picket line, marking the first time since 1960 that two major guilds will be striking at the same time.
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Brent Lang Executive Editor “Mission: Impossible – Dead Reckoning Part One” netted $8.3 million at the box office on Thursday, pushing the action sequel’s North American gross to $23.8 million after two days of release. The film, which finds Tom Cruise’s Ethan Hunt hurtling off cliffs, fighting knife-wielding bad guys on trains and evading pursuers while driving a Fiat through the streets of Rome, was incredibly expensive to produce. Shot during the pandemic (with all the attendant shutdowns, delays and health protocols that were a staple of the COVID era), the budget on the film ballooned to $290 million. So “Mission: Impossible” will need to generate a lot of repeat business if it’s going to turn a profit, and it needs to boom at the global box office.