Vivienne Jolie-Pitt‘stall stature was very apparent while she was out on a shopping excursion at H&M in London alongside her superstar mother, Angelina Jolie, 46 on Oct.26.
09.10.2021 - 17:29 / deadline.com
Titane filmmaker Julia Ducournau didn’t just make history this year as the first female director to win Cannes Film Festival’s Palme d’Or solo, she was also the first to find out she had won the prize twice during the ceremony.
Jury president Spike Lee famously inadvertently lifted the lid on the film’s triumph at the beginning of the awards night after a communication error. “I was in shock,“ recalled Ducournau today at Contenders London, “I started doubting myself, I thought he had misread, I
Vivienne Jolie-Pitt‘stall stature was very apparent while she was out on a shopping excursion at H&M in London alongside her superstar mother, Angelina Jolie, 46 on Oct.26.
Frances McDormand and Joel Coen get cozy on the red carpet at the premiere of The Tragedy Of Macbeth during the 2021 BFI London Film Festival at The Royal Festival Hall on Sunday (October 17) in London, England.
K.J. Yossman When a friend told director, writer and actor Missy Malek about a real-life group of disabled drug dealers operating in London, Malek instantly knew she had the makings of a film.“The second I heard it, I was like, ‘Yes, yes, amazing.
Lise Pedersen Marking the climax to this year’s Lumière Festival, Jane Campion, the first woman filmmaker to win a Palme d’Or (sharing the award for “The Pianist” in 1993), accepted the Prix Lumière in France’s Lyon on Friday night from Julia Ducournau, the second woman filmmaker to pick up Cannes’ prestigious top prize.With characteristic humility, Campion took to the stage with a big smile, saying: “I’m really moved – I’m a New Zealander: we don’t do this stuff, we don’t do emotion about
Hannah Waddingham just stepped out in one of her best red carpet looks yet!
Cyrano star Haley Bennett joined production designer Sarah Greenwood and set decorator Katie Spencer on stage at Deadline’s Contenders Film: London event to discuss the film.
Director Edgar Wright and writer Krysty Wilson-Cairns told the audience at Contenders London today that bringing their own experiences of living in London was integral to the making of their upcoming Focus Features pic Last Night In Soho.
Kenneth Branagh’s Belfast tells the story of a fictional nine-year-old version of himself during the Troubles in late 1960s Northern Ireland. Today, he told Deadline’s Contenders Film: London event that he had long wanted to write something about the city, but was thinking “perhaps there was a story about my grandparents,” until the pandemic came around.
Siân Heder’s coming-of-age drama CODA, which was the first feature in Sundance history to win all the top prizes, has made audiences cry, but it’s also made them laugh.
Oscar winner Jennifer Hudson joined me virtually as part of the MGM/United Artists Releasing presentation at the Deadline Contenders Film: London event taking place today in front of an audience of awards voters in England and serving as a launch to this Oscar season.
Cary Joji Fukunaga, director of No Time To Die, is evidently pleased that the latest James Bond film – the last featuring Daniel Craig as 007 – was released theatrically.
Clio Barnard took inspiration from two people she met while filming previous films for Ali & Ava, which premiered at the 2021 Cannes Film Festival.
George Clooney has described his The Tender Bar lead Ben Affleck as “a really wonderful actor who hasn’t been given a lot of great parts to show that off.”
Denis Villeneuve told the audience at Contenders London today that embarking on an adaptation of Frank Herbert’s epic 1965 sci-fi book Dune was the “project of a lifetime” for him.
Fresh from blowing open the London Film Festival with his irrepressible Netflix title The Harder They Fall, director Jeymes Samuel came to Deadline’s Contenders Film: London today for a lively panel with his leading man, Jonathan Majors. Set in the American West around the turn of the last century, the film stars Majors as outlaw Nat Love.
Kirsten Dunst and Benedict Cumberbatch were so deep in character for Jane Campion’s upcoming Netflix thriller The Power Of The Dog that they didn’t speak to each other on set.
With Venice Grand Jury Prize winner The Hand Of God, Paolo Sorrentino wanted to make a change. “For 20 years, I did a precise kind of movie and I was a little bit tired about that… When I turned 50, I thought it was the right moment to change everything, to change the producer, the crew, the tone, the style. Even the cinema can run the risk to be a routine,” he told Deadline’s Contenders Film: London event today.
Rebecca Hall revealed a personal link to her directorial debut Passing at Deadline’s Contenders Film: London this morning. Joined on stage by stars Ruth Negga and André Holland, she explained why she adapted Nella Larsen’s 1929 novel. “My mother’s from Detroit and her father was African American and passed for white his whole life. When I read the book, it clicked into place: obviously that’s what my grandfather did — for his family, his children’s life.”
The Lost Daughter stars Dakota Johnson and Jessie Buckley have spotlighted the “raw and unnerving honesty” of Maggie Gyleenhall’s upcoming Elena Ferrante adaptation, her directorial debut.
Riz Ahmed scored a worthy Oscar nomination earlier this year in Sound Of Metal as a heavy metal drummer stricken with hearing loss, and in the latest film by Beast director Michael Pearce he shows even more range. In Amazon’s Encounter he stars a Marine who sets out on a secret mission to save his two pre-teen sons (Lucian-River Chauhan and Aditya Geddada) from a mysterious alien threat.