Ben Croll As director Alex Ruhl’s “Rock, Paper, Scissors” continues an international festival tour, the project’s funder has sent out a message to other immersive titles considering public support: BFI Network is open for business. “We are open for all applications, and accepting narrative fiction VR projects,” says BFI Network talent exec Alexzandra Jackson. “I had such a good experience working with Alex [Ruhl] on ‘Rock, Paper, Scissor’ that I would certainly love the opportunity to work on more.” The new and emerging talent arm of the BFI, BFI Network looks to invest in filmmakers outside of London and Southeast England, keeping scouts in a number of English regions and satellite offices in Scotland, Northern Ireland and Wales. Since 2018, the development org has held an annual call for projects, offering up to £25,000 ($31,500) for short narrative fiction development titles.